Magnificats & Messa di Santa Cecilia

~ Release by J. S. Bach, C. P. E. Bach, A. Scarlatti (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Messa di Santa Cecilia (1720) - Credo - Credo in unum Deum
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge (in 1978-08)
recording of:
Messa di Santa Cecilia: Credo in unum Deum
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti3:05
2Messa di Santa Cecilia (1720) - Credo - Et incarnatus est
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge (in 1978-08)
recording of:
Messa di Santa Cecilia: Credo - Et incarnatus est
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti8:10
3Messa di Santa Cecilia (1720) - Credo - Et vitam venturi
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge (in 1978-08)
recording of:
Messa di Santa Cecilia: Credo - Et vitam venturi
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti2:54
4Messa di Santa Cecilia (1720) - Sanctus
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge (in 1978-08)
recording of:
Messa di Santa Cecilia: Sanctus
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti2:10
5Messa di Santa Cecilia (1720) - Agnus Dei
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge (in 1978-08)
recording of:
Messa di Santa Cecilia: Agnus Dei
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti6:39
6Magnificat, H772 - I Magnificat
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: I. Magnificat (Coro)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach3:00
7Magnificat, H772 - II Quia respexit humilitatem
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: II. Quia Respexit (Sop)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach5:43
8Magnificat, H772 - III Quia fecit mihi magna
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: III. Quia fecit mihi magna (Tenor)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach4:27
9Magnificat, H772 - IV Et misericordia
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: IV. Et misericordia (Coro)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach6:02
10Magnificat, H772 - V Fecit potentiam
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: V. Fecit potentiam (Bass)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach4:49
11Magnificat, H772 - VI Deposuit potentes
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: VI. Deposuit potentes (Alto)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach6:06
12Magnificat, H772 - VII Suscepit Israel
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: VII. Suscepit Israel (Alto)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach4:39
13Magnificat, H772 - VIII Gloria Patri
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: VIII. Gloria (Coro)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach1:55
14Magnificat, H772 - IX Sicut erat in principio
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: IX. Sicut erat in principio (Coro)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach6:12