# | Title | Artist | Rating | Length |
---|
C1 | Hallelujah, I Love Her So | Ray Charles | 3 | 2:34 |
C2 | Soul Finger | Bar Keys | | 2:19 |
C3 | In the Midnight Hour | Wilson Pickett | | 2:26 |
C4 | Funky Street | Arthur Conley | | 2:19 |
C5 | Everybody Needs Somebody to Love | Salomon Burke | | 2:43 |
C6 | Stand by Me | Ben E. King | | 2:50 |
D1 | Shake | Otis Redding | | 2:35 |
D2 | Mustang Sally | Wilson Pickett | 4 | 3:05 |
D3 | Last Night | The Mar Keys | 4 | 2:33 |
D4 | I Got a Woman- recording of:
- I Got a Woman
- writer:
- Ray Charles and Renald Richard
- publisher:
- Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Ray Charles | | 2:52 |
D5 | Try a Little Tenderness | Otis Redding | | 3:49 |
D6 | When a Men Loves a Woman- recorded in:
- Muscle Shoals, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- H.H.O. Ltd and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, United States (on 1966-02-17)
- part of:
- Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 54)
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:50 |