Classic Julie: Classic Broadway

~ Release by Julie Andrews (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1On a Clear Day
cover recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
3:38
2A Cock-Eyed Optimist
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, United States
recording of:
A Cockeyed Optimist (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
4:26
3Hello, Young Lovers
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (from 1992 to present) and Philips Records Ltd. (in 1992)
recording of:
Hello, Young Lovers (The King and I) (in 1992)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Ltd.
part of:
The King and I (Rodgers & Hammerstein musical)
3:12
4Here I’ll Stay
recording of:
Here I’ll Stay (from “Love Life”)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
part of:
Love Life (Musical by Lerner & Weill)
4:23
5My Fair Lady Suite
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
medley including a recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
medley including a recording of:
I’m an Ordinary Man (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
medley including a recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
medley including a recording of:
Just You Wait (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
medley including a recording of:
Overture (My Fair Lady)
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical, Spanish version)
part of:
My Fair Lady (full musical)
medley including a recording of:
Poor Professor Higgins (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
My Fair Lady (full musical)
medley including a recording of:
Show Me (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
medley including a recording of:
The Rain in Spain (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
medley including a recording of:
Wouldn’t It Be Loverly (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
medley including a recording of:
You Did It (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
My Fair Lady (full musical)
12:28
6Getting to Know You
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (from 1992 to present)
recording of:
Getting to Know You (The King and I) (in 1992)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
4:42
7Living in the Shadows
lead vocals [Victoria]:
Julie Andrews (English actress/vocalist)
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
recording of:
Living in the Shadows (from Victor/Victoria) (from 1995-10-26 until 1995-11-06)
lyricist:
Leslie Bricusse
composer:
Frank Wildhorn
part of:
Victor/Victoria (broadway musical)
3:29
8Bewitched
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, United States
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:57
9I Have Dreamed
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, United States
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
4:36
10My Funny Valentine
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger and orchestrator:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, United States
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:33
11Camelot Suite
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
medley including a recording of:
Camelot (from "Camelot")
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Camelot (full musical)
medley including a recording of:
Guenevere (Camelot)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Camelot (full musical)
medley including a recording of:
How to Handle a Woman (from “Camelot”)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Camelot (full musical)
medley including a recording of:
I Loved You Once in Silence (Camelot)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Camelot (full musical)
medley including a recording of:
If Ever I Would Leave You (from “Camelot”)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019))
part of:
Camelot (full musical)
medley including a recording of:
The Simple Joys of Maidenhood (Camelot)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Camelot (full musical)
medley including a recording of:
What Do the Simple Folk Do? (Camelot)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Camelot (full musical)
9:10
12Crazy World
lead vocals [Victoria]:
Julie Andrews (English actress/vocalist)
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
recording of:
Crazy World (from Victor/Victoria) (from 1995-10-26 until 1995-11-06)
lyricist:
Leslie Bricusse
composer:
Henry Mancini (US composer, conductor & arranger)
part of:
Victor/Victoria (broadway musical)
3:20
13If I Loved You
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, United States
cover recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
3:59
14Edelweiss
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, United States
recording of:
Edelweiss (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3:52
15The Sound of Music
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (sound engineer) (in 1994-05)
producer:
Jay David Saks (classical/opera producer)
mixer and editor:
Ken Hahn and Jay David Saks (classical/opera producer)
vocals:
Julie Andrews (English actress/vocalist)
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
arranger:
Ian Fraser (English composer, conductor, orchestrator, arranger and music director)
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1994)
recorded at:
CTS Studios in Wembley (in 1994-03) and Group IV Studios in Hollywood, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, United States
recording of:
The Sound of Music (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!) and Williamson Music Company
part of:
The Sound of Music (Rodgers & Hammerstein musical)
5:07