The Rock Collection: Guitar Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Sabre Dance
partial instrumental cover recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
instrumental cover recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Love Sculpture feat. Dave Edmunds34:53
2Bell Bottom Blues
executive producer:
Tom Dowd
producer:
Derek and the Dominos
bass guitar and percussion:
Carl Radle
drums (drum set) and percussion:
Jim Gordon (US drummer with Derek and the Dominos)
guitar family and lead vocals:
Eric Clapton
organ:
Bobby Whitlock
vocals:
Bobby Whitlock
arranger:
Derek and the Dominos
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1970)
recorded at:
Criteria Studios in Miami, United States (on 1970-09-02)
recording of:
Bell Bottom Blues (on 1970-09-02)
lyricist and composer:
Eric Clapton
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Derek and the Dominos4.155:05
3All Night Long
recording engineer:
Leigh Mantle and Dr. Michael Palmer (engineer)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
recording of:
All Night Long (in 1979-04)
writer:
Ritchie Blackmore and Roger Glover
publisher:
Blackmore Music and Thames Talent Publishing Ltd.
Rainbow43:52
4Jemima Surrender
recording of:
Jemima Surrender
writer:
Levon Helm and Robbie Robertson
The Band3:32
5Memphis
producer:
Faces (successor of "Small Faces", members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
piano:
Ian McLagan
lead vocals:
Rod Stewart
cover recording of:
Memphis, Tennessee
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Faces5:31
6Holyanna
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
Holyanna
writer:
David Paich and Jeff Porcaro
Toto44:18
7Everything’s Coming Our Way
recording engineer:
Mike Larner (on 1971-06-17)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band) and Carlos Santana
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-17)
background vocals:
Coke Escovedo (on 1971-06-17) and Linda Tillery (AKA Sweet Linda Divine) (on 1971-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1971)
recorded at:
Columbia Studios in San Francisco, United States (on 1971-06-17)
recording of:
Everything's Coming Our Way (on 1971-06-17)
lyricist and composer:
Carlos Santana
publisher:
Petra Music
Santana4.53:19
8I’m Waiting for the Man
recording of:
I’m Waiting for the Man
lyricist and composer:
Lou Reed
publisher:
Screen Gems and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Lou Reed & The Velvet Underground4:38
9Jessica
recording of:
Jessica
composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
The Allman Brothers Band54:03
10Fooled Around and Fell in Love
producer:
Elvin Bishop and Bill Szymczyk
recording of:
Fooled Around and Fell in Love
lyricist and composer:
Elvin Bishop
Elvin Bishop4.52:59
11Over and Over
Joe Walsh4:06
12(She’s) Sexy and 17
recording of:
(She’s) Sexy and 17
lyricist and composer:
Brian Setzer
Stray Cats3:12
▼ CD 2
#TitleArtistRatingLength
1Long Time
Boston3:05
2Crossroads
recording engineer:
Tom Dowd and Bill Halverson
engineer:
Adrian Barber (producer/engineer)
producer:
Felix Pappalardi
drums (drum set):
Ginger Baker (on 1968-03-10)
electric bass guitar:
Jack Bruce (on 1968-03-10)
electric guitar:
Eric Clapton (on 1968-03-10)
vocals:
Eric Clapton (on 1968-03-10)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968) and Universal International Music B.V. (company, do not use as label) (in 1968)
recorded at:
Winterland Ballroom in San Francisco, United States (on 1968-03-10)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 409)
live cover recording of:
Cross Road Blues (a/k/a “Crossroads”) (on 1968-03-10)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Cream4.54:16
3I Pity This Fool
Manish Boys feat. Jimmy Page2:13
4From Small Things Big Things Grow
Dave Edmunds3:32
5Born to Be a Rock ’n’ Roll Man
Albert Lee3:11
6Sweet Dreams
producer:
Peter K. Siegel (American folk producer, engineer & banjo player)
drums (drum set):
Ned Davis (drums) (in 1972-07)
electric bass guitar [bass]:
Pete Van Allen (bass) (in 1972-07)
electric guitar [lead guitar]:
Roy Buchanan (in 1972-07)
electric guitar [rhythm guitar]:
Teddy Irwin (guitarist) (in 1972-07)
keyboard:
Dick Heintze (in 1972-07)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1972)
recorded at:
The Record Plant (New York) in Midtown Manhattan, United States (in 1972-07)
instrumental cover recording of:
Sweet Dreams (in 1972-07)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1955-12-28)
Roy Buchanan3:33
7Rockin’ Guitars
recording of:
Rockin Guitars
writer:
Steve Morse (American guitarist)
Steve Morse Band4:19
8Angel Eyes
Jeff Healey4:25
9China Grove
producer:
Ted Templeman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
China Grove
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
The Doobie Brothers4.83:18
10Honey Don’t Leave L.A.
recording engineer and mixer:
Val Garay
producer:
Peter Asher
acoustic guitar, background vocals and lead vocals:
James Taylor (singer-songwriter and guitarist)
bass guitar:
Leland Sklar (bassist, session musician)
cowbell:
Peter Asher
drums (drum set) and percussion:
Russell Kunkel
guitar [guitars]:
Danny Kortchmar
keyboard:
Dr. Clarence McDonald
saxophone:
David Sanborn
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
recorded at and mixed at:
The Sound Factory (1969–1980) in Los Angeles, United States (from 1977-03-15 until 1977-04-24)
recording of:
Honey Don’t Leave L.A.
lyricist and composer:
Danny Kortchmar
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Umlaut Corporation
James Taylor43:06
11Hot Blooded
edit of:
Hot Blooded by Foreigner (British/American rock band)
recording of:
Hot Blooded
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner43:05
12Lies
engineer:
Jerry Masters (US bassist & engineer, in The Hombres)
producer:
Audie Ashworth
baritone saxophone:
Norm Ray
bass:
David Hood
drums (drum set):
Roger Hawkins
electric piano:
Barry Beckett
guitar:
J.J. Cale and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
instruments:
J.J. Cale
trombone:
Bill Humble (trombone)
trumpet:
Don Sheffield and Bob Phillips (trumpet)
vocals:
Joann Sweeney
horn arranger:
Bob Holmes (US sax player)
recording of:
Lies
lyricist and composer:
J.J. Cale
J.J. Cale32:45

Credits

Release group

part of:The Rock Collection (Time-Life Music) (number: 29) (order: 29)