Arie, Madrigali & Cantate

~ Release by Monteverdi, Vivaldi, Handel; Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini (see all versions of this release, 2 available)

Tracklist

▼ CD 1
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1“Hor ch'è tempo di morire” ‘canzonetta spirituale sopra alla nanna’ per voce e continuo
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
recording of:
Canzonetta spirituale sopra la nana: Hor ch'è tempo di dormire
composer:
Tarquinio Merula (composer)
Tarquinio Merula8:50
2“Allor che Tirsi udia” cantata per voce e continuo
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Giovanni Salvatore8:33
3“Deh, memoria, e che più chiedi” cantata per alto e continuo
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Giacomo Carissimi7:22
4“Vorrei baciarti” a due alti e continuo
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
recording of:
Settimo libro de madrigali: Vorrei baciarti, o Filli, SV 123 (in 2004-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 123)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi5:28
5“Erme e solighe cime” [Endimione] in ‘La Calisto’, atto secondo, scena prima: I. “Erme e solighe cime”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Francesco Cavalli1:07
6“Erme e solighe cime” [Endimione] in ‘La Calisto’, atto secondo, scena prima: II. “Lucidissima face”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
recording of:
La Calisto: Act II: Lucidissima face
composer:
Francesco Cavalli (Baroque composer)
librettist:
Giovanni Faustini
part of:
La Calisto: Act 2
Francesco Cavalli3:09
7“Erme e solighe cime” [Endimione] in ‘La Calisto’, atto secondo, scena prima: III. “Qual sopor repentino”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Francesco Cavalli0:24
8“Erme e solighe cime” [Endimione] in ‘La Calisto’, atto secondo, scena prima: IV. “Sono cortese, o sonno”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Francesco Cavalli2:04
9“Se i languidi miei sguardi” lettera amorosa
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
recording of:
Se i languidi miei sguardi, SV 141 (in 2004-01)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 141)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi7:14
10“Costei ch'in mezzo al volto scritt'ha il mio cor” cantata per e continuo: I. “Costei ch'in mezzo al volto scritt'ha il mio cor”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Giovanni Legrenzi1:04
11“Costei ch'in mezzo al volto scritt'ha il mio cor” cantata per e continuo: II. “Ad un cenno de la ciglia”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Giovanni Legrenzi0:43
12“Costei ch'in mezzo al volto scritt'ha il mio cor” cantata per e continuo: III. “Non è però che a sì possente impero”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Giovanni Legrenzi0:31
13“Costei ch'in mezzo al volto scritt'ha il mio cor” cantata per e continuo: IV. “Care noie, graditi impacci”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
Giovanni Legrenzi3:04
14“Lungi da me pensier tiranno” cantata per alto e continuo: I. “Lungi da me pensier tiranno!”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
partial recording of:
Lungi da me, pensier tiranno, HWV 125b (in 2004-01)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 125b)
George Frideric Handel0:43
15“Lungi da me pensier tiranno” cantata per alto e continuo: II. “Pensier crudele”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
partial recording of:
Lungi da me, pensier tiranno, HWV 125b (in 2004-01)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 125b)
George Frideric Handel2:49
16“Lungi da me pensier tiranno” cantata per alto e continuo: III. “Ma se Amor ciò contrasta”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
partial recording of:
Lungi da me, pensier tiranno, HWV 125b (in 2004-01)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 125b)
George Frideric Handel0:32
17“Lungi da me pensier tiranno” cantata per alto e continuo: IV. “Fuggi da questo sen”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
partial recording of:
Lungi da me, pensier tiranno, HWV 125b (in 2004-01)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 125b)
George Frideric Handel1:59
18“Lungi da me pensier tiranno” cantata per alto e continuo: V. “Non sa il mio cor sincero”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
partial recording of:
Lungi da me, pensier tiranno, HWV 125b (in 2004-01)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 125b)
George Frideric Handel0:42
19“Lungi da me pensier tiranno” cantata per alto e continuo: VI. “Tirsi amato, adorato mio nume”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
partial recording of:
Lungi da me, pensier tiranno, HWV 125b (in 2004-01)
composer:
George Frideric Handel (German‐British baroque composer) (from 1710 to ????)
part of:
Händel-Werke-Verzeichnis (number: HWV 125b)
George Frideric Handel5:00
20”Pianti, sospiri e dimandar mercede” cantata per alto e continuo RV 676: I. ”Pianti, sospiri e dimandar mercede”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
recording of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": I. Recitativo "Pianti, sospiri e dimandar mercede" (in 2004-01)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Antonio Vivaldi1:04
21”Pianti, sospiri e dimandar mercede” cantata per alto e continuo RV 676: II. “Lusinga è del nocchier”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
recording of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": II. Aria. Larghetto "Lusinga è del nocchier" (in 2004-01)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Antonio Vivaldi5:01
22”Pianti, sospiri e dimandar mercede” cantata per alto e continuo RV 676: III. “O ingannato nocchiero”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
recording of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": III. Recitativo "O ingannato nocchiero" (in 2004-01)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Antonio Vivaldi0:52
23”Pianti, sospiri e dimandar mercede” cantata per alto e continuo RV 676: IV. “Cor ingrato, dispietato”
sound engineer, producer and editor:
Laurence Heym
instruments:
Concerto Italiano (in 2004-01)
contralto vocals:
Sara Mingardo (contralto) (in 2004-01)
conductor:
Rinaldo Alessandrini (conductor) (in 2004-01)
recorded at:
Pontificio Istituto di Musica Sacra: Sala Accademica in Roma (in 2004-01)
recording of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede": IV. Aria. Allegro molto "Cor ingrato, dispietato" (in 2004-01)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto Voice and Continuo, RV 676 "Pianti, sospiri e dimandar mercede"
Antonio Vivaldi3:22

Credits

Release

photography:Ferruccio Nobile Migliore (photographer)
Laure Vasconi (photographer)
liner notes:Olivier Rouvière
liner notes translator:Charles Johnston (liner notes author)
executive producer:Hervé Boissière
cello:Luca Peverini
harpsichord:Rinaldo Alessandrini (conductor)
theorbo:Ugo Di Giovanni
violin:Mauro Lopes Ferreira (violinist)
Francesca Vicari (violinist)
Discogs:https://www.discogs.com/release/7852452 [info]
ASIN:FR: B00164LYYK [info]