Shakespeare Songs

~ Release by Ian Bostridge, Antonio Pappano (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Let Us Garlands Bring, op. 18: I. Come Away, Come Away Death
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Let Us Garlands Bring, op. 18: 1. Come Away, Come Away, Death (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Gerald Finzi (composer) (from 1938 until 1940)
part of:
Let Us Garlands Bring, op. 18
Gerald Finzi3:39
2Let Us Garlands Bring, op. 18: II. Who Is Silvia?
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Let Us Garlands Bring, op. 18: 2. Who Is Silvia? (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Gerald Finzi (composer) (from 1938 until 1940)
part of:
Let Us Garlands Bring, op. 18
Gerald Finzi1:27
3Let Us Garlands Bring, op.18: III. Fear No More the Heat o' the Sun
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Let Us Garlands Bring, op. 18: 3. Fear No More the Heat O' the Sun (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Gerald Finzi (composer) (from 1938 until 1940)
part of:
Let Us Garlands Bring, op. 18
Gerald Finzi5:34
4Let Us Garlands Bring, op. 18: IV. O Mistress Mine
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Let Us Garlands Bring, op. 18: 4. O Mistress Mine (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Gerald Finzi (composer) (from 1938 until 1940)
part of:
Let Us Garlands Bring, op. 18
Gerald Finzi1:53
5Let Us Garlands Bring, op. 18: V. It Was a Lover and His Lass
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Let Us Garlands Bring, op. 18: 5. It Was a Lover and His Lass (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Gerald Finzi (composer) (from 1938 until 1940)
part of:
Let Us Garlands Bring, op. 18
Gerald Finzi2:38
6Caleno Custore Me
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
lute:
Elizabeth Kenny (lutenist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Callino Casturame, variations for keyboard, MB 35 (from 2016-02-07 until 2016-02-11)
composer:
William Byrd (English composer)
part of:
Musica Britannica Volume 27's catalogue of William Byrd's keyboard music (number: 35)
William Byrd3:20
7It Was a Lover and His Lass
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
lute:
Elizabeth Kenny (lutenist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
First Book of Ayres: It Was a Lover and His Lass (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Morley (English Renaissance composer) (until 1600)
is based on:
A Lover and His Lass (original poem)
part of:
First Book of Ayres
Thomas Morley3:27
8Take O Take Those Lips Away
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
lute:
Elizabeth Kenny (lutenist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Take, Oh Take Those Lipps Away (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Wilson (English baroque composer and lutenist)
John Wilson2:12
9O Mistress Mine
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
lute:
Elizabeth Kenny (lutenist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Consort Lessons, Book 1: O Mistress Mine (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:11
10Where the Bee Sucks
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
lute:
Elizabeth Kenny (lutenist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Where the Bee Sucks (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer)
Robert Johnson1:12
11Full Fathom Five
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
lute:
Elizabeth Kenny (lutenist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Full Fathom Five Thy Father Lies (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer) (in 1611)
Robert Johnson3:26
12An Silvia, D. 891
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
An Sylvia, D. 891 (for voice and piano) (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert2:35
13She Never Told Her Love, Hob. XXVIa:34
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
She Never Told Her Love, Hob. XXVIa:34 (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. XXVIa:34)
Joseph Haydn3:42
143 Shakespeare Songs, op. 6: I. Come Away, Death
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Come Away Death, op. 6 no. 1 (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Roger Quilter (in 1905)
part of:
Three Shakespeare Songs, op. 6
Roger Quilter2:51
155 Elizabethan Songs: III. Under the Greenwood Tree
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Five Elizabethan Songs, No. 3: Under the Greenwood Tree (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Ivor Gurney (in 1912)
part of:
Five Elizabethan Songs
Ivor Gurney1:35
165 Shakespeare Songs: III. Pretty Ring Time
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Pretty Ring Time (for voice and piano) (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Peter Warlock (composer) (in 1925)
Peter Warlock1:17
17Sweet and Twenty
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Sweet and Twenty (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Peter Warlock (composer)
Peter Warlock1:21
184 Shakespeare Songs, op. 31: I. Desdemona's Song
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
4 Shakespeare Songs, Op. 31: I. Desdemona's Song (from 2016-02-07 until 2016-02-11)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
4 Shakespeare Songs, Op. 31
Erich Wolfgang Korngold3:08
19Songs of the Clown, op. 29: I. Come Away Death
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Songs of the Clown, op. 29: No. 1. Come Away Death (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1943)
part of:
Songs of the Clown, op. 29
Erich Wolfgang Korngold2:25
20Songs of the Clown, op. 29: III. Adieu, Good Man Devil
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Songs of the Clown, op. 29: No. 3. Adieu Good Man Devil (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1943)
part of:
Songs of the Clown, op. 29
Erich Wolfgang Korngold0:45
21Fancie, FP 174
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Fancy, FP 174 (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Francis Poulenc (pianist and composer) (in 1959)
part of:
Francis Poulenc’s works (FP) (number: FP 174)
Francis Poulenc1:27
22Fancie
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Fancie (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1962)
Benjamin Britten0:58
23Songs for Ariel: I. Come Unto These Yellow Sands
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Songs for Ariel: No. 1. Come unto these yellow sands (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Michael Tippett (composer) (in 1961)
quotes lyrics from:
The Tempest
part of:
Songs for Ariel
Sir Michael Tippett1:54
24Songs for Ariel: II. Full Fathom Five
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Songs for Ariel: No. 2. Full fathom five (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Michael Tippett (composer) (in 1961)
quotes lyrics from:
The Tempest
part of:
Songs for Ariel
Sir Michael Tippett2:06
25Songs for Ariel: III. Where the Bee Sucks
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
piano:
Antonio Pappano (conductor and pianist) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Songs for Ariel: No. 3. Where the bee sucks (from 2016-02-07 until 2016-02-11)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Michael Tippett (composer) (in 1961)
quotes lyrics from:
The Tempest
part of:
Songs for Ariel
Sir Michael Tippett1:04
263 Songs from William Shakespeare: I. Musick to Hear
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
clarinet:
Michael Collins (clarinetist & conductor) (from 2016-02-07 until 2016-02-11)
flute:
Adam Walker (English flautist) (from 2016-02-07 until 2016-02-11)
viola:
Lawrence Power (UK viola player) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Three Songs from William Shakespeare: I. Music to hear (from 2016-02-07 until 2016-02-11)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Three Songs from William Shakespeare
Igor Stravinsky2:52
273 Songs from William Shakespeare: II. Full Fadom Five
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
clarinet:
Michael Collins (clarinetist & conductor) (from 2016-02-07 until 2016-02-11)
flute:
Adam Walker (English flautist) (from 2016-02-07 until 2016-02-11)
viola:
Lawrence Power (UK viola player) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Three Songs from William Shakespeare: II. Full fathom five (from 2016-02-07 until 2016-02-11)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Three Songs from William Shakespeare
Igor Stravinsky2:04
283 Songs from William Shakespeare: III. Spring (When Daisies Pied)
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
clarinet:
Michael Collins (clarinetist & conductor) (from 2016-02-07 until 2016-02-11)
flute:
Adam Walker (English flautist) (from 2016-02-07 until 2016-02-11)
viola:
Lawrence Power (UK viola player) (from 2016-02-07 until 2016-02-11)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
Three Songs from William Shakespeare: III. When daisies pied (from 2016-02-07 until 2016-02-11)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Three Songs from William Shakespeare
Igor Stravinsky2:20
29When That I Was but a Little Tiny Boy
recording engineer:
Philip Siney (sound engineer)
producer:
John Fraser (UK producer)
editor:
Julia Thomas (engineer/producer)
tenor vocals:
Ian Bostridge (tenor) (from 2016-02-07 until 2016-02-11)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (from 2016-02-07 until 2016-02-11)
recording of:
When That I Was but a Little Tiny Boy (from 2016-02-07 until 2016-02-11)
composer:
[anonymous] (special purpose artist)
[anonymous]2:30

Credits

Release

photography:Giorgia Bertazzi (photographer)
Benjamin Ealovega
Simon Fowler (English photographer)
Richard Haughton (British photographer)
Kaupo Kikkas
liner notes:Christopher R. Wilson (Shakespeare scholar)
liner notes translator:Stefanie Schlatt (liner notes translator)
executive producer:Alain Lanceron
design:Paul Marc Mitchell (creative director/photographer, White Label Productions Ltd.)
ASIN:UK: B01H66YROU [info]