# | Title | Rating | Length |
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1 | Igor's Dream- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
| | 5:26 |
2 | Pura Emoción- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
- recording of:
- Pura Emoción (in 1995-02)
- composer:
- Chico O’Farrill
| | 3:01 |
3 | Pianitis- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
| | 6:02 |
4 | Campiña- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
| | 2:31 |
5 | Variations on a Well-Known Theme- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
| | 12:00 |
6 | Get Me to the Church on Time- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
- instrumental recording of:
- Get Me to the Church on Time (in 1995-02)
- lyricist:
- Alan Jay Lerner
- composer:
- Frederick Loewe
- publisher:
- Warner Chappell Music Ltd.
- part of:
- My Fair Lady
| | 3:36 |
7 | En la Obscuridad- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
- instrumental recording of:
- En la Obscuridad (in 1995-02)
- lyricist and composer:
- Rafael Solano Sanchez
| | 3:46 |
8 | Perdido- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
- recording of:
- Perdido (in 1995-02)
- composer:
- Juan Tizol
| | 3:55 |
9 | Chico and the Men- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
| | 4:00 |
10 | El Loco Blues- recording engineer:
- Troy Halderson (in 1995-02)
- mixer:
- Michael Semanick
- alto saxophone:
- Rolando Briceño (in 1995-02) and Lenny Hambro (in 1995-02)
- baritone saxophone:
- Pablo Calogero (in 1995-02)
- bass:
- Andy Gonzalez (in 1995-02)
- bongos and tubular bells [bells]:
- Manny Oquendo (in 1995-02)
- clarinet and flute:
- Rolando Briceño (in 1995-02), Bob Franceschini (in 1995-02), Lenny Hambro (in 1995-02) and Mario Rivera (in 1995-02)
- congas:
- Jerry Gonzalez (in 1995-02)
- drums (drum set), percussion and quinto:
- Steve Berrios (in 1995-02)
- French horn:
- Sharon Moe (in 1995-02) and Jeffrey Scott (in 1995-02)
- percussion [coro]:
- Steve Berrios (in 1995-02) and Elisabeth Monder (in 1995-02)
- piano:
- Arturo O’Farrill, Jr. (in 1995-02)
- soprano saxophone and tenor saxophone:
- Bob Franceschini (in 1995-02) and Mario Rivera (in 1995-02)
- trombone:
- Gerald Chamberlain (in 1995-02), Robin Eubanks (in 1995-02), Earl McIntyre (in 1995-02) and Papo Vasquez (in 1995-02)
- trumpet:
- Dan Collette (in 1995-02), Michael Mossman (in 1995-02), Tim Ouimette (in 1995-02), Victor Paz (in 1995-02) and Jim Seeley (in 1995-02)
- conductor:
- Chico O’Farrill (in 1995-02)
- arranger:
- Chico O’Farrill
- recorded at:
- Clinton Recording Studios in New York, United States (in 1995-02)
- mixed at:
- Fantasy Studios in Berkeley, United States
| | 5:16 |