Tchaikovsky Edition

~ Release by Pyotr Ilyich Tchaikovsky (see all versions of this release, 2 available)

Tracklist

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▼ CD 1: Symphony no. 1 "Winter Dreams" / 1812 Overture
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1Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Daydreams of a Winter Journey: Allegro tranquillo
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": I. Allegro tranquillo (Dreams of a Winter Journey) (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
13:00
2Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Land of Gloom, Land of Mist: Adagio cantabile ma non tanto
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
11:07
3Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo: Allegro scherzando giocoso
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
7:52
4Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale: Andante lugubre - Allegro moderato
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": IV. Finale. Andante lugubre - Allegro maestoso (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
11:39
51812 Ouverture: Festival Overture in E-flat, op. 49
orchestra:
London Philharmonic Orchestra (LPO) (in 1989)
conductor:
Sir Alexander Gibson (conductor) (in 1989)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1989)
premiered in:
Moscow (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
14:56
▼ CD 2: Symphony no. 2 "Little Russian" / Francesca da Rimini
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1Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1989-09)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (in 1989-09)
recorded at:
St Peter’s Church (Morden) in Morden (in 1989-09)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo (1880 revision [commonly performed]) (in 1989-09)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1879 until 1880)
is based on:
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro comodo (original 1872 version [rarely performed])
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
12:32
2Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale - quasi moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1989-09)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (in 1989-09)
recorded at:
St Peter’s Church (Morden) in Morden (in 1989-09)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato (1880 revision [commonly performed]) (in 1989-09)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marciale quasi Moderato (original 1872 version [rarely performed])
7:57
3Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: Allegro molto vivace
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1989-09)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (in 1989-09)
recorded at:
St Peter’s Church (Morden) in Morden (in 1989-09)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace (1880 revision [commonly performed]) (in 1989-09)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1879 until 1880)
is based on:
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace (original 1872 version [rarely performed])
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
5:57
4Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1989-09)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (in 1989-09)
recorded at:
St Peter’s Church (Morden) in Morden (in 1989-09)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo (1880 revision [commonly performed]) (in 1989-09)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai — Allegro vivo
11:31
5Francesca da Rimini: Symphonic Fantasia in E minor after Dante
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1989-09)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (in 1989-09)
recorded at:
St Peter’s Church (Morden) in Morden (in 1989-09)
recording of:
Francesca da Rimini, op. 32 (in 1989-09)
premiered in:
Moscow (on 1877-03-09)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1876-10 until 1876-11)
dedicated to:
Сергей Танеев (Russian composer, pianist, teacher of composition, music theorist and author)
part of:
The Tchaikovsky Handbook (number: TH 46), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 43) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 32)
26:17
▼ CD 3: Symphony no. 3 "Polish" / Hamlet - Fantasy Overture
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1Symphony no. 3 in D, op. 29 "Polish": I. Introduzione e allegro - Moderato assai (Tempo di marcia funebre) - Allegro brillante
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione e Allegro - Moderato assai - Allegro brillante (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
13:36
2Symphony no. 3 in D, op. 29 "Polish": II. Alla tedesca - Allegro moderato e semplice
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca. Allegro moderato e semplice (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
6:52
3Symphony no. 3 in D, op. 29 "Polish": III. Andante elegiaco
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
9:51
4Symphony no. 3 in D, op. 29 "Polish": IV. Scherzo: Allegro vivo
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
6:29
5Symphony no. 3 in D, op. 29 "Polish": V. Finale: Allegro con fuoco (Tempo di Polacca)
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1998)
conductor:
Владимир Федосеев (conductor) (in 1998)
recording of:
Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco – Tempo di Polacca (in 1998)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1875)
part of:
Symphony no. 3 in D major, op. 29 “Polish”
10:53
6Hamlet: Fantasy Overture for Orchestra in F minor, op. 67a
orchestra:
USSR State TV and Radio Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1999-06)
conductor:
Владимир Федосеев (conductor) (in 1999-06)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1999-06)
recording of:
Hamlet, op. 67 (in 1999-06)
premiered in:
Sankt-Peterburg (on 1888-11-24)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-06 until 1888-10-19)
dedicated to:
Edvard Grieg (composer)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 67)
19:02
▼ CD 4: Symphony no. 4 / Marche Slave
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1Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Геннадий Николаевич Рождественский (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima (in 1987-02)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
19:07
2Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Геннадий Николаевич Рождественский (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona (in 1987-02)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
9:42
3Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Геннадий Николаевич Рождественский (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato (in 1987-02)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
5:32
4Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Геннадий Николаевич Рождественский (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco (in 1987-02)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
9:13
5March Slave, op. 31
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Геннадий Николаевич Рождественский (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Marche slave in B-flat minor, op. 31 (in 1987-02)
premiered in:
Moscow (on 1876-11-18)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1876-09 until 1876-10)
part of:
The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31)
is based on:
Боже, Царя храни!
9:43
▼ CD 5: Symphony no. 5 / Capriccio italien
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1Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima (in 1987-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
15:24
2Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza - Moderato con anima
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza (in 1987-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
13:24
3Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1987-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
5:50
4Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (in 1987-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
12:23
5Capriccio Italien, op. 45
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Capriccio italien, op. 45 (in 1987-02)
premiered in:
Moscow (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
16:40
▼ CD 6: Symphony no. 6 "Pathétique" / The Storm
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1Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (in 1987-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
18:22
2Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (in 1987-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
7:25
3Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (in 1987-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
9:22
4Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (in 1987-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
10:31
5Overture: The Storm
orchestra:
London Symphony Orchestra (in 1987-02)
conductor:
Gennady Rozhdestvensky (conductor) (in 1987-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1987-02)
recording of:
The Storm, op. 76 (in 1987-02)
premiered in:
Sankt-Peterburg (on 1896-03-07)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1864)
premiered at:
[concert] (1896-03-07)
publisher:
Musikverlag M. P. Belaieff (in 1896)
part of:
The Tchaikovsky Handbook (number: TH 36), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 33) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 76)
14:17
▼ CD 7: Manfred Symphony / Romeo and Juliet - Fantasy Overture
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1Manfred Symphony in B minor, op. 58: I. Lento lugubre
organ:
Rod Elms (on 1983-06-04)
orchestra:
London Symphony Orchestra (on 1983-06-04)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (on 1983-06-04)
recording of:
Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante (on 1983-06-04)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1885-05 until 1885-09)
part of:
Manfred Symphony in B minor, op. 58
18:32
2Manfred Symphony in B minor, op. 58: II. Vivace con spirito
organ:
Rod Elms (on 1983-06-04)
orchestra:
London Symphony Orchestra (on 1983-06-04)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (on 1983-06-04)
recording of:
Manfred Symphony in B minor, op. 58: II. Vivace con spirito (on 1983-06-04)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1885-05 until 1885-09)
part of:
Manfred Symphony in B minor, op. 58
9:56
3Manfred Symphony in B minor, op. 58: III. Andante con moto
organ:
Rod Elms (on 1983-06-04)
orchestra:
London Symphony Orchestra (on 1983-06-04)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (on 1983-06-04)
recording of:
Manfred Symphony in B minor, op. 58: III. Pastorale. Andante con moto (on 1983-06-04)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1885-05 until 1885-09)
part of:
Manfred Symphony in B minor, op. 58
11:52
4Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco
organ:
Rod Elms (on 1983-06-04)
orchestra:
London Symphony Orchestra (on 1983-06-04)
conductor:
Юрий Иванович Симонов (Soviet and Russian conductor) (on 1983-06-04)
recording of:
Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco (on 1983-06-04)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1885-05 until 1885-09)
part of:
Manfred Symphony in B minor, op. 58
19:31
5Romeo and Juliet: Fantasy Overture after Shakespeare
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Alexander Gibson (conductor)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
19:33
▼ CD 8: Festival Overture on the Danish National Hymn / Hamlet: Overture and Incidental Music
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1Festival Overture on the Danish National Hymn, op. 15
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Festive Overture on the Danish National Anthem, op. 15 (in 1981-01)
premiered in:
Moscow (from 1866-09 until 1866-11)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1866-09 until 1866-11)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (from 1892-04 until 1892-05)
dedicated to:
Alexander III of Russia
was commissioned by:
Николай Рубинштейн (XIX century Russian pianist, conductor and composer)
publisher:
P. Jurgenson (in 1892)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 15), The Tchaikovsky Handbook (number: TH 40) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 37)
13:18
2Hamlet, op. 67bis: Overture
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Overture (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
is based on:
Hamlet, op. 67
part of:
Hamlet, op. 67a
10:05
3Hamlet, op. 67bis: Act I, Scene 1. Melodrama: Moderato assai
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act I, no. 1. Mélodrame. Moderato assai (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act I
1:34
4Hamlet, op. 67bis: Act I, Scene 4. Fanfare: Allegro vivo
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act I, no. 2. Fanfare. Allegro vivo (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act I
0:23
5Hamlet, op. 67bis: Act I, Scene 4. Melodrama: Moderato assai
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act I, no. 3. Mélodrame. Moderato assai (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act I
0:41
6Hamlet, op. 67bis: Act I, Scene 5. Melodrama: Allegro giusto ed agitato
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act I, no. 4. Mélodrame. Allegro giusto ed agitato (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act I
3:10
7Hamlet, op. 67bis: Act II, Entr'acte. Allegro semplice
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act II, no. 5. Entr'acte. Allegro semplice (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act II
3:03
8Hamlet, op. 67bis: Act II, Scene 2. Fanfare
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act II, no. 6. Fanfare. Allegro (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act II
0:25
9Hamlet, op. 67bis: Act III, Entr'acte. Andante quasi allegretto
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act III, no. 7. Entr'acte. Andante quasi allegretto (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act III
3:18
10Hamlet, op. 67bis: Act III, Scene 2. Fanfare
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
partial recording of:
Hamlet, op. 67a: Act III (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a
0:10
11Hamlet, op. 67bis: Act III, Scene 2. Fanfare
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
partial recording of:
Hamlet, op. 67a: Act III (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a
0:15
12Hamlet, op. 67bis: Act III, Scene 2. Melodrama: Allegro giusto ed agitato
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act III, no. 8. Mélodrame. Allegro giusto ad agitato (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act III
2:11
13Hamlet, op. 67bis: Act IV, Entr'acte. Andante non troppo ("Elegy for Strings")
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act IV, no. 9. Entr'acte. Andante non troppo (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act IV
7:14
14Hamlet, op. 67bis: Act IV, Scene 5. Ophelia's scene: Andantino
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
soprano vocals:
Janis Kelly (soprano) (in 1981-01)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act IV, no. 10. Scène d'Ophélie. Andantino (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act IV
2:25
15Hamlet, op. 67bis: Act IV, Scene 5. Ophelia's second scene: Moderato
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
soprano vocals:
Janis Kelly (soprano) (in 1981-01)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act IV, no. 11. Deuxième Scène d'Ophélie. Moderato (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act IV
2:13
16Hamlet, op. 67bis: Act V, Entr'acte. March: Moderato assai
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act V, no. 12. Entr'acte. Marcia. Moderato assai (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act V
5:27
17Hamlet, op. 67bis: Act V, Scene 1. Dead man's song: Andantino
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
baritone vocals:
Derek Hammond-Stroud (baritone) (in 1981-01)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act V, no. 13. Chant du Fossoyeur. Andantino (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act V
0:59
18Hamlet, op. 67bis: Act V, Scene 1. Funeral march: Moderato assai
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act V, no. 14. Marche funèbre. Marcia. Moderato assai (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act V
4:39
19Hamlet, op. 67bis: Act V, Scene 2. Fanfare: Allegro giusto
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act V, no. 15. Fanfare. Allegro giusto (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act V
0:21
20Hamlet, op. 67bis: Act V, Scene 2. Final march: Allegro risoluto ma non troppo
sound engineer:
Ralph Couzens (engineer/editor/producer) (in 1981-01)
assistant engineer:
Bill Todd (engineer) (in 1981-01)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
London Symphony Orchestra (in 1981-01)
conductor:
Geoffrey Simon (conductor) (in 1981-01)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1981-01)
recording of:
Hamlet, op. 67a: Act V, no. 16. Marche finale. Allegro risoluto ma non troppo (in 1981-01)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1891-01)
part of:
Hamlet, op. 67a: Act V
0:46
▼ CD 9: The Snow Maiden
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1The Snow Maiden: Introduction
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Prologue - No 1. Introduction (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Prologue
4:48
2The Snow Maiden: Dance and Choruses of the Birds
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Prologue - No 2. Dances and Chorus of Birds (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Prologue
5:40
3The Snow Maiden: Winter's Monologue
tenor vocals:
Alexander Archipov (in 1994)
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Prologue - No 3. Frost's Monologue (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Prologue
3:22
4The Snow Maiden: Carnival Procession
baritone vocals:
Николай Васильев (opera tenor) (in 1994)
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Prologue - No 4. Chorus of Farewell to Winter (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Prologue
7:05
5The Snow Maiden: Melodrama
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Prologue - No 5a. Melodrama (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Prologue
2:01
6The Snow Maiden: Interlude
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act I - No 5b. Entr'acte (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act I
1:22
7The Snow Maiden: Lehl's First Song
mezzo-soprano vocals:
Наталья Ерасова (mezzo-soprano) (in 1994)
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act I - No 6. Lel's First Song (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act I
3:57
8The Snow Maiden: Lehl's Second Song
mezzo-soprano vocals:
Наталья Ерасова (mezzo-soprano) (in 1994)
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act I - No 7. Lel's Second Song (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act I
1:33
9The Snow Maiden: Interlude
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act II - No 8. Entr'acte (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act II
3:12
10The Snow Maiden: Chant of the Blind Bards
baritone vocals:
Николай Васильев (opera tenor) (in 1994)
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act II - No 9. Chorus of Blind Gusli Players (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act II
4:02
11The Snow Maiden: Melodrama
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act II - No 10. Melodrama (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act II
4:09
12The Snow Maiden: Chorus of the people and the courtiers
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act II - No 11. Chorus of People and Courtiers (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act II
2:14
13The Snow Maiden: Round of the Young Maidens
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act II - No. 12. Khorovod Devushek (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act II
2:28
14The Snow Maiden: Dance of the Tumblers
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act II - No 13. Jester's Dance (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act II
4:37
15The Snow Maiden: Lehl's Third Song
mezzo-soprano vocals:
Наталья Ерасова (mezzo-soprano) (in 1994)
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act III - No 14a. Tret'la Pesnia Lelia (first version) (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act III
recording of:
The Snow Maiden, op. 12: Act III - No 14b. Tret'la Pesnia Lelia (second version) (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act III
6:43
16The Snow Maiden: Brussila's song
baritone vocals:
Николай Васильев (opera tenor) (in 1994)
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: 15. Pesnia Brusily (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
1:32
17The Snow Maiden: Apparation of the Spirit of the Wood
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act III - No 16. Appearance of the Wood Goblin and the Snow Maiden's Spirit (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act III
0:51
18The Snow Maiden: Interlude - The Spring Fairy
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act IV - No 17a. Entr'acte (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act IV
recording of:
The Snow Maiden, op. 12: Act IV - No 17b. Spring's Monologue, Chorus and Dances (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act IV
4:26
19The Snow Maiden: Tsar Berendey's March and Chorus
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act IV - No 18. Tsar Berendey's March and Chorus (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act IV
6:39
20The Snow Maiden: Final Chorus
mezzo-soprano vocals:
Наталья Ерасова (mezzo-soprano) (in 1994)
orchestra:
USSR State Symphony Orchestra (“Evgeny Svetlanov” / GASO) (in 1994)
conductor:
Андрей Чистяков (conductor) (in 1994)
recording of:
The Snow Maiden, op. 12: Act IV - No 19. Finale (in 1994)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Act IV
1:48
▼ CD 10: Orchestral Suites 1 & 2 "Suite caractéristique"
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1Orchestral Suite no. 1 in D minor, op. 43: I. Introduzione e Fuga
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 1 in D minor, op. 43: I. Introduzione e fuga. Andante sostenuto - Moderato e con anima (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878 until 1879)
part of:
Suite no. 1 in D minor, op. 43
9:27
2Orchestral Suite no. 1 in D minor, op. 43: II. Divertimento
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 1 in D minor, op. 43: II. Divertimento. Allegro moderato (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878 until 1879)
part of:
Suite no. 1 in D minor, op. 43
5:36
3Orchestral Suite no. 1 in D minor, op. 43: III. Intermezzo
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 1 in D minor, op. 43: III. Intermezzo. Andante semplice (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878 until 1879)
part of:
Suite no. 1 in D minor, op. 43
7:47
4Orchestral Suite no. 1 in D minor, op. 43: IV. Marche miniature
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 1 in D minor, op. 43: IV. Marche miniature. Moderato con moto (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878 until 1879)
part of:
Suite no. 1 in D minor, op. 43
2:00
5Orchestral Suite no. 1 in D minor, op. 43: V. Scherzo
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 1 in D minor, op. 43: V. Scherzo. Allegro con moto (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878 until 1879)
part of:
Suite no. 1 in D minor, op. 43
6:51
6Orchestral Suite no. 1 in D minor, op. 43: VI. Gavotte
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 1 in D minor, op. 43: VI. Gavotte. Allegro (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1878 until 1879)
part of:
Suite no. 1 in D minor, op. 43
4:54
7Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": I. Jeu de sons
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 2 in C major, op. 53: I. Jeu de sons. Andantino un poco rubato (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1883)
part of:
Suite no. 2 in C major, op. 53
9:54
8Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": II. Valse
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 2 in C major, op. 53: II. Valse. Moderato tempo di valse (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1883)
part of:
Suite no. 2 in C major, op. 53
5:44
9Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": III. Scherzo burlesque
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 2 in C major, op. 53: III. Scherzo burlesque. Vivace, con spirito (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1883)
part of:
Suite no. 2 in C major, op. 53
5:05
10Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": IV. Rêves d'enfant
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 2 in C major, op. 53: IV. Rêves d'enfant. Andante molto sostenuto (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1883)
part of:
Suite no. 2 in C major, op. 53
9:20
11Orchestral Suite no. 2 in C, op. 53 "Suite caractéristique": V. Danse baroque
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
recording of:
Suite no. 2 in C major, op. 53: V. Danse baroque. Vivacissimo (in 1987)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1883)
part of:
Suite no. 2 in C major, op. 53
4:03
▶ CD 11: Orchestral Suites 3 & 4 "Mozartiana"
▶ CD 12: Swan Lake: Beginning
▶ CD 13: Svan Lake: Conclusion
▶ CD 14: Sleeping Beauty: Prologue - Act I
▶ CD 15: Sleeping Beauty: Acts II & III
▶ CD 16: The Nutcracker: Act I
▶ CD 17: The Nutcracker: Act II
▶ CD 18: Piano Concertos 1 & 2
▶ CD 19: Piano Concerto no. 3 / Concert Fantasy
▶ CD 20: Violin Concerto / Sérénade mélancolique / Valse-scherzo / Souvenir d'un lieu cher
▶ CD 21: Cello Works / Serenade for Strings
▶ CD 22: Liturgy of St. John Chrysostom
▶ CD 23: Secular Choral Works
▶ CD 24: Piano Trio
▶ CD 25: String Quartets 1 & 3
▶ CD 26: String Quartet no. 2 / Adagio and Allegro / Three Short Pieces
▶ CD 27: The Seasons / 6 Piano Pieces op. 51 / Album for the Young
▶ CD 28: Piano Sonata op. 80 / 18 Piano Pieces op. 72
▶ CD 29: Shorter Piano Works
▶ CD 30: 6 Piaces on a Single Theme / Piano Sonata op. 37 / Shorter Piano Works
▶ CD 31: 12 Pieces op. 40 / Violin Concerto
▶ CD 32: Songs I
▶ CD 33: Songs II
▶ CD 34: Songs III
▶ CD 35: Songs IV
▶ CD 36: Songs V
▶ CD 37: The Oprichnik: Act 1 - Act 2 beginning
▶ CD 38: The Oprichnik: Act 2 conclusion - Act 3 beginning
▶ CD 39: The Oprichnik: Act 3 conclusion - Act 4
▶ CD 40: Evgeny Onegin: Act 1 - Act 2 beginning
▶ CD 41: Evgeny Onegin: Act 2 conclusion - Act 3
▶ CD 42: The Maid of Orleans: Act 1 - Act 2 beginning
▶ CD 43: The Maid of Orleans: Act 2 conclusion - Act 3
▶ CD 44: The Maid of Orleans: Act 4 - Iolanta: beginning
▶ CD 45: Iolanta: conclusion
▶ CD 46: Mazeppa: Act 1 - Act 2 beginning
▶ CD 47: Mazeppa: Act 2 conclusion - Act 3
▶ CD 48: Cherevichki: beginning
▶ CD 49: Cherevichki: continuation
▶ CD 50: Cherevichki: conclusion
▶ CD 51: Charodeika: beginning
▶ CD 52: Charodeika: continuation
▶ CD 53: Charodeika: conclusion
▶ CD 54: Pique Dame: beginning
▶ CD 55: Pique Dame: conclusion