Symphony no. 8

~ Release by Gustav Mahler; Philadelphia Orchestra, Yannick Nézet‐Séguin (see all versions of this release, 3 available)

Tracklist

▼ Digital Media 1
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1Symphony no. 8: Part I: “Veni, creator spiritus”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:26
2Symphony no. 8: Part I: “Imple superna gratia”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler4:26
3Symphony no. 8: Part I: “Infirma nostri corporis”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:47
4Symphony no. 8: Part I: Tempo I (Allegro, etwas hastig)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (in 2016-03)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:25
5Symphony no. 8: Part I: “Infirma nostri corporis”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (in 2016-03)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler2:48
6Symphony no. 8: Part I: “Accende lumen sensibus”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler5:22
7Symphony no. 8: Part I: “Qui Paraclitus diceris”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler4:18
8Symphony no. 8: Part I: “Gloria sit Patri Domino”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals [Contralto I]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo contralto vocals [Contralto II]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals [Soprano I]:
Angela Meade (soprano) (in 2016-03)
solo soprano vocals [Soprano II]:
Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:53
9Symphony no. 8: Part II: Poco adagio
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler6:24
10Symphony no. 8: Part II: Più mosso. (Allegro moderato)
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:48
11Symphony no. 8: Part II: “Waldung, sie schwankt heran”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:32
12Symphony no. 8: Part II: “Ewiger Wonnebrand”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo baritone vocals [Pater Ecstaticus]:
Markus Werba (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:39
13Symphony no. 8: Part II: “Wie Felsenabgrund mir zu Füßen”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo bass vocals [Pater Profundus]:
John Relyea (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:37
14Symphony no. 8: Part II: “Gerettet ist das edle Glied der Geisterwelt vom Bösen” - “Hände verschlinget euch”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:04
15Symphony no. 8: Part II: “Jene Rosen aus den Händen”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:10
16Symphony no. 8: Part II: “Uns bleibt ein Erdenrest”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:47
17Symphony no. 8: Part II: “Ich spür’ soeben nebelnd um Felsenhöh’”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler0:35
18Symphony no. 8: Part II: “Hier ist die Aussicht frei”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo tenor vocals [Doctor Marianus]:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler0:39
19Symphony no. 8: Part II: “Höchste Herrscherin der Welt!”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo tenor vocals [Doctor Marianus]:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:42
20Symphony no. 8: Part II: “Jungfrau, rein im schönsten Sinne”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo tenor vocals [Doctor Marianus]:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:45
21Symphony no. 8: Part II: Äußerst langsam. Adagissimo
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:39
22Symphony no. 8: Part II: “Dir, der Unberührbaren” - “Du schwebst zu Höhen der ewigen Reiche”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:42
23Symphony no. 8: Part II: “Bei der Liebe, die den Füßen”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo soprano vocals [Magna Peccatrix]:
Angela Meade (soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix) (Magna Peccatrix only) (in 2016-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:00
24Symphony no. 8: Part II: “Bei dem Bronn, zu dem schon weiland”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo contralto vocals [Mulier Samaritana]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana) (Mulier Samaritana only) (in 2016-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:27
25Symphony no. 8: Part II: “Bei dem hochgeweihten Orte”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo contralto vocals [Maria Aegyptiaca]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca) (Maria Aegyptiaca only) (in 2016-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:05
26Symphony no. 8: Part II: “Die du großen Sünderinnen”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo contralto vocals [Maria Aegyptiaca]:
Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo contralto vocals [Mulier Samaritana]:
Elizabeth Bishop (mezzo-soprano) (in 2016-03)
solo soprano vocals [Magna Peccatrix]:
Angela Meade (soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k4. Die du großen Sünderinnen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 2016-03)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Gustav Mahler1:38
27Symphony no. 8: Part II: “Neige, neige, du Ohnegleiche”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler0:48
28Symphony no. 8: Part II: “Er überwächst uns schon”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:20
29Symphony no. 8: Part II: “Vom edlen Geisterchor umgeben”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo soprano vocals [Una Poenitentium]:
Erin Wall (Canadian-American soprano) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:15
30Symphony no. 8: Part II: “Komm! hebe dich zu höhern Sphären!”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
solo soprano vocals [Mater Gloriosa]:
Lisette Oropesa (soprano opera singer) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 2016-03)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:18
31Symphony no. 8: Part II: “Blicket auf zum Retterblick, alle reuig Zarten”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo tenor vocals [Doctor Marianus]:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler6:20
32Symphony no. 8: Part II: “Alles Vergängliche ist nur ein Gleichnis”
recording engineer:
Brett Cox and Charles Gagnon (engineer)
producer:
Alexander Van Ingen and Andrew Mellor
choir vocals:
The Choral Arts Society of Washington (in 2016-03) and Westminster Symphonic Choir (Princeton, USA) (in 2016-03)
choir vocals [boys' choir]:
American Boychoir (in 2016-03)
solo baritone vocals:
Markus Werba (in 2016-03)
solo bass vocals:
John Relyea (in 2016-03)
solo contralto vocals:
Elizabeth Bishop (mezzo-soprano) (in 2016-03) and Mihoko Fujimura (mezzo-soprano) (in 2016-03)
solo soprano vocals:
Angela Meade (soprano) (in 2016-03) and Erin Wall (Canadian-American soprano) (in 2016-03)
solo tenor vocals:
Anthony Dean Griffey (tenor) (in 2016-03)
orchestra:
The Philadelphia Orchestra (in 2016-03)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2016-03)
balance engineer:
Andrew Mellor
recorded at:
Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, United States (in 2016-03)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 2016-03)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler6:42