The Golden Swing Years, Vol. 5: A Collection of Historical Recordings 1934/36

~ Release by Louis Armstrong with Luis Russell & His Orchestra (see all versions of this release, 1 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Will You, Won't You Be My Baby
alto saxophone:
Henry Tyree (in 1934-10)
clarinet:
Peter DuConge (American jazz reedist) (in 1934-10)
double bass:
German Arago (in 1934-10)
drums (drum set):
Oliver Tines (in 1934-10)
guitar:
Maceo Jefferson (in 1934-10)
piano:
Herman Chittison (in 1934-10)
tenor saxophone:
Alfred Pratt (in 1934-10)
trombone:
Lionel Guimarães (in 1934-10)
trumpet:
Louis Armstrong (in 1934-10), Jack Hamilton (jazz trumpeter) (in 1934-10) and Leslie Thompson (in 1934-10)
?:??
A2Songs of the Vipers
alto saxophone:
Henry Tyree (in 1934-10)
clarinet:
Peter DuConge (American jazz reedist) (in 1934-10)
double bass:
German Arago (in 1934-10)
drums (drum set):
Oliver Tines (in 1934-10)
guitar:
Maceo Jefferson (in 1934-10)
piano:
Herman Chittison (in 1934-10)
tenor saxophone:
Alfred Pratt (in 1934-10)
trombone:
Lionel Guimarães (in 1934-10)
trumpet:
Louis Armstrong (in 1934-10), Jack Hamilton (jazz trumpeter) (in 1934-10) and Leslie Thompson (in 1934-10)
recording of:
Song of the Vipers (in 1934-10)
composer:
Louis Armstrong
?:??
A3I'm in the Mood for Love
alto saxophone:
Henry Jones (swing era reeds) (on 1935-10-03) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
tenor saxophone:
Bingie Madison (on 1935-10-03) and Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03) and Louis Bacon (on 1935-10-03)
recording of:
I’m in the Mood for Love (on 1935-10-03)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
writer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. and SBK Robbins Catalog, Inc.
version of:
I’m in the Mood for Love
?:??
A4La Cucaracha
alto saxophone:
Henry Jones (swing era reeds) (on 1935-10-03) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
tenor saxophone:
Bingie Madison (on 1935-10-03) and Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03) and Louis Bacon (on 1935-10-03)
recording of:
La cucaracha (on 1935-10-03)
lyricist and composer:
[traditional] (special purpose artist)
arrangement of:
La Cucaracha (arr. James Last)
?:??
A5Got a Brand New Suit
alto saxophone:
Henry Jones (swing era reeds) (on 1935-10-03) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
tenor saxophone:
Bingie Madison (on 1935-10-03) and Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03) and Louis Bacon (on 1935-10-03)
recording of:
Got a Bran’ New Suit (on 1935-10-03)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
?:??
A6I've Got My Fingers Crossed
alto saxophone:
Henry Jones (swing era reeds) (on 1935-11-21) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21)
double bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
tenor saxophone:
Bingie Madison (on 1935-11-21) and Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21) and Louis Bacon (on 1935-11-21)
recording of:
I've Got My Fingers Crossed (on 1935-11-21)
lyricist:
Ted Koehler
composer:
Jimmy McHugh (songwriter)
?:??
A7Old Man Mose
alto saxophone:
Henry Jones (swing era reeds) (on 1935-11-21) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21)
double bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
tenor saxophone:
Bingie Madison (on 1935-11-21) and Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21) and Louis Bacon (on 1935-11-21)
recording of:
Ol’ Man Mose (on 1935-11-21)
writer:
Louis Armstrong and Zilner Randolph
?:??
B1I'm Shooting High
alto saxophone:
Henry Jones (swing era reeds) (on 1935-11-21) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21)
double bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
tenor saxophone:
Bingie Madison (on 1935-11-21) and Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21) and Louis Bacon (on 1935-11-21)
recording of:
I’m Shooting High (on 1935-11-21)
writer:
Ted Koehler and Jimmy McHugh (songwriter)
?:??
B2Falling in Love With You
alto saxophone:
Henry Jones (swing era reeds) (on 1935-11-21) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-21)
double bass:
George "Pops" Foster (on 1935-11-21)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-21)
guitar:
Lee Blair (on 1935-11-21)
piano:
Luis Russell (on 1935-11-21)
tenor saxophone:
Bingie Madison (on 1935-11-21) and Greely Walton (on 1935-11-21)
trombone:
Jimmy Archey (on 1935-11-21) and Harry White (jazz trombonist) (on 1935-11-21)
trumpet:
Gus Aiken (on 1935-11-21), Louis Armstrong (on 1935-11-21) and Louis Bacon (on 1935-11-21)
recording of:
(Was I to Blame for) Falling in Love With You (on 1935-11-21)
writer:
Chester Conn, Gus Kahn and Victor Young (American composer, arranger, violinist & conductor)
?:??
B3Red Sails in the Sunset
alto saxophone:
Henry Jones (swing era reeds) (on 1935-12-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
tenor saxophone:
Bingie Madison (on 1935-12-13) and Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13) and Louis Bacon (on 1935-12-13)
recording of:
Red Sails in the Sunset (on 1935-12-13)
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
?:??
B4On Treasure Island
alto saxophone:
Henry Jones (swing era reeds) (on 1935-12-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
tenor saxophone:
Bingie Madison (on 1935-12-13) and Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13) and Louis Bacon (on 1935-12-13)
recording of:
On Treasure Island (on 1935-12-13)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
?:??
B5Thanks a Million
alto saxophone:
Henry Jones (swing era reeds) (on 1935-12-19) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
tenor saxophone:
Bingie Madison (on 1935-12-19) and Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19) and Louis Bacon (on 1935-12-19)
recording of:
Thanks a Million (on 1935-12-19)
lyricist:
Gus Kahn
composer:
Arthur Johnston (American composer and songwriter)
?:??
B6Shoe Shine Boy
alto saxophone:
Henry Jones (swing era reeds) (on 1935-12-19) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
tenor saxophone:
Bingie Madison (on 1935-12-19) and Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19) and Louis Bacon (on 1935-12-19)
recording of:
Shoe Shine Boy (on 1935-12-19)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
?:??
B7The Music Goes Round and Round
alto saxophone:
Henry Jones (swing era reeds) (on 1936-01-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-01-18)
double bass:
George "Pops" Foster (on 1936-01-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-01-18)
guitar:
Lee Blair (on 1936-01-18)
piano:
Luis Russell (on 1936-01-18)
tenor saxophone:
Bingie Madison (on 1936-01-18)
trombone:
Jimmy Archey (on 1936-01-18) and Harry White (jazz trombonist) (on 1936-01-18)
trumpet:
Gus Aiken (on 1936-01-18), Louis Armstrong (on 1936-01-18) and Louis Bacon (on 1936-01-18)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (on 1936-01-18)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
?:??

Credits

Release group

part of:Prix de la meilleure réédition ou du meilleur inédit (number: 1964) (order: 8)