Ultra-Lounge, Volume 5: Wild, Cool & Swingin’

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Ain’t That a Kick in the Head
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Dean Martin4.652:25
2Dig That Crazy Chick
Sam Butera & the Witnesses2:26
3More
recording of:
More (English translation)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore (“More”)
Bobby Darin2:25
4Fever
bass:
Joe Mondragon (in 1958-05)
drums (drum set):
Shelly Manne (US jazz drummer) (in 1958-05)
finger snaps:
Peggy Lee (jazz vocalist) (in 1958-05) and Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958-05)
vocals:
Peggy Lee (jazz vocalist) (in 1958-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (in 1958-05)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:21
5Jump, Jive, an’ Wail
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (on 1956-04-19)
recording of:
Jump, Jive an’ Wail (on 1956-04-19)
lyricist:
Louis Prima
composer:
Louis Prima (in 1956)
cover recording of:
Jump, Jive an’ Wail
lyricist:
Louis Prima
composer:
Louis Prima (in 1956)
Louis Prima53:30
6Please Don’t Talk About Me When I’m Gone
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter)
cover recording of:
Please Don’t Talk About Me When I’m Gone
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
Sammy Davis Jr.2:40
7Danke Schoen
recording of:
Danke Schoen (English version) (in 1963)
lyricist:
Milt Gabler and Kurt Schwabach
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Danke schön (original instrumental version)
Wayne Newton4.52:36
8French Poodle
Sam Butera & the Witnesses2:26
9What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Keely Smith1:54
10Sunday in New York
Bobby Darin2:31
11Closer to the Bone
Louis Prima4:13
12Nobody but Me
recording of:
Nobody but Me
composer:
Billy Myles
Lou Rawls2:47
13Little Girl
conductor:
Billy May
cover recording of:
Little Girl (1931 song) (on 1962-05-08)
writer:
Francis Henry (in 1931) and Madeline Hyde (in 1931)
Vic Damone2:02
14L-O-V-E
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (on 1964-06-03)
recording of:
L-O-V-E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Nat King Cole52:34
15Volare (Nel blu dipinto di blu)
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (on 1958-07-14)
conductor:
Gus Levene (on 1958-07-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (on 1958-07-14)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
Dean Martin43:01
16That Old Black Magic
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25) and Keely Smith (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, United States (on 1958-08-25)
live cover recording of:
That Old Black Magic (on 1958-08-25)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Louis Prima & Keely Smith2:57
17You’d Be So Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
orchestra:
The Jimmy Rowles Orchestra
recorded at:
Julie London’s living room
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Julie London2:16
18Hello, Dolly!
cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Bobby Darin3:15

Credits

Release group

part of:Ultra-Lounge (number: 5) (order: 7)