Carmina Burana

~ Release by Carl Orff; Lucia Popp, Gerhard Unger, Raymond Wolansky, John Noble, New Philharmonia Orchestra, New Philharmonia Chorus, Wilhelm Pitz, Rafael Frühbeck de Burgos (see all versions of this release, 12 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Carmina Burana : Fortuna Imperatrix Mundi : № 1. O Fortuna
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:49
A2Carmina Burana : Fortuna Imperatrix Mundi : № 2. Fortune plango vulnera
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:51
A3Carmina Burana : I. Primo Vere : № 3. Veris leta facies
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff3:53
A4Carmina Burana : I. Primo Vere : № 4. Omnia Sol temperat
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:44
A5Carmina Burana : I. Primo Vere : № 5. Ecce gratum
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:54
A6Carmina Burana : Uf dem Anger : № 6. Tanz
producer:
Peter Andry (producer)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:59
A7Carmina Burana : Uf dem Anger : № 7. Floret silva
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:31
A8Carmina Burana : Uf dem Anger : № 8. Chramer, gip die varwe mir
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:36
A9Carmina Burana : Uf dem Anger : № 9. Reie / Swaz hie gat umbe / Chume, chum, geselle min (Swaz hie gat umbe)
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:12
A10Carmina Burana : Uf dem Anger : № 10. Were diu werlt alle min
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:55
B1Carmina Burana : II. In Taberna : № 11. Estuans interius
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:24
B2Carmina Burana : II. In Taberna : № 12. Olim lacus colueram
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
tenor vocals:
Gerhard Unger (tenor) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:24
B3Carmina Burana : II. In Taberna : № 13. Ego sum abbas
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:16
B4Carmina Burana : II. In Taberna : № 14. In taberna quando sumus
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:22
B5Carmina Burana : III. Cour d’amour : № 15. Amor volat undique
producer:
Peter Andry (producer)
choir vocals:
Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:16
B6Carmina Burana : III. Cour d’amour : № 16. Dies, nox et omnia
producer:
Peter Andry (producer)
baritone vocals:
John Noble (baritone) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:07
B7Carmina Burana : III. Cour d’amour : № 17. Stetit puella
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:02
B8Carmina Burana : III. Cour d’amour : № 18. Circa mea pectora
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
B9Carmina Burana : III. Cour d’amour : № 19. Si puer cum puellula
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:58
B10Carmina Burana : III. Cour d’amour : № 20. Veni, veni, venias
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:55
B11Carmina Burana : III. Cour d’amour : № 21. In trutina
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:08
B12Carmina Burana : III. Cour d’amour : № 22. Tempus est iocundum
producer:
Peter Andry (producer)
baritone vocals:
Raymond Wolansky (American operatic baritone) (from 1965-06-12 until 1965-06-16)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16) and Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16) and Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:25
B13Carmina Burana : III. Cour d’amour : № 23. Dulcissime
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:33
B14Carmina Burana : Blanziflor et Helena : № 24. Ave formosissima
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff1:43
B15Carmina Burana : Fortuna Imperatrix Mundi : № 25. O Fortuna
producer:
Peter Andry (producer)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1965-06-12 until 1965-06-16)
chorus master:
Wilhelm Pitz (chorus master) (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:49