Cinema Hits: The Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1All by Myself (Il Diario Di Bridget Jones)Eric Carmen44:32
2I’m Not a Girl, Not Yet a Woman (Crossroads)
recording engineer:
Max Martin, Rami (Rami Yacoub) and Michael Tucker (engineer) (lead vocals)
assistant engineer:
Charles McCrorey (lead vocals)
engineer:
John Amatiello
producer and mixer:
Max Martin and Rami (Rami Yacoub)
bass guitar [bass]:
Tomas Lindberg (Swedish bass player)
guitar [guitars]:
Esbjörn Öhrwall
background vocals:
Max Martin and Jeanette Olsson
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
produced for:
Maratone Productions
recorded at:
Battery Studios in Chicago, United States (lead vocals) and Maratone Studios in Stockholm
mixed at:
Maratone Studios in Stockholm
music videos:
I’m Not a Girl, Not Yet a Woman by Britney Spears
recording of:
I’m Not a Girl, Not Yet a Woman
writer:
Dido (English singer‐songwriter), Max Martin and Rami (Rami Yacoub)
publisher:
Maratone, Oldmara‐MXM, Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and Zomba Enterprises, Inc.
part of:
Golden Raspberry Award for Worst Original Song (number: 2002)
Britney Spears2.83:50
3Use Me (American Beauty)
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.353:38
4Sway (American Pie)
assistant engineer:
Matt Tait
engineer:
Simon Sheridan
producer:
Bic Runga
assistant mixer:
Tom Banghart
mixer:
Matt Wallace (US producer & engineer)
bass:
Aaron McDonald (bassist)
cello:
Sally-Anne Brown (cellist)
drums (drum set):
Wayne Bell (drums, percussion, New Zealand)
guitar:
Andrew Thorne and Gary Verberne
violin:
Kate Walshe (violinist)
xylophone, background vocals and lead vocals:
Bic Runga
strings arranger:
Duncan Haynes
additional arranger:
Niall Macken and Nick Seymour
arranger:
Bic Runga
recording of:
Sway (Bic Runga)
writer:
Bic Runga
Bic Runga4.554:22
5Brown Eyed Girl (A Letto Con Il Nemico)
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.33:03
6Oye como va (Puerto Escondido)
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
vocals:
Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, United States (on 1970-07-08)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing, LLC (1995–2020), Windswept Pacific Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
part of:
Man on Fire
Santana4.44:16
7San Francisco (Be Sure to Wear Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie42:58
8It’s Raining Men (Il Diario Di Bridget Jones)
mixer:
Randy Tominaga
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
The Weather Girls3.63:31
9I Say a Little Prayer (Il Matrimonio del Mio Migliore Amico)
producer:
Andy Marvel
cover recording of:
I Say a Little Prayer
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:35
10If You Let Me Stay (Gli Amici Di Peter)
recording engineer and mixer:
Phil Legg
additional engineer:
Michael Brauer (engineer)
producer:
Howard Gray (UK producer, engineer, and electronic musician)
bass:
Sean Oliver
drums (drum set):
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Pete Glenister
keyboard:
Nick Plytas
percussion:
Terence Trent D’Arby (now known as Sananda Maitreya) and Frank Ricotti (percussionist)
background vocals:
Lance Ellington (Strictly Come Dancing) and Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
If You Let Me Stay
lyricist and composer:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby3.53:08
11Movin’ Up (Full Monty)
recording of:
Moving On Up
writer:
Heard and Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing Ltd. and EMI Music Publishing (do not use as a release label!)
M People4:09
12Here Comes the Hotstepper (Pret‐À‐Porter)
recording of:
Here Comes the Hotstepper
writer:
Ini Kamoze, Chris Kenner and Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, since 1972) and Rondor Music (London) Ltd.
Ini Kamoze3:22
13Here She Comes (Metropolis)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Here She Comes
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Giorgio Moroder
publisher:
G.M.P.C.
Bonnie Tyler3:32
14Hound Dog (Forrest Gump)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
cover recording of:
Hound Dog
writer:
Jerry Leiber and Mike Stoller
Elvis Presley3.82:14
15Footloose (Footloose)
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
part of:
The 57th Academy Award for Best Original Song (number: 2)
Kenny Loggins4.13:47
16The Final Countdown (Notte Prima Degli Esami)
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, United States, Powerplay Studios in Maur and Soundtrade Studios in Solna City
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS‐affiliated) and Seven Doors Music
parody version of:
The Final Sound
Europe4.15:07
CD 2
#TitleArtistRatingLength
1Mrs. Robinson (Il Laureato)
recording engineer:
Roy Halee
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1968)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel4.34:02
2I’ve HadBill Medley & Jennifer Warnes3.34:47
3No Ordinary Love (Proposta indecente)Sade5:24
4From the Heart (Notting Hill)
Another Level4:53
5Just Like You (Un giorno per caso)
Keb’ Mo’3:25
6Calling You (Bagdad Cafè)
Linda Wesley5:22
7The Very Thought of You (Amore per sempre)
double bass:
Walter Page (on 1938-09-15)
guitar:
Freddie Green (on 1938-09-15)
piano:
Margaret Johnson (1930s jazz pianist) (on 1938-09-15)
tenor saxophone:
Lester Young (saxophonist) (on 1938-09-15)
trumpet:
Buck Clayton (on 1938-09-15)
vocals:
Billie Holiday (on 1938-09-15)
recording of:
The Very Thought of You (on 1938-09-15)
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Billie Holiday and Her Orchestra2:45
8I’m Kissing You (Romeo & Giulietta)
Des’ree4:51
9Reasons (Hitch, lui si che capisce le donne)
engineer:
George Massenburg
co-producer:
Charles Stepney
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
samples from:
That’s the Way of the World by Earth, Wind & Fire (in 1975-03)
recording of:
Reasons
writer:
Philip Bailey, Charles Stepney and Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire2.74:59
10You Make Me Sick (Save the Last Dance)
recording engineer:
Paul Boutin and Edward Quesada
additional drums (drum set) programming:
Brainz Dimilo
drums (drum set) programming:
Anthony President (Ainsworth Prasad)
producer:
Babyface (R&B musician Kenny Edmonds), Brainz Dimilo and Anthony President (Ainsworth Prasad)
assistant mixer:
Victor McCoy (engineer)
mixer:
Manny Marroquin
instruments:
Anthony President (Ainsworth Prasad)
background vocals:
Sherree Ford-Payne
background vocals and lead vocals:
P!nk (American singer/songwriter)
phonographic copyright (℗) by:
LaFace Records LLC (in 2000)
recorded at:
Brandon’s Way Recording in Los Angeles, United States
mixed at:
The TracKen Place in Hollywood, United States
music videos:
You Make Me Sick by P!nk (American singer/songwriter) and You Make Me Sick by P!nk (American singer/songwriter)
recording of:
You Make Me Sick (in 2000)
lyricist:
Marthony Tabb
composer:
Obi Nwobosi (Brainz) and Ainsworth Prasad
publisher:
EMI April Music Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
P!nk4.254:07
11In the Wee Small Hours of the Morning (Insonnia d’amore)
producer:
Frank Filipetti and Marty Paich
solo trumpet:
Marvin Stamm
lead vocals:
Carly Simon
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1990)
cover recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Carly Simon43:15
12So In Love (De‐lovely)
vocals:
Lara Fabian (Belgian singer)
Lara Fabian3:32
13Broken Bicycles (Un sogno lungo un giorno)
recording of:
Broken Bicycles
lyricist and composer:
Tom Waits
Tom Waits2:51
14Stand by Your Man (Insonnia d’amore)
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. (1989-07-24–present) and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:38
15Maneater (Se scappi ti sposo)
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
Hall & Oates4.454:32
16Oh, Pretty Woman (Pretty Woman)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.32:58
CD 3
#TitleArtistRatingLength
1Eye of the Tiger (Rocky 3)
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, United States
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Ensign Music Corporation, Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, WB Music Corp. (1929–2019), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Survivor4.454:06
2Ghostbusters (Ghostbusters)
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2)
is based on:
I Want a New Drug
Ray Parker Jr.4.154:05
3Turn the Beat Around (Lo Specialista)
recording of:
Turn the Beat Around
writer:
Gerald Jackson (American pianist and singer with group Touch of Class) and Pete Jackson (US disco producer)
Gloria Estefan3:53
4I Believe I Can Fly (Space Jam)R. Kelly5:22
5We Are (Spiderman 2)
recording of:
We Are
writer:
Andreas Carlsson (pop songwriter) and Jörgen Elofsson (also known as Shane)
Ana Johnsson23:54
6Shy Guy (Bad Boys)
recording of:
Shy Guy
writer:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) and Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music and World of Andy Music
Diana King4:05
7Papa Loves Mambo (Ocean’s Eleven)
producer:
Joe Carlton
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1954, on 1954-08-31) and The Ray Charles Singers (in 1954, on 1954-08-31)
orchestra:
Mitchell Ayres and His Orchestra (on 1954-08-31)
performer:
Mitchell Ayres and His Orchestra (in 1954)
recording of:
Papa Loves Mambo (on 1954-08-31)
writer:
Al Hoffman, Dick Manning (American songwriter) and Bickley Reichner
Perry Como2.52:41
8Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1974)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
LaBelle3.353:55
9Cuban Pete (The Mask)
Jim Carrey3:33
10Flowers on the Wall (Pulp Fiction)
recording of:
Flowers on the Wall
lyricist and composer:
Lew DeWitt
publisher:
Wallflower Music
The Statler Brothers2:20
11Return to Me (Il Fuggitivo)
recording of:
Return to Me
writer:
Emile Adler and Julie Flanders
October Project4:15
12Remember Me (Armageddon)
engineer, producer and mixer:
Kevin Shirley (producer & mixer)
lead vocals:
Steve Augeri
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States
recording of:
Remember Me (Armageddon)
writer:
Jack Blades (of Night Ranger), Jonathan Cain and Neal Schon
publisher:
No More Tails Music, Ranch Rock Music, So Much Music, Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック and 日音 Synch事業部
Journey5:28
13Won’t Back Down (Daredevil)
co-producer:
Carl Bell
producer:
Michael Beinhorn
mixer:
Andy Wallace (engineer)
Fuel3:23
14Barracuda (Charlie’s Angels)
producer:
Mike Flicker
acoustic guitar:
Nancy Wilson (guitarist/singer of “Heart”) (from 1977-02 until 1977-04)
bass guitar:
Steve Fossen (from 1977-02 until 1977-04)
drums (drum set):
Michael Derosier (from 1977-02 until 1977-04)
electric guitar:
Roger Fisher (US rock guitarist) (from 1977-02 until 1977-04)
guitar and mellotron:
Howard Leese (from 1977-02 until 1977-04)
lead vocals:
Ann Wilson (lead singer of Heart) (from 1977-02 until 1977-04)
arranger:
Heart (rock band, Ann and Nancy Wilson)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
recorded at:
Kaye–Smith Studios in Seattle, United States (from 1977-02 until 1977-04)
mixed at:
Royaltone Studios in North Hollywood, United States and Kaye–Smith Studios in Seattle, United States (from 1977-02 until 1977-04)
recording of:
Barracuda (from 1977-02 until 1977-04)
writer:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
Know Music, Of the Roses Music, Strange Euphoria Music and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Heart4.054:22
15Living in America (Rocky 4)
assistant engineer:
Jeff Lord‐Alge
engineer:
Chris Lord‐Alge
producer:
Dan Hartman
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Dan Hartman and Stevie Ray Vaughan
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral and The Uptown Horns
keyboard:
Dan Hartman
membranophone:
Ray Marchica
background vocals:
Dan Hartman and T.M. Stevens (US bass player Thomas Michael Stevens)
lead vocals:
James Brown (The Godfather of Soul)
recording of:
Living in America
writer:
Dan Hartman and Charlie Midnight
publisher:
April Music (publisher), Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. and United Lion Music Inc.
James Brown34:43
16Sunshine of Your Love (True Lies)
cover recording of:
Sunshine of Your Love
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Living Colour45:16
17I Will Be Strong (Over the Top)
Eddie Money3:20
18Gonna Fly Now (Rocky)
engineer:
Joe Jorgensen
producer:
Jay Chattaway
alto saxophone:
Mike Migliore (from 1976-10 until 1976-12) and George Young (saxophonist) (from 1976-10 until 1976-12)
baritone saxophone:
Bobby Militello (from 1976-10 until 1976-12)
bass:
Gordon Johnson (from 1976-10 until 1976-12), Gary King (jazz bassist, arranger and songwriter) (from 1976-10 until 1976-12) and Will Lee (US jazz/rock bassist) (from 1976-10 until 1976-12)
drums (drum set):
Peter Erskine (American jazz drummer) (from 1976-10 until 1976-12), Harvey Mason (jazz drummer) (from 1976-10 until 1976-12) and Allan Schwartzberg (from 1976-10 until 1976-12)
French horn:
Don Corrado (from 1976-10 until 1976-12) and Brooks Tillotson (from 1976-10 until 1976-12)
guitar:
George Benson (jazz guitarist/singer) (from 1976-10 until 1976-12), Eric Gale (from 1976-10 until 1976-12), Jeff Layton (from 1976-10 until 1976-12) and Lance Quinn (from 1976-10 until 1976-12)
keyboard:
Kenny Ascher (from 1976-10 until 1976-12), Biff Hannon (from 1976-10 until 1976-12) and Bob James (US jazz keyboardist, arranger and producer) (from 1976-10 until 1976-12)
percussion:
Phil Kraus (from 1976-10 until 1976-12) and Ralph MacDonald (from 1976-10 until 1976-12)
soprano saxophone:
Mark Colby (saxophonist) (from 1976-10 until 1976-12)
strings:
Alfred Brown (viola) (from 1976-10 until 1976-12), Harry Cykman (from 1976-10 until 1976-12), Max Ellen (from 1976-10 until 1976-12), Paul Gershman (from 1976-10 until 1976-12), Harold Kohon (from 1976-10 until 1976-12), Charles Libove (from 1976-10 until 1976-12), Harry Lookofsky (from 1976-10 until 1976-12), Charles McCracken (cellist) (from 1976-10 until 1976-12), Marvin Morgenstern (from 1976-10 until 1976-12), David Nadien (from 1976-10 until 1976-12), Eugene Noye (from 1976-10 until 1976-12), Max Pollikoff (from 1976-10 until 1976-12), Matthew Raimondi (from 1976-10 until 1976-12), Alan Shulman (cellist and composer) (from 1976-10 until 1976-12), Richard Sortomme (violinist/composer) (from 1976-10 until 1976-12) and Emanuel Vardi (from 1976-10 until 1976-12)
tenor saxophone:
Joe Farrell (from 1976-10 until 1976-12)
trombone:
Wayne Andre (from 1976-10 until 1976-12), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (from 1976-10 until 1976-12), Roger Homefield (from 1976-10 until 1976-12), Julian Priester (from 1976-10 until 1976-12), Randy Purcell (from 1976-10 until 1976-12) and Dave Taylor (US jazz bass trombonist) (from 1976-10 until 1976-12)
trumpet:
Jim Bossy (from 1976-10 until 1976-12), Randy Brecker (from 1976-10 until 1976-12), Jon Faddis (from 1976-10 until 1976-12), Bernie Glow (from 1976-10 until 1976-12), Stan Mark (from 1976-10 until 1976-12), Marky Markowitz (from 1976-10 until 1976-12), Joe Mosello (from 1976-10 until 1976-12), Dennis Noday (from 1976-10 until 1976-12), Al Rubin (from 1976-10 until 1976-12), Marvin Stamm (from 1976-10 until 1976-12) and Ron Tooley (American trumpeter) (from 1976-10 until 1976-12)
conductor:
Jay Chattaway (from 1976-10 until 1976-12)
arranger:
Jay Chattaway
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
instrumental recording of:
Gonna Fly Now (in 1976)
lyricist:
Carol Connors and Ayn Robbins
composer:
Bill Conti
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 49th Academy Award for Best Original Song (number: 2)
Maynard Ferguson4:22