Cantatas, BWV 23–26

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Kantate, BWV 23 “Du wahrer Gott und Davids Sohn”: I. Aria (Duetto: Soprano, Alto) “Du wahrer Gott und Davids Sohn”
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-01 until 1977-04)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn" (from 1977-01 until 1977-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach6:39
2Kantate, BWV 23 “Du wahrer Gott und Davids Sohn”: II. Recitativo (Tenore) “Ach! gehe nicht vorüber”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-01 until 1977-04)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitativo (Tenore) "Ach! gehe nicht vorüber" (from 1977-01 until 1977-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach1:43
3Kantate, BWV 23 “Du wahrer Gott und Davids Sohn”: III. Coro “Aller Augen warten, Herr”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-01 until 1977-04)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": III. Coro "Aller Augen warten, Herr" (from 1977-01 until 1977-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach4:40
4Kantate, BWV 23 “Du wahrer Gott und Davids Sohn”: IV. Choral “Christe, du Lamm Gottes”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-01 until 1977-04)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Choral "Christe, du Lamm Gottes" (from 1977-01 until 1977-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach5:36
5Kantate, BWV 24 “Ein ungefärbt Gemüte”: I. Aria (Alto) “Ein ungefärbt Gemüte”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach5:01
6Kantate, BWV 24 “Ein ungefärbt Gemüte”: II. Recitativo (Tenore) “Die Redlichkeit ist eine von den Gottesgaben”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (Tenore) "Die Redlichkeit ist eine von den Gottesgaben" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach2:00
7Kantate, BWV 24 “Ein ungefärbt Gemüte”: III. Coro (Soprano, Alto, Tenore, Basso) “Alles nun, das ihr wollet”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": III. Coro (Soprano, Alto, Tenore, Basso) "Alles nun, das ihr wollet" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:05
8Kantate, BWV 24 “Ein ungefärbt Gemüte”: IV. Recitativo (Basso) “Die Heuchelei ist eine Brut”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (Basso) "Die Heuchelei ist eine Brut" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach1:57
9Kantate, BWV 24 “Ein ungefärbt Gemüte”: V. Aria (Tenore) “Treu und Wahrheit sei der Grund”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": V. Aria (Tenore) "Treu und Wahrheit sei der Grund" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:48
10Kantate, BWV 24 “Ein ungefärbt Gemüte”: VI. Choral “O Gott, du frommer Gott”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": VI. Choral "O Gott, du frommer Gott" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach2:02
11Kantate, BWV 25 “Es ist nichts Gesundes an meinem Leibe”: I. Coro “Es ist nichts Gesundes an meinem Leibe”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": I. Coro "Es ist nichts Gesundes an meinem Leibe" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach5:17
12Kantate, BWV 25 “Es ist nichts Gesundes an meinem Leibe”: II. Recitativo (Tenore) “Die ganze Welt ist nur ein Hospital”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": II. Recitativo (Tenore) "Die ganze Welt ist nur ein Hospital" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach1:44
13Kantate, BWV 25 “Es ist nichts Gesundes an meinem Leibe”: III. Aria (Basso) “Ach, wo hol ich Armer Rat?”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": III. Aria (Basso) "Ach, wo hol ich Armer Rat?" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach3:04
14Kantate, BWV 25 “Es ist nichts Gesundes an meinem Leibe”: IV. Recitativo (Soprano) “O Jesu, lieber Meister”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": IV. Recitativo (Soprano) "O Jesu, lieber Meister" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach1:22
15Kantate, BWV 25 “Es ist nichts Gesundes an meinem Leibe”: V. Aria (Soprano) “Öffne meinen schlechten Liedern”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": V. Aria (Soprano) "Öffne meinen schlechten Liedern" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach3:17
16Kantate, BWV 25 “Es ist nichts Gesundes an meinem Leibe”: VI. Choral “Ich will alle meine Tage”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": VI. Choral "Ich will alle meine Tage" (from 1977-09 until 1978-01)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 101)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach1:16
17Kantate, BWV 26 “Ach wie flüchtig, ach wie nichtig”: I. Choral “Ach wie flüchtig, ach wie nichtig”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach2:23
18Kantate, BWV 26 “Ach wie flüchtig, ach wie nichtig”: II. Aria (Tenore) “So schnell ein rauschend Wasser schießt”
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach5:20
19Kantate, BWV 26 “Ach wie flüchtig, ach wie nichtig”: III. Recitativo (Alto) “Die Freude wird zur Traurigkeit”
alto vocals:
Doris Soffel (mezzo soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:56
20Kantate, BWV 26 “Ach wie flüchtig, ach wie nichtig”: IV. Aria (Basso) “An irdische Schätze das Herze zu hängen”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach4:29
21Kantate, BWV 26 “Ach wie flüchtig, ach wie nichtig”: V. Recitativo (Soprano) “Die höchste Herrlichkeit und Pracht”
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:45
22Kantate, BWV 26 “Ach wie flüchtig, ach wie nichtig”: VI. Choral “Ach wie flüchtig, ach wie nichtig”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (from 1979-10 until 1980-04)
lyricist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:51

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 8) (order: 8)