Small Gifts

~ Release by Johann Sebastian Bach; Andreas Scholl, Dorothee Oberlinger, Ensemble 1700 (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Jesus schläft, was soll ich hoffen, BWV 81: No. 1. Aria “Jesus schläft, was soll ich hoffen”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 2017-01-14 until 2017-01-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach3:54
2Brandenburg Concerto no. 4 in G major, BWV 1049: Allegro
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 2017-01-14 until 2017-01-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
Johann Sebastian Bach6:48
3Brandenburg Concerto no. 4 in G major, BWV 1049: Andante
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (from 2017-01-14 until 2017-01-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
Johann Sebastian Bach3:21
4Brandenburg Concerto no. 4 in G major, BWV 1049: Presto
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (from 2017-01-14 until 2017-01-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
Johann Sebastian Bach4:35
5Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 1. Aria “Vergnügte ruh, beliebte Seelenlust”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (from 2017-01-14 until 2017-01-17)
premiered in:
Leipzig (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach5:53
6Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 2. Recitativo “Die Welt, das Sündenhaus”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (from 2017-01-14 until 2017-01-17)
premiered in:
Leipzig (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:12
7Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 3. Aria “Wie jammern mich doch die verkehrten Herzen”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (from 2017-01-14 until 2017-01-17)
premiered in:
Leipzig (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:44
8Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 4. Recitativo “Wer sollte sich demnach wohl hier zu leben wünschen”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (from 2017-01-14 until 2017-01-17)
premiered in:
Leipzig (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:06
9Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 5. Aria “Mir ekelt mehr zu leben”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (from 2017-01-14 until 2017-01-17)
premiered in:
Leipzig (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach5:34
10Concerto for Fourth Flute, Strings and Basso Continuo after the Harpsichord Concerto in F minor, BWV 1056: (Allegro)
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
soprano recorder [fourth flute]:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
Johann Sebastian Bach3:40
11Concerto for Fourth Flute, Strings and Basso Continuo after the Harpsichord Concerto in F minor, BWV 1056: Largo
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
soprano recorder [fourth flute]:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
Johann Sebastian Bach2:34
12Concerto for Fourth Flute, Strings and Basso Continuo after the Harpsichord Concerto in F minor, BWV 1056: Presto
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
soprano recorder [fourth flute]:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
Johann Sebastian Bach3:21
13Himmelskönig, sei willkommen, BWV 182: No. 1. Sonata. Grave – Adagio
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata (from 2017-01-14 until 2017-01-17)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach2:06
14Himmelskönig, sei willkommen, BWV 182: No. 5. Aria “Leget euch dem Heiland unter”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter" (from 2017-01-14 until 2017-01-17)
premiered in:
Weimar (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 "Himmelskönig, sei willkommen"
Johann Sebastian Bach7:47
15Brandenburg Concerto no. 2 in F major, BWV 1047: (Allegro)
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 2017-01-14 until 2017-01-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach4:52
16Brandenburg Concerto no. 2 in F major, BWV 1047: Andante
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (from 2017-01-14 until 2017-01-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach3:28
17Brandenburg Concerto no. 2 in F major, BWV 1047: Allegro assai
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 2017-01-14 until 2017-01-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach2:37
18Preise, Jerusalem, den Herrn, BWV 119: No. 5. Aria “Die Obrigkeit ist Gottes Gabe”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" (from 2017-01-14 until 2017-01-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
St. Thomas Church in Leipzig (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach2:46
19Herz und Mund und Tat und Leben, BWV 147: No. 10. Choral “Jesus bleibet meine Freude”
assistant recording engineer:
Rainer Kraft (engineer)
recording engineer:
Bastian Schick
producer:
Lutz Wildner
instruments:
Ensemble 1700 (chamber ensemble founded by Dorothee Oberlinger) (from 2017-01-14 until 2017-01-17)
contralto vocals:
Andreas Scholl (countertenor) (from 2017-01-14 until 2017-01-17)
conductor:
Dorothee Oberlinger (recorder player) (from 2017-01-14 until 2017-01-17)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz (from 2017-01-14 until 2017-01-17)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 2017-01-14 until 2017-01-17)
premiered in:
Leipzig (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:21

Credits

Release

art direction and photography:Johannes Ritter (photographer)
liner notes:Dorothee Oberlinger (recorder player)
ASIN:UK: B074XT3C51 [info]