The Draughtsman's Contract

~ Release by Michael Nyman (see all versions of this release, 6 available)

Tracklist

▼ CD 1
#	Title	Rating	Length
1	Chasing Sheep Is Best Left to Shepherds assistant engineer: Brad Grisdale, Dave Hunt (engineer, producer and occasional writer), Steve Smith (engineer) and Bob Zimbler engineer: Martin Rex producer: David Cunningham alto saxophone: John Harle and Ian Mitchell (clarinetist) baritone saxophone: Andy Findon bass: Malcolm Bennett (of Gryphon) bass clarinet and clarinet: Ian Mitchell (clarinetist) bass trombone and euphonium: Steve Saunders (bass trombone / euphonium / tuba / sackbut) double bass: Barry Guy (composer and double bass) harpsichord and piano: Michael Nyman (composer) soprano saxophone: John Harle tenor saxophone: John Harle and Keith Thompson (saxaphonist) violin: Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist) performer: Michael Nyman Band engineered at: Berry Street Studio in Islington and Studio 80 in London (Greater London) produced at: The Town House in Shepherd's Bush recording of: Chasing Sheep Is Best Left to Shepherds (The Draughtman’s Contract) composer: Michael Nyman (composer) part of: The Draughtman’s Contract recording of: Chasing Sheep Is Best Left to Shepherds composer: Michael Nyman (composer) (in 1982) publisher: Première Music Group (in 1982) is based on: King Arthur, Z. 628: Act III. Prelude		2:35
2	The Disposition of the Linen assistant engineer: Brad Grisdale, Dave Hunt (engineer, producer and occasional writer), Steve Smith (engineer) and Bob Zimbler engineer: Martin Rex producer: David Cunningham alto saxophone: John Harle and Ian Mitchell (clarinetist) baritone saxophone: Andy Findon bass: Malcolm Bennett (of Gryphon) bass clarinet and clarinet: Ian Mitchell (clarinetist) bass trombone and euphonium: Steve Saunders (bass trombone / euphonium / tuba / sackbut) double bass: Barry Guy (composer and double bass) harpsichord and piano: Michael Nyman (composer) soprano saxophone: John Harle tenor saxophone: John Harle and Keith Thompson (saxaphonist) violin: Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist) performer: Michael Nyman Band engineered at: Berry Street Studio in Islington and Studio 80 in London (Greater London) produced at: The Town House in Shepherd's Bush		4:49
3	A Watery Death assistant engineer: Brad Grisdale, Dave Hunt (engineer, producer and occasional writer), Steve Smith (engineer) and Bob Zimbler engineer: Martin Rex producer: David Cunningham alto saxophone: John Harle and Ian Mitchell (clarinetist) baritone saxophone: Andy Findon bass: Malcolm Bennett (of Gryphon) bass clarinet and clarinet: Ian Mitchell (clarinetist) bass trombone and euphonium: Steve Saunders (bass trombone / euphonium / tuba / sackbut) double bass: Barry Guy (composer and double bass) harpsichord and piano: Michael Nyman (composer) soprano saxophone: John Harle tenor saxophone: John Harle and Keith Thompson (saxaphonist) violin: Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist) performer: Michael Nyman Band engineered at: Berry Street Studio in Islington and Studio 80 in London (Greater London) produced at: The Town House in Shepherd's Bush		3:34
4	The Garden Is Becoming a Robe Room assistant engineer: Brad Grisdale, Dave Hunt (engineer, producer and occasional writer), Steve Smith (engineer) and Bob Zimbler engineer: Martin Rex producer: David Cunningham alto saxophone: John Harle and Ian Mitchell (clarinetist) baritone saxophone: Andy Findon bass: Malcolm Bennett (of Gryphon) bass clarinet and clarinet: Ian Mitchell (clarinetist) bass trombone and euphonium: Steve Saunders (bass trombone / euphonium / tuba / sackbut) double bass: Barry Guy (composer and double bass) harpsichord and piano: Michael Nyman (composer) soprano saxophone: John Harle tenor saxophone: John Harle and Keith Thompson (saxaphonist) violin: Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist) performer: Michael Nyman Band engineered at: Berry Street Studio in Islington and Studio 80 in London (Greater London) produced at: The Town House in Shepherd's Bush		6:07
5	Queen of the Night assistant engineer: Brad Grisdale, Dave Hunt (engineer, producer and occasional writer), Steve Smith (engineer) and Bob Zimbler engineer: Martin Rex producer: David Cunningham alto saxophone: John Harle and Ian Mitchell (clarinetist) baritone saxophone: Andy Findon bass: Malcolm Bennett (of Gryphon) bass clarinet and clarinet: Ian Mitchell (clarinetist) bass trombone and euphonium: Steve Saunders (bass trombone / euphonium / tuba / sackbut) double bass: Barry Guy (composer and double bass) harpsichord and piano: Michael Nyman (composer) soprano saxophone: John Harle tenor saxophone: John Harle and Keith Thompson (saxaphonist) violin: Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist) performer: Michael Nyman Band engineered at: Berry Street Studio in Islington and Studio 80 in London (Greater London) produced at: The Town House in Shepherd's Bush		6:10
6	An Eye for Optical Theory assistant engineer: Brad Grisdale, Dave Hunt (engineer, producer and occasional writer), Steve Smith (engineer) and Bob Zimbler engineer: Martin Rex producer: David Cunningham alto saxophone: John Harle and Ian Mitchell (clarinetist) baritone saxophone: Andy Findon bass: Malcolm Bennett (of Gryphon) bass clarinet and clarinet: Ian Mitchell (clarinetist) bass trombone and euphonium: Steve Saunders (bass trombone / euphonium / tuba / sackbut) double bass: Barry Guy (composer and double bass) harpsichord and piano: Michael Nyman (composer) soprano saxophone: John Harle tenor saxophone: John Harle and Keith Thompson (saxaphonist) violin: Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist) performer: Michael Nyman Band engineered at: Berry Street Studio in Islington and Studio 80 in London (Greater London) produced at: The Town House in Shepherd's Bush recording of: An Eye for Optical Theory (in 1982) composer: Michael Nyman (composer) (in 1982) publisher: Première Music Group (in 1982) is based on: Ground in C minor, ZD. 221		5:12
7	Bravura in the Face of Grief assistant engineer: Brad Grisdale, Dave Hunt (engineer, producer and occasional writer), Steve Smith (engineer) and Bob Zimbler engineer: Martin Rex producer: David Cunningham alto saxophone: John Harle and Ian Mitchell (clarinetist) baritone saxophone: Andy Findon bass: Malcolm Bennett (of Gryphon) bass clarinet and clarinet: Ian Mitchell (clarinetist) bass trombone and euphonium: Steve Saunders (bass trombone / euphonium / tuba / sackbut) double bass: Barry Guy (composer and double bass) harpsichord and piano: Michael Nyman (composer) soprano saxophone: John Harle tenor saxophone: John Harle and Keith Thompson (saxaphonist) violin: Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist) performer: Michael Nyman Band engineered at: Berry Street Studio in Islington and Studio 80 in London (Greater London) produced at: The Town House in Shepherd's Bush		12:12

Credits

Release

Discogs:	https://www.discogs.com/release/429926 [info]
ASIN:	UK: B002OVC2D6 [info]

Release group

Discogs:	https://www.discogs.com/master/68135 [info]
other databases:	http://soundtrackcollector.com/title/1547/ [info] https://rateyourmusic.com/release/album/michael_nyman/the_draughtsmans_contract_f1/ [info] https://www.musik-sammler.de/album/173564/ [info]
IMDb:	https://www.imdb.com/title/tt0083851/ [info]
Allmusic:	https://www.allmusic.com/album/mw0000475788 [info]

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Release information

Barcode:: 5012984115828
Format:: CD
Length:: 40:39

Additional details

Type:: Album + Soundtrack
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Charisma
CASCD1158

Release events

United Kingdom
1989

Release group rating

4 (see all ratings)

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Last updated on 2013-02-20 01:00 UTC