Stéphane Grappelli Plays Jerome Kern

~ Release by Stéphane Grappelli (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Smoke Gets in Your Eyes
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
strings arranger:
Jorge Calandrelli
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
translated version of:
Sen jag mötte dig
part of:
Roberta
7:22
2The Way You Look Tonight
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
drums (drum set):
Martin Drew
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
5:01
3Can’t Help Lovin’ Dat Man
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
drums (drum set):
Alf Bigden
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
strings arranger:
Laurie Holloway
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
6:02
4A Fine Romance
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
strings arranger:
Daniel Freiberg
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
4:12
5Yesterdays
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
strings arranger:
Laurie Holloway
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
5:37
6Ol’ Man River
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
drums (drum set):
Martin Drew
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
vocals:
Marc Fosset (French jazz guitarist)
strings arranger:
Jorge Calandrelli
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
6:45
7All the Things You Are
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
strings arranger:
Jorge Calandrelli
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
All the Things You Are (from “Very Warm for May”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
4:00
8Pick Yourself Up
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
drums (drum set):
Martin Drew
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
strings arranger:
Laurie Holloway
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
4:50
9Why Do I Love You
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
Why Do I Love You? (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
5:03
10I Won’t Dance
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
drums (drum set):
Alf Bigden
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
violin:
Stéphane Grappelli (jazz violinist)
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
4:55
11Long Ago and Far Away
recording engineer and mixer:
Keith Grant (classical recording engineer)
editor:
Josiah Gluck
double bass:
Jack Sewing
guitar:
Marc Fosset (French jazz guitarist) and Martin Taylor (jazz guitarist)
piano:
Stéphane Grappelli (jazz violinist)
strings arranger:
Laurie Holloway
recorded at and mixed at:
Olympic Studios (1966-2009) in Barnes
edited at:
The Review Room in New York, United States
instrumental recording of:
Long Ago (and Far Away)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
3:09

Credits

Release

liner notes:Mort Goode
mastering:Ted Jensen (American mastering engineer)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, United States
ASIN:US: B000008B20 [info]