Motherland

~ Release by Bartók, Dvořák, Shor, Walton; David Aaron Carpenter, Vladimir Jurowski, Kazushi Ono, David Parry, London Philharmonic Orchestra (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Concerto for Cello and Orchestra, op. 104: I. Allegro
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-03-09)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-03-09)
conductor:
Kazushi Ono (Japanese conductor) (on 2017-03-09)
viola arranger:
David Aaron Carpenter and Joseph Vieland
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (on 2017-03-09)
recording of:
Cello Concerto in B minor, op. 104: I. Allegro (on 2017-03-09)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák14:16
2Concerto for Cello and Orchestra, op. 104: II. Adagio, ma non troppo
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-03-09)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-03-09)
conductor:
Kazushi Ono (Japanese conductor) (on 2017-03-09)
viola arranger:
David Aaron Carpenter and Joseph Vieland
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (on 2017-03-09)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (on 2017-03-09)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák11:33
3Concerto for Cello and Orchestra, op. 104: III. Finale: Allegro moderato
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-03-09)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-03-09)
conductor:
Kazushi Ono (Japanese conductor) (on 2017-03-09)
viola arranger:
David Aaron Carpenter and Joseph Vieland
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (on 2017-03-09)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (on 2017-03-09)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák11:55
4Concerto for Viola and Orchestra, Sz. 120: I. Moderato
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-03-10)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-03-10)
conductor:
Vladimir Jurowski (conductor) (on 2017-03-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (on 2017-03-10)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato (on 2017-03-10)
composer:
Béla Bartók (composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók11:54
5Concerto for Viola and Orchestra, Sz. 120: II. Adagio religioso
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-03-10)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-03-10)
conductor:
Vladimir Jurowski (conductor) (on 2017-03-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (on 2017-03-10)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso (on 2017-03-10)
composer:
Béla Bartók (composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók3:39
6Concerto for Viola and Orchestra, Sz. 120: III. Allegro vivace
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-03-10)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-03-10)
conductor:
Vladimir Jurowski (conductor) (on 2017-03-10)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (on 2017-03-10)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace (on 2017-03-10)
composer:
Béla Bartók (composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók4:23
7Seascapes for Viola and Orchestra: I. Abandoned Lighthouse
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Seascapes for Viola and Orchestra: I. Abandoned Lighthouse (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Seascapes for Viola and Orchestra
Alexey Shor5:50
8Seascapes for Viola and Orchestra: II. Lonely Sail
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Seascapes for Viola and Orchestra: II. Lonely Sail (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Seascapes for Viola and Orchestra
Alexey Shor4:25
9Seascapes for Viola and Orchestra: III. Gathering Storm
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Seascapes for Viola and Orchestra: III. Gathering Storm (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Seascapes for Viola and Orchestra
Alexey Shor3:46
10Seascapes for Viola and Orchestra: IV. Summer Hail
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Seascapes for Viola and Orchestra: IV. Summer Hail (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Seascapes for Viola and Orchestra
Alexey Shor4:03
▼ CD 2
#TitleArtistRatingLength
1Concerto for Viola and Orchestra (1962 version): I. Andante comodo
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-05-04)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-05-04)
conductor:
Vladimir Jurowski (conductor) (on 2017-05-04)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (on 2017-05-04)
recording of:
Viola Concerto: I. Andante comodo (1961 revision) (on 2017-05-04)
composer:
William Walton (composer and conductor) (in 1929)
revised by:
William Walton (composer and conductor) (in 1961)
part of:
Viola Concerto (1961 revision)
revision of:
Viola Concerto: I. Andante comodo (1929 original version (rarely performed))
William Walton8:25
2Concerto for Viola and Orchestra (1962 version): II. Vivo, e molto preciso
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-05-04)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-05-04)
conductor:
Vladimir Jurowski (conductor) (on 2017-05-04)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (on 2017-05-04)
recording of:
Viola Concerto: II. Vivo, con molto preciso (1961 revision) (on 2017-05-04)
composer:
William Walton (composer and conductor) (in 1929)
revised by:
William Walton (composer and conductor) (in 1961)
part of:
Viola Concerto (1961 revision)
revision of:
Viola Concerto: II. Vivo, con molto preciso (1929 original version (rarely performed))
William Walton4:20
3Concerto for Viola and Orchestra (1962 version): III. Allegro moderato
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (on 2017-05-04)
orchestra:
London Philharmonic Orchestra (LPO) (on 2017-05-04)
conductor:
Vladimir Jurowski (conductor) (on 2017-05-04)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (on 2017-05-04)
recording of:
Viola Concerto: III. Allegro moderato (1961 revision) (on 2017-05-04)
composer:
William Walton (composer and conductor) (in 1929)
revised by:
William Walton (composer and conductor) (in 1961)
part of:
Viola Concerto (1961 revision)
revision of:
Viola Concerto: III. Allegro moderato (1929 original version (rarely performed))
William Walton12:23
4Two Songs for My Children: I. Lullaby for Mark
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Two Songs for My Children: I. Lullaby for Mark (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Two Songs for My Children
Alexey Shor3:19
5Two Songs for My Children: II. Natalie’s Waltz
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Two Songs for My Children: II. Natalie’s Waltz (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Two Songs for My Children
Alexey Shor3:27
6Well Tempered Chanson: I. Murka Metamorphoses
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: I. Murka Metamorphoses (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor3:33
7Well Tempered Chanson: II. Trans-Siberian Waltz
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: II. Trans-Siberian Waltz (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor2:54
8Well Tempered Chanson: III. 7:40 Samba
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: III. 7:40 Samba (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor3:11
9Well Tempered Chanson: IV. Baroken Love
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: IV. Baroken Love (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor2:48
10Well Tempered Chanson: V. Last Penny
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
cello:
Kristina Blaumane (cellist) (from 2017-05-02 until 2017-05-03)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: V. Last Penny (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor3:39
11Well Tempered Chanson: VI. Odessa Walk
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: VI. Odessa Walk (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor3:05
12Well Tempered Chanson: VII. Buenos Aires Bonbons
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: VII. Buenos Aires Bonbons (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor3:28
13Well Tempered Chanson: VIII. Chicken Tarantella
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: VIII. Chicken Tarantella (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor3:47
14Well Tempered Chanson: IX. Nostalgic Waltz
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: IX. Nostalgic Waltz (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor4:18
15Well Tempered Chanson: X. Buggy Bossa Nova
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: X. Buggy Bossa Nova (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor4:08
16Well Tempered Chanson: XI. Semi-Cannonical Great Feud
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
violin:
Sean Carpenter (violinist) (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: XI. Semi-Cannonical Great Feud (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor2:59
17Well Tempered Chanson: XII. Lament
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: XII. Lament (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor4:20
18Well Tempered Chanson: XIII. Murka Variations
sound engineer:
Deborah Spanton
producer:
Andrew Walton (producer)
viola:
David Aaron Carpenter (from 2017-05-02 until 2017-05-03)
orchestra:
London Philharmonic Orchestra (LPO) (from 2017-05-02 until 2017-05-03)
conductor:
David Parry (conductor) (from 2017-05-02 until 2017-05-03)
recorded at:
Lyndhurst Hall (Lyndhurst Hall 1991–present) in Hampstead (from 2017-05-02 until 2017-05-03)
recording of:
Well Tempered Chanson: XIII. Murka Variations (from 2017-05-02 until 2017-05-03)
composer:
Alexey Shor
part of:
Well Tempered Chanson
Alexey Shor3:27