Shirley Horn

~ Release by Shirley Horn (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Come back to me
recorded in:
New York, United States (in 1990)
bass:
Buster Williams (US jazz bassist) (in 1990)
drums (drum set):
Billy Hart (US jazz drummer aka "Jabali" Billy Hart) (in 1990)
piano:
Shiley Horn (in 1990)
vocals:
Shiley Horn (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1991)
recording of:
Come Back to Me (On a Clear Day You Can See Forever) (in 1990)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA) and Warner/Chappell Music, Inc.
premiered at:
Mark Hellinger Theatre in Manhattan, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
3:44
2The second time around
recorded in:
New York, United States (in 1962)
bass:
Milt Hinton (in 1962)
drums (drum set):
Osie Johnson (in 1962)
guitar:
Kenny Burrell (in 1962)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1962)
vocals:
Shiley Horn (in 1962)
orchestra:
with a large orchestra (in 1962)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
The Second Time Around (in 1962)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Twentieth Century Music Corp. (in 1960, in 1988)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:14
3Someone to watch over me
engineered in:
Paris (from 1991-04-03 until 1991-04-04)
bass:
Charles Ables
drums (drum set):
Steve Williams (US jazz drummer)
harmonica:
Toots Thielemans
piano:
Shiley Horn
vocals:
Shiley Horn
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1991)
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
8:04
4I wish i didn't love you so
recorded in:
Los Angeles, United States (from 1987-05-12 until 1987-05-13)
bass:
Charles Ables (from 1987-05-12 until 1987-05-13)
drums (drum set):
Steve Williams (US jazz drummer) (from 1987-05-12 until 1987-05-13)
piano:
Shiley Horn (from 1987-05-12 until 1987-05-13)
vocals:
Shiley Horn (from 1987-05-12 until 1987-05-13)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987)
recording of:
I Wish I Didn’t Love You So (The Perils of Pauline) (from 1987-05-12 until 1987-05-13)
lyricist and composer:
Frank Loesser
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 20th Academy Award for Best Original Song (number: 2)
5:27
5It had to be you
additionally recorded in:
New York, United States (in 1990)
bass:
Charles Ables (in 1990)
drums (drum set):
Steve Williams (US jazz drummer) (in 1990)
piano:
Shiley Horn (in 1990)
tenor saxophone:
Branford Marsalis (saxophonist) (in 1990)
vocals:
Shiley Horn (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1991)
recording of:
It Had to Be You (in 1990)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
6:52
6The good life
recorded in:
New York, United States (in 1963)
piano:
Shiley Horn (in 1963)
vocals:
Shiley Horn (in 1963)
orchestra:
Quincy Jones and His Orchestra (in 1963)
conductor:
Quincy Jones (in 1963)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1964)
recording of:
The Good Life (in 1963)
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
3:13
7Too late now
recorded in:
New York, United States (in 1990)
bass:
Charles Ables (in 1990)
drums (drum set):
Steve Williams (US jazz drummer) (in 1990)
piano:
Shiley Horn (in 1990)
vocals:
Shiley Horn (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1991)
recording of:
Too Late Now (Royal Wedding / On a Clear Day) (in 1990)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
6:02
8Ten cents a dance
recorded in:
New York, United States (in 1963)
bass:
Milt Hinton (in 1963)
drums (drum set):
Osie Johnson (in 1963)
guitar:
Kenny Burrell (in 1963)
piano:
Hank Jones (piano) (in 1963)
vocals:
Shiley Horn (in 1963)
orchestra:
with a large orchestra (in 1963)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Ten Cents a Dance (in 1963)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
part of:
Simple Simon
3:50
9Once i loved
recorded in:
New York, United States (from 1988-11-14 until 1988-11-16)
bass:
Charles Ables (from 1988-11-14 until 1988-11-16)
drums (drum set):
Steve Williams (US jazz drummer) (from 1988-11-14 until 1988-11-16)
piano:
Shiley Horn (from 1988-11-14 until 1988-11-16)
vocals:
Shiley Horn (from 1988-11-14 until 1988-11-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1989)
recording of:
Once I Loved (from 1988-11-14 until 1988-11-16)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Ray Gilbert
publisher:
Corcovado Music Corp. and Ipanema Music Corp.
translated version of:
O amor em paz
6:59
10I got it bad(and that ain't good)
recorded in:
Los Angeles, United States (from 1987-05-12 until 1987-05-13)
bass:
Charles Ables (from 1987-05-12 until 1987-05-13)
drums (drum set):
Steve Williams (US jazz drummer) (from 1987-05-12 until 1987-05-13)
piano:
Shiley Horn (from 1987-05-12 until 1987-05-13)
vocals:
Shiley Horn (from 1987-05-12 until 1987-05-13)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987)
recording of:
I Got It Bad (and That Ain’t Good) (from 1987-05-12 until 1987-05-13)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:59
11Love is here to stay
recorded in:
Los Angeles, United States (from 1987-05-12 until 1987-05-13)
bass:
Charles Ables (from 1987-05-12 until 1987-05-13)
drums (drum set):
Steve Williams (US jazz drummer) (from 1987-05-12 until 1987-05-13)
piano:
Shiley Horn (from 1987-05-12 until 1987-05-13)
vocals:
Shiley Horn (from 1987-05-12 until 1987-05-13)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987)
recording of:
Love Is Here to Stay (from 1987-05-12 until 1987-05-13)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
3:33