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~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Toccata And Fugue In D Minor, BWV 565: Toccata
producer:
Gerd Ploebsch
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
balance engineer:
Hans-Peter Schweigmann (in 1988-09)
recorded at:
Kreuzbergkirche in Bonn (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
2:31
2Toccata And Fugue In D Minor, BWV 565: Fugue
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Kreuzbergkirche in Bonn (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
6:01
3Brandenburg Concerto No. 3 in G, BWV 1048: I. (without tempo indication)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Jennifer Ward Clarke (cellist) (from 1982-03 until 1982-05), Anthony Pleeth (cellist) (from 1982-03 until 1982-05) and Richard Webb (cellist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
viola:
Annette Isserlis (violist) (from 1982-03 until 1982-05), Trevor Jones (British violist, ex. Salomon Quartet) (from 1982-03 until 1982-05) and Jan Schlapp (violist Janet Schlapp) (from 1982-03 until 1982-05)
violin:
Micaela Comberti (violinist) (from 1982-03 until 1982-05), Simon Standage (violinist and conductor) (from 1982-03 until 1982-05) and Elizabeth Wilcock (violinist) (from 1982-03 until 1982-05)
violone:
Amanda MacNamara (double bass player) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
5:52
4Suite for Cello Solo No. 1 in G, BWV 1007: I. Prelude
cello:
Mischa Maisky (cellist) (in 1984-10)
recorded at:
Zentralsaal in Bamberg (in 1984-10)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (in 1984-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
2:46
5Wachet auf, ruft uns die Stimme Cantata, BWV 140: Choral "Zion hört die Wächter singen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1990-03)
choir vocals [tenors]:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (in 1990-03)
conductor:
Sir John Eliot Gardiner (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset (in 1990-03)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1990-03)
premiered in:
Leipzig (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
3:55
6Concerto for Harpsichord, Strings, and Continuo No. 5 in F minor, BWV 1056: II. Largo
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
orchestra:
The English Concert (in 1980-11)
conductor and concertmaster:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer) and Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1980-11, in 1981-02)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:56
7Violin Concerto No. 1 In A Minor, BWV 1041: I. Allegro moderato
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Joachim Niss
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983-03)
violin:
Simon Standage (violinist and conductor) (in 1983-03)
orchestra:
The English Concert (in 1983-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-03)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1983-03)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 1983-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
3:43
8Suite No. 3 in D, BWV 1068: II. Air
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
violone:
Richard Webb (cellist) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
4:57
9Mass in B Minor, BWV 232: II. Credo - Crucifixus
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1985-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (in 1985-02)
tenor vocals:
Wynford Evans (tenor) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London) (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1985-02)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
3:16
10Brandenburg Concerto No. 4 in G, BWV 1049: I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
treble recorder / alto recorder:
Rachel Beckett (flute and recorder player) (from 1982-03 until 1982-05) and Philip Pickett (musician) (from 1982-03 until 1982-05)
violin:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
7:03
11Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (Engineer of classical recordings)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
4:55
12Suite No. 2 In B Minor, BWV 1067: VI. Menuet
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
1:31
13Suite No. 2 In B Minor, BWV 1067: VII. Badinerie
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
1:39
14Herz und Mund und Tat und Leben, Cantata BWV 147: X. Choral "Jesus bleibet meine Freude"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
The English Baroque Soloists (in 1990-03)
conductor:
John Eliot Gardiner (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1992)
recorded at:
St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03)
premiered in:
Leipzig (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:34
15Prelude And Fugue In C (WTK, Book I, No. 1), BWV 846
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
harpsichord:
Kenneth Gilbert (harpsichord player) (in 1983-01)
recorded at:
Musée des beaux-arts de Chartres in Chartres (in 1983-01)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (in 1983-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: L80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
4:17
16Christmas Oratorio, BWV 248: Part II (For the Second Day of Christmas), No. 10. Sinfonia
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Abbey Road Studios in St John's Wood (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1987-01)
premiered in:
Leipzig (on 1734-12-26)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:23
17Brandenburg Concerto No. 2 in F, BWV 1047: I. (without tempo indication)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
baroque trumpet:
Michael Laird (classical trumpeter) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
oboe:
David Reichenberg (oboist) (from 1982-03 until 1982-05)
treble recorder / alto recorder:
Philip Pickett (musician) (from 1982-03 until 1982-05)
violin:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
5:25
18Double Concerto For 2 Violins, Strings, And Continuo In D Minor, BWV 1043: II. Allegro ma non tanto
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Joachim Niss
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983-03)
violin:
Simon Standage (violinist and conductor) (in 1983-03) and Elizabeth Wilcock (violinist) (in 1983-03)
orchestra:
The English Concert (in 1983-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-03)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1983-03)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1983-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
6:40
19St. Matthew Passion, BWV 244: Part II, No. 68 Chorus I/II "Wir setzen uns mit Tränen nieder"
recording engineer:
Klaus Behrens (Engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
instruments and orchestra:
English Baroque Soloists (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:10

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