Pet Sounds

~ Release by The Beach Boys (see all versions of this release, 54 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleRatingLength
1Wouldn't It Be Nice (instrumental stereo mix)
engineer:
Larry Levine (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bell, percussion and timpani:
Frank Capp (on 1966-01-22)
double bass:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22)
electric bass guitar [Dano Bass]:
Ray Pohlman (on 1966-01-22)
guitar:
Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
tack piano:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (on 1966-01-22)
recorded at:
Gold Star Studios in Hollywood, United States (on 1966-01-22)
instrumental recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:34
2You Still Believe in Me (instrumental stereo mix)
engineer:
Chuck Britz (on 1965-10-14)
bass clarinet:
Jay Migliori (on 1965-10-14)
bicycle bell and timpani:
Julius Wechter (on 1965-10-14)
clarinet:
Bill Green (woodwind) (on 1965-10-14), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-10-14) and Plas Johnson (on 1965-10-14)
double bass:
Lyle Ritz (on 1965-10-14)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1965-10-14)
electric bass guitar:
Carol Kaye (on 1965-10-14)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1965-10-14) and Barney Kessel (on 1965-10-14)
harpsichord:
Al De Lory (from 1965-10-14 until 1966-01-24)
piano:
Steve Douglas (American saxophonist, flautist and clarinetist) (from 1965-10-14 until 1966-01-24)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1965-10-14, on 1966-01-24)
instrumental recording of:
You Still Believe in Me (from 1965-10-14 until 1966-01-24)
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
2:37
3That's Not Me (instrumental stereo mix)
engineer:
Chuck Britz (on 1966-02-15)
12 string guitar [12-string Electric Guitar]:
Carl Wilson (Beach Boys)
drums (drum set):
Dennis Wilson (Beach Boys) (on 1966-02-15)
electric bass guitar:
Brian Wilson (Beach Boys co‐founder)
guitar:
Carl Wilson (Beach Boys) (on 1966-02-15)
organ:
Brian Wilson (Beach Boys co‐founder) (on 1966-02-15)
percussion:
Hal Blaine (U.S. Studio drummer and percussionist)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1966-02-15)
instrumental recording of:
That’s Not Me (from 1966-02-15 to ????)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
2:31
4Don't Talk (Put Your Head on My Shoulder) (instrumental stereo mix)
engineer:
Chuck Britz (on 1966-02-11) and H. Bowen David (on 1966-04-03)
cello:
Joseph Saxon (on 1966-04-03)
double bass:
Lyle Ritz (on 1966-02-11)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-02-11)
electric bass guitar:
Carol Kaye (on 1966-02-11)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-11) and Billy Strange (on 1966-02-11)
organ:
Al De Lory (on 1966-02-11)
piano:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-11)
timpani and vibraphone:
Frank Capp (on 1966-02-11)
viola:
Norman Botnick (on 1966-04-03)
violin:
Arnold Belnick (on 1966-04-03), Ralph Schaeffer (on 1966-04-03), Sid Sharp (on 1966-04-03) and Tibor Zelig (on 1966-04-03)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1966-02-11, on 1966-04-03)
instrumental recording of:
Don’t Talk (Put Your Head on My Shoulder) (from 1966-02-11 until 1966-04-03)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
2:58
5I'm Waiting for the Day (instrumental stereo mix)
engineer:
H. Bowen David (on 1966-03-06)
bongos and timpani:
Gary Coleman (US percussionist) (on 1966-03-06)
cello:
Justin Ditullio (on 1966-03-06)
cor anglais [english horn]:
Leonard Hartman (on 1966-03-06)
double bass:
Lyle Ritz (on 1966-03-06)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-06)
electric bass guitar:
Ray Pohlman (on 1966-03-06)
flute:
Bill Green (woodwind) (on 1966-03-06), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-06) and Jay Migliori (on 1966-03-06)
guitar:
Carol Kaye (on 1966-03-06)
organ:
Larry Knechtel (on 1966-03-06)
tack piano:
Al De Lory (on 1966-03-06)
viola:
Harry Hyams (on 1966-03-06)
violin:
William Kurasch (on 1966-03-06), Leonard Malarsky (on 1966-03-06), Ralph Schaeffer (on 1966-03-06) and Sid Sharp (on 1966-03-06)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1966-03-06)
instrumental recording of:
I’m Waiting for the Day (on 1966-03-06)
lyricist:
Mike Love (Beach Boys)
composer:
Brian Wilson (Beach Boys co‐founder)
3:09
6Let's Go Away for Awhile (instrumental stereo mix)
engineer:
Chuck Britz (on 1966-01-18)
alto saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-01-18)
baritone saxophone:
Jay Migliori (on 1966-01-18)
cello:
Justin Ditullio (on 1966-01-19) and Joseph Saxon (on 1966-01-19)
double bass:
Lyle Ritz (on 1966-01-18)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-01-18)
electric bass guitar:
Carol Kaye (on 1966-01-18)
flute:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-19) and Jules Jacob (US jazz woodwind player) (on 1966-01-19)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-01-18) and Barney Kessel (on 1966-01-18)
piano:
Al De Lory (on 1966-01-18)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-18) and Plas Johnson (on 1966-01-18)
timpani and vibraphone:
Julius Wechter (on 1966-01-18)
trumpet:
Roy Caton (on 1966-01-18)
viola:
Joseph DiFiore (on 1966-01-19) and Harry Hyams (on 1966-01-19)
violin:
Arnold Belnick (on 1966-01-19), James Getzoff (American concertmaster and violinist) (on 1966-01-19), William Kurasch (on 1966-01-19), Leonard Malarsky (on 1966-01-19), Jerome Reisler (on 1966-01-19), Ralph Schaeffer (on 1966-01-19), Sid Sharp (on 1966-01-19) and Tibor Zelig (on 1966-01-19)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1966-01-18, on 1966-01-19)
instrumental recording of:
Let’s Go Away for Awhile (from 1966-01-18 until 1966-01-19)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
2:26
7Sloop John B (instrumental stereo mix)
engineer:
Chuck Britz (on 1965-07-12)
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1965-07-12)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1965-07-12, on 1965-12-29)
instrumental recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI United Partnership Ltd. and New Executive Music
version of:
The John B. Sails
3:03
8God Only Knows (instrumental stereo mix)
engineer:
Chuck Britz (on 1966-03-10)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (woodwind) (on 1966-03-10) and Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1966-03-10)
instrumental recording of:
God Only Knows (on 1966-03-10)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:57
9I Know There's an Answer (instrumental stereo mix)
engineer:
Chuck Britz (on 1966-02-09)
banjo:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-09)
bass clarinet:
Jay Migliori (on 1966-02-09)
bass harmonica:
Tommy Morgan (Harmonica player) (on 1966-02-09)
clarinet:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-09) and Bobby Klein (on 1966-02-09)
double bass:
Lyle Ritz (on 1966-02-09)
electric bass guitar:
Ray Pohlman (on 1966-02-09)
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-02-09) and Paul Horn (on 1966-02-09)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-09) and Barney Kessel (on 1966-02-09)
organ:
Larry Knechtel (on 1966-02-09)
tack piano:
Al De Lory (on 1966-02-09)
tambourine:
Julius Wechter (on 1966-02-09)
timpani:
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-02-09)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1966-02-09)
instrumental recording of:
I Know There’s an Answer (on 1966-02-09)
lyricist:
Mike Love (Beach Boys) and Terry Sachen
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Rondor Music (London) Ltd.
version of:
Hang On to Your Ego
3:20
10Here Today (instrumental stereo mix)
engineer:
Bruce Botnick (on 1966-03-11)
baritone saxophone:
Jay Migliori (on 1966-03-11) and Jack Nimitz (American saxophonist and clarinet player) (on 1966-03-11)
bass trombone:
Gail Martin (on 1966-03-11) and Ernie Tack (on 1966-03-11)
double bass:
Lyle Ritz (on 1966-03-11)
drums (drum set):
Nick Martinis (on 1966-03-11)
electric bass guitar:
Ray Pohlman (on 1966-03-11)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-03-11) and Mike Deasy (on 1966-03-11)
organ:
Larry Knechtel (on 1966-03-11)
tack piano:
Don Randi (on 1966-03-11)
tambourine:
Frank Capp (on 1966-03-11)
recorded at:
Sunset Sound in Hollywood, United States (on 1966-03-11)
instrumental recording of:
Here Today (on 1966-03-11)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
3:10
11I Just Wasn't Made for These Times (instrumental stereo mix)
engineer:
Larry Levine (on 1966-02-14)
bass clarinet:
Jay Migliori (on 1966-02-14)
bass harmonica:
Tommy Morgan (Harmonica player) (on 1966-02-14)
clarinet:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-02-14) and Bobby Klein (on 1966-02-14)
double bass:
Chuck Berghofer (Jazz bassist) (on 1966-02-14)
drums (drum set) and timpani:
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-02-14)
electric bass guitar:
Ray Pohlman (on 1966-02-14)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-02-14) and Barney Kessel (on 1966-02-14)
harpsichord:
Mike Melvoin (on 1966-02-14)
percussion [cups] and temple blocks:
Frank Capp (on 1966-02-14)
piccolo:
Plas Johnson (on 1966-02-14)
tack piano:
Don Randi (on 1966-02-14)
theremin [electro-theremin]:
Paul Tanner (on 1966-02-14)
recorded at:
Gold Star Studios in Hollywood, United States (on 1966-02-14)
instrumental recording of:
I Just Wasn’t Made for These Times (on 1966-02-14)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
3:24
12Pet Sounds (instrumental stereo mix)
engineer:
Chuck Britz (on 1965-11-17)
acoustic guitar:
Tommy Tedesco (guitar) (on 1965-11-17)
alto saxophone:
Bill Green (woodwind) (on 1965-11-17)
baritone saxophone:
Jay Migliori (on 1965-11-17)
double bass:
Lyle Ritz (on 1965-11-17)
electric bass guitar:
Carol Kaye (on 1965-11-17)
electric guitar:
Jerry Cole (on 1965-11-17) and Billy Strange (on 1965-11-17)
percussion:
Bill Green (woodwind) (on 1965-11-17), Plas Johnson (on 1965-11-17) and Ritchie Frost (on 1965-11-17)
piano:
Brian Wilson (Beach Boys co‐founder) (on 1965-11-17)
tenor saxophone:
Plas Johnson (on 1965-11-17)
trumpet:
Roy Caton (on 1965-11-17)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1965-11-17)
recording of:
Pet Sounds (on 1965-11-17)
composer:
Brian Wilson (Beach Boys co‐founder)
2:36
13Caroline, No (instrumental stereo mix)
engineer:
Chuck Britz (on 1966-01-31)
alto saxophone and tambourine:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-31)
double bass:
Lyle Ritz (on 1966-01-31)
drums (drum set) and percussion:
Hal Blaine (U.S. Studio drummer and percussionist) (on 1966-01-31)
electric bass guitar [Dano bass]:
Carol Kaye (on 1966-01-31)
flute:
Bill Green (woodwind) (on 1966-01-31), Jim Horn (saxophonist, hornist, flutist and oboist) (on 1966-01-31), Plas Johnson (on 1966-01-31) and Jay Migliori (on 1966-01-31)
guitar:
Glen Campbell (US country singer, guitarist & actor) (on 1966-01-31), Carol Kaye (on 1966-01-31) and Barney Kessel (on 1966-01-31)
harpsichord:
Al De Lory (on 1966-01-31)
vibraphone:
Frank Capp (on 1966-01-31)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1966-01-31)
instrumental recording of:
Caroline, No (on 1966-01-31)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
2:53
14Wouldn't It Be Nice (live at Michigan State University/1966)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
Michigan State University in East Lansing, United States (on 1966-10-22)
live recording of:
Wouldn’t It Be Nice (on 1966-10-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:32
15Sloop John B (live at Michigan State University/1966)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
Michigan State University in East Lansing, United States (on 1966-10-22)
live recording of:
Sloop John B (on 1966-10-22)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI United Partnership Ltd. and New Executive Music
version of:
The John B. Sails
2:54
16God Only Knows (live at Michigan State University/1966)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
Michigan State University in East Lansing, United States (on 1966-10-22)
live recording of:
God Only Knows (on 1966-10-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:59
17Good Vibrations (live at Daughters of the American Revolution Constitution Hall, Washington DC/1967)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
DAR Constitution Hall in Washington, D.C., United States (on 1967-11-19)
live recording of:
Good Vibrations (Love/Wilson lyrics, common version) (on 1967-11-19)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
4:29
18God Only Knows (live at Daughters of the American Revolution Constitution Hall, Washington DC/1967)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
DAR Constitution Hall in Washington, D.C., United States (on 1967-11-19)
live recording of:
God Only Knows (on 1967-11-19)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:50
19Wouldn't It Be Nice (live at Daughters of the American Revolution Constitution Hall, Washington DC/1967)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
DAR Constitution Hall in Washington, D.C., United States (on 1967-11-19)
live recording of:
Wouldn’t It Be Nice (on 1967-11-19)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:00
20God Only Knows (live at Carnegie Hall, New York/1972)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
Carnegie Hall in Midtown Manhattan, United States (on 1972-11-23)
live recording of:
God Only Knows (on 1972-11-23)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
3:13
21God Only Knows (live at Jamaican World Music Festival, Montego Bay, Jamaica/1982)
recorded in:
Montego Bay (on 1982-11-26)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
live recording of:
God Only Knows (on 1982-11-26)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:59
22Sloop John B (live at Universal Studios, Universal City, Ca/1989)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
Universal Studios Hollywood in Universal City, United States (on 1989-05-23)
live recording of:
Sloop John B (on 1989-05-23)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI United Partnership Ltd. and New Executive Music
version of:
The John B. Sails
3:21
23Caroline No (live at Paramount Theatre, NYC/1993)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
Brooklyn Paramount Theater in Brooklyn, United States (on 1993-11-26)
live recording of:
Caroline, No (on 1993-11-26)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
2:10
24You Still Believe in Me (live at Paramount Theatre, NYC/1993)
producer:
The Beach Boys (American rock band)
mixer:
Mark Linett
recorded at:
Brooklyn Paramount Theater in Brooklyn, United States (on 1993-11-26)
live recording of:
You Still Believe in Me (on 1993-11-26)
writer:
Tony Asher (US lyricist, worked on Pet Sounds) and Brian Wilson (Beach Boys co‐founder)
2:47