Carmen Suites 1 and 2 / Peer Gynt Suites 1 and 2

~ Release by Bizet, Grieg; New York Philharmonic, Leonard Bernstein (see all versions of this release, 1 available)

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24-Bit
96.0 kHz - Stereo

Annotation last modified on 2020-03-08 00:47 UTC.

Tracklist

▼ Digital Media 1
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1Carmen Suite No. 1 : Les Toréadors. Allegro giocoso (Introduction to Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:33
2Carmen Suite No. 1 : Prélude. Andante moderato (Prelude to Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (on 1967-05-15)
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet1:12
3Carmen Suite No. 1 : Aragonaise. Allegro vivo (Prelude to Act IV)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:25
4Carmen Suite No. 1 : Intermezzo. Andantino quasi allegretto (Prelude to Act III)
producer:
Richard Killough and John McClure (recording engineer and record producer)
flute:
Julius Baker (flautist) (on 1967-05-15)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:45
5Carmen Suite No. 1 : Séguedille. Allegretto (Act I)
engineer:
Larry Keyes (engineer) and John McClure (recording engineer and record producer)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
recording of:
Carmen Fantasy: II. Seguidilla
composer:
Georges Bizet (composer)
arranger:
Robert Elkjer
part of:
Carmen Fantasy
Georges Bizet1:58
6Carmen Suite No. 1 : Les Dragons d’Alcala. Allegro moderato (Prelude to Act II)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:52
7Carmen Suite No. 2 : Marche des contrebandiers. Allegro moderato (Act III)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
Georges Bizet4:20
8Carmen Suite No. 2 : Habanera. Allegretto quasi Andantino (Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: II. Habanera (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
recording of:
Habanera (from Carmen) (catch-all for arrangements)
composer:
Georges Bizet (composer)
arrangement of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Georges Bizet2:03
9Carmen Suite No. 2 : Chanson du toréador. Allegro molto moderato (Act II)
producer:
Richard Killough and John McClure (recording engineer and record producer)
cornet:
William Vacchiano (trumpet player) (on 1967-05-15, on 1967-05-20)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: IV. Chanson du toréador (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet2:55
10Carmen Suite No. 2 : La Garde montante. Allegro (Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: V. La Garde montante (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:45
11Carmen Suite No. 2 : Danse bohème. Andante quasi allegretto (Act II)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15, on 1967-05-20)
conductor:
Leonard Bernstein (on 1967-05-15, on 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-05-15, on 1967-05-20)
recording of:
Carmen Suite no. 2: VI. Danse bohème (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:29
12Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-01-10, on 1967-01-31)
conductor:
Leonard Bernstein (on 1967-01-10, on 1967-01-31)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-01-10, on 1967-01-31)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (on 1967-01-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:49
13Peer Gynt Suite No. 1, Op. 46: II. Åse’s Death. Andante doloroso
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-01-10, on 1967-01-31)
conductor:
Leonard Bernstein (on 1967-01-10, on 1967-01-31)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-01-10, on 1967-01-31)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (on 1967-01-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:54
14Peer Gynt Suite No. 1, Op. 46: III. Anitra’s Dance. Tempo di mazurka
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-01-10, on 1967-01-31)
conductor:
Leonard Bernstein (on 1967-01-10, on 1967-01-31)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-01-10, on 1967-01-31)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (on 1967-01-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:36
15Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-01-10, on 1967-01-31)
conductor:
Leonard Bernstein (on 1967-01-10, on 1967-01-31)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-01-10, on 1967-01-31)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (on 1967-01-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:38
16Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride‐Ingrid’s Lament. Allegro furioso ‐ Andante doloroso
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-01-03, on 1967-01-10)
conductor:
Leonard Bernstein (on 1967-01-03, on 1967-01-10)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-01-03, on 1967-01-10)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (on 1967-01-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:12
17Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance. Allegretto vivace
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-01-03, on 1967-01-10)
conductor:
Leonard Bernstein (on 1967-01-03, on 1967-01-10)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-01-03, on 1967-01-10)
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (on 1967-01-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:37
18Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Sea). Allegro agitato
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-01-03, on 1967-01-10)
conductor:
Leonard Bernstein (on 1967-01-03, on 1967-01-10)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-01-03, on 1967-01-10)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (on 1967-01-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:59
19Peer Gynt Suite No. 2, Op. 55: IV. Solveig’s Song. Andante ‐ Allegretto tranquillamente
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-01-03, on 1967-01-10)
conductor:
Leonard Bernstein (on 1967-01-03, on 1967-01-10)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, United States (on 1967-01-03, on 1967-01-10)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (do not use if there is a singer) (on 1967-01-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg5:38