The John Williams Band Plays the Music of Harold Arlen

~ Release by The John Williams Band (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Let's Fall in Love
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-04)
instrumental recording of:
Let’s Fall in Love (on 1957-10-04)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2:29
2Stormy Weather
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-04)
instrumental recording of:
Stormy Weather (on 1957-10-04)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
2:45
3My Shining Hour
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-04)
instrumental recording of:
My Shining Hour (The Sky’s the Limit) (on 1957-10-04)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
2:05
4Get Happy
alto saxophone:
Herb Geller (on 1957-10-03)
baritone saxophone:
Marty Berman (on 1957-10-03)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-03)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-03)
piano:
John Williams (American score composer) (on 1957-10-03)
tenor saxophone:
Gene Cipriano (on 1957-10-03) and Buddy Collette (on 1957-10-03)
performer:
John T. Williams Septet (on 1957-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-03)
instrumental recording of:
Get Happy (on 1957-10-03)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:31
5Here's What I'm Here For
baritone saxophone:
Marty Berman (on 1957-10-14)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-14)
piano:
John Williams (American score composer) (on 1957-10-14)
tenor saxophone:
Richie Kamuca (on 1957-10-14)
trombone:
Dick Noel (trombone) (on 1957-10-14)
valve trombone:
Bob Enevoldsen (on 1957-10-14)
performer:
Jerry Williams (US percussionist) (on 1957-10-14) and John T. Williams Septet (on 1957-10-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-14)
instrumental recording of:
Here’s What I’m Here For (A Star is Born) (on 1957-10-14)
lyricist:
Ira Gershwin
composer:
Harold Arlen
3:14
6That Old Black Magic
alto saxophone:
Herb Geller (on 1957-10-03)
baritone saxophone:
Marty Berman (on 1957-10-03)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-03)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-03)
piano:
John Williams (American score composer) (on 1957-10-03)
tenor saxophone:
Gene Cipriano (on 1957-10-03) and Buddy Collette (on 1957-10-03)
performer:
John T. Williams Septet (on 1957-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-03)
instrumental recording of:
That Old Black Magic (on 1957-10-03)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:11
7Hit the Road Dreamland
baritone saxophone:
Marty Berman (on 1957-10-14)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-14)
piano:
John Williams (American score composer) (on 1957-10-14)
tenor saxophone:
Richie Kamuca (on 1957-10-14)
trombone:
Dick Noel (trombone) (on 1957-10-14)
valve trombone:
Bob Enevoldsen (on 1957-10-14)
performer:
Jerry Williams (US percussionist) (on 1957-10-14) and John T. Williams Septet (on 1957-10-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-14)
instrumental recording of:
Hit the Road to Dreamland (on 1957-10-14)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:41
8Over the Rainbow
alto saxophone:
Herb Geller (on 1957-10-03)
baritone saxophone:
Marty Berman (on 1957-10-03)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-03)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-03)
piano:
John Williams (American score composer) (on 1957-10-03)
tenor saxophone:
Gene Cipriano (on 1957-10-03) and Buddy Collette (on 1957-10-03)
performer:
John T. Williams Septet (on 1957-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-03)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1957-10-03)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:28
9Between the Devil and the Deep Blue Sea
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-04)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1957-10-04)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:16
10Sleepin' Bee
baritone saxophone:
Marty Berman (on 1957-10-14)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-14)
piano:
John Williams (American score composer) (on 1957-10-14)
tenor saxophone:
Richie Kamuca (on 1957-10-14)
trombone:
Dick Noel (trombone) (on 1957-10-14)
valve trombone:
Bob Enevoldsen (on 1957-10-14)
performer:
Jerry Williams (US percussionist) (on 1957-10-14) and John T. Williams Septet (on 1957-10-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-14)
instrumental recording of:
A Sleepin’ Bee (House of Flowers) (on 1957-10-14)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
3:06
11I've Got the World on a String
alto saxophone:
Herb Geller (on 1957-10-03)
baritone saxophone:
Marty Berman (on 1957-10-03)
bass:
Buddy Clark (US jazz bassist) (on 1957-10-03)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-03)
piano:
John Williams (American score composer) (on 1957-10-03)
tenor saxophone:
Gene Cipriano (on 1957-10-03) and Buddy Collette (on 1957-10-03)
performer:
John T. Williams Septet (on 1957-10-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-03)
instrumental recording of:
I’ve Got the World on a String (on 1957-10-03)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:56
12Come Rain or Come Shine
bass:
Buddy Clark (US jazz bassist) (on 1957-10-04)
bass trombone:
George Roberts (american bass trombone) (on 1957-10-04)
drums (drum set):
Jerry Williams (US percussionist) (on 1957-10-04)
piano:
John Williams (American score composer) (on 1957-10-04)
trombone:
Milt Bernhart (on 1957-10-04), Joe Howard (american trombone player) (on 1957-10-04) and Dick Noel (trombone) (on 1957-10-04)
valve trombone:
Bob Enevoldsen (on 1957-10-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1957-10-04)
instrumental recording of:
Come Rain or Come Shine (on 1957-10-04)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
3:22