Trinitatis: Bach Cantatas

~ Release by Bach; Le Banquet Céleste, Damien Guillon, Maude Gratton (see all versions of this release, 2 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Jesu, der du meine Seele, BWV 78: I. Chorus. Jesu, der du meine Seele
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
countertenor vocals:
Damien Guillon (countertenor)
soprano vocals:
Céline Scheen (Belgian soprano vocalist)
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele"
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:04
2Jesu, der du meine Seele, BWV 78: II. Aria. Wir eilen mit schwachen, doch emsigen Schritten
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
countertenor vocals:
Damien Guillon (countertenor)
soprano vocals:
Céline Scheen (Belgian soprano vocalist)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten"
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:01
3Jesu, der du meine Seele, BWV 78: III. Recitativo. Ach! ich bin ein Kind der Sünden
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenor) "Ach! ich bin ein Kind der Sünden"
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:05
4Jesu, der du meine Seele, BWV 78: IV. Aria. Das Blut, so meine Schuld durchstreicht
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenor) "Das Blut, so meine Schuld durchstreicht"
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:18
5Jesu, der du meine Seele, BWV 78: V. Recitativo. Die Wunden, Nägel, Kron und Grab
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Bass) "Die Wunden, Nägel, Kron und Grab"
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:20
6Jesu, der du meine Seele, BWV 78: VI. Aria. Nur du wirst mein Gewissen stillen
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VI. Aria (Bass) "Nun du wirst mein Gewissen stillen"
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:48
7Jesu, der du meine Seele, BWV 78: VII. Chorale. Herr, ich glaube, hilf mir Schwachen
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
countertenor vocals:
Damien Guillon (countertenor)
soprano vocals:
Céline Scheen (Belgian soprano vocalist)
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen"
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 188)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach1:02
8Organ Sonata no. 2 in C minor, BWV 526: I. Vivace
producer and mixer:
Olivier Rosset (classical producer and engineer)
organ:
Maude Gratton (Organist and Harpsichordist)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
Johann Sebastian Bach3:48
9Organ Sonata no. 2 in C minor, BWV 526: II. Largo
producer and mixer:
Olivier Rosset (classical producer and engineer)
organ:
Maude Gratton (Organist and Harpsichordist)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: II. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
Johann Sebastian Bach3:36
10Organ Sonata no. 2 in C minor, BWV 526: III. Allegro
producer and mixer:
Olivier Rosset (classical producer and engineer)
organ:
Maude Gratton (Organist and Harpsichordist)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
Johann Sebastian Bach3:59
11O Ewigkeit, du Donnerwort, BWV 60: I. Chorale & Aria. O Ewigkiet, du Donnerwort
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
countertenor vocals:
Damien Guillon (countertenor)
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach4:07
12O Ewigkeit, du Donnerwort, BWV 60: II. Recitativo. O schwerer Gang zum letzen Kampf und Streite!
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
countertenor vocals:
Damien Guillon (countertenor)
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach2:04
13O Ewigkeit, du Donnerwort, BWV 60: III. Aria (Duetto). Mein letztes Lager will mich schrecken
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
countertenor vocals:
Damien Guillon (countertenor)
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach2:50
14O Ewigkeit, du Donnerwort, BWV 60: IV. Recitativo. Der Tod bleibt doch der menschlichen Natur verhaßt
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
countertenor vocals:
Damien Guillon (countertenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach4:32
15O Ewigkeit, du Donnerwort, BWV 60: V. Chorale. Es ist genung
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
countertenor vocals:
Damien Guillon (countertenor)
soprano vocals:
Céline Scheen (Belgian soprano vocalist)
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt"
lyricist:
Franz Joachim Burmeister (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:10
16Prelude in C minor, BWV 546
producer and mixer:
Olivier Rosset (classical producer and engineer)
organ:
Maude Gratton (Organist and Harpsichordist)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Präludium und Fuge c-Moll, BWV 546: I. Präludium
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge c-Moll, BWV 546
Johann Sebastian Bach6:05
17Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: I. Chorus. Wer sich selbst erhöhet, der soll erniedriget werden
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
countertenor vocals:
Damien Guillon (countertenor)
soprano vocals:
Céline Scheen (Belgian soprano vocalist)
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Coro "Wer sich selbst erhöhet, der soll erniedriget werden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach4:47
18Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: II. Aria. Wer ein wahrer Christ will heißen
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
soprano vocals:
Céline Scheen (Belgian soprano vocalist)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria (Soprano) "Wer ein wahrer Christ will heißen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach9:06
19Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: III. Recitativo. Der Mensch ist Kot, Stank, Asch und Erde
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Recitativo (Basso) "Der Mensch ist Kot, Stank, Asch und Erde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach1:33
20Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: IV. Aria. Jesu, beuge doch mein Herze
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria (Basso) "Jesu, beuge doch mein Herze"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach3:57
21Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47: V. Chorale. Der zeitlichen Ehrn will ich gern entbehrn
producer and mixer:
Olivier Rosset (classical producer and engineer)
instruments:
Le Banquet Céleste
bass vocals:
Benoît Arnould (French baritone)
countertenor vocals:
Damien Guillon (countertenor)
soprano vocals:
Céline Scheen (Belgian soprano vocalist)
tenor vocals:
Thomas Hobbs (tenor)
conductor:
Damien Guillon (countertenor)
recorded at:
Église réformée du Bouclier in Strasbourg
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist) (in 1557)
part of:
Breitkopf 389 Choralgesänge (number: 333)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
Johann Sebastian Bach0:44

Credits

Release

photography:Victor Toussaint (photographer)
liner notes:Peter Wollny
liner notes translator:Laurent Cantagrel
John Thornley (liner notes translator)
mastering:Olivier Rosset (classical producer and engineer)
design:Valérie Lagarde (designer)
artwork:Aline Lugand
stream for free:https://open.spotify.com/album/0cRTfgSLqnsg1o13S4QsAl [info]
streaming page:https://music.apple.com/us/album/1670152681 [info]