Silky Smooth Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 Warner Music Group - X5 Music Group»

Countries excluded (Spotify + Deezer)

(As of 2020-05-15).

  • Caribbean: 🇻🇨 Saint Vincent and Grenadines (vc)
  • Western Asia: 🇵🇸 Palestinian Territory, Occupied (ps)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
Annotation last modified on 2020-05-15 00:56 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Minute by Minute
The Doobie Brothers3:28
2Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, United States
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
Christopher Cross53:54
3Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. Studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
4I Go to Sleep
producer:
Chris Thomas (UK record producer / remixer)
mixed at:
Wessex Sound Studios in Highbury
cover recording of:
I Go to Sleep
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd.
Pretenders2:57
5Baby What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland, United States and Sound Labs, Inc. in Hollywood, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, United States
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
Chicago33:06
6She Makes My Day
engineer:
Tim Kramer (engineer)
producer:
Robert Palmer (English singer‐songwriter)
mixer:
Eric "E.T." Thorngren
phonographic copyright (℗) by:
Remlap Co. Inc. (in 1988)
recording of:
She Makes My Day
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Island Music Ltd.
Robert Palmer34:22
7Josephine
recording of:
Josephine
lyricist and composer:
Chris Rea
Chris Rea5:39
8Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Complete Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.453:27
9I Gotta Try
producer:
Ted Templeman and Lenny Waronker
additional synthesizer:
Michael Boddicker
bass:
Willie Weeks (US bass player)
drums (drum set):
Steve Gadd (drummer)
guitar:
Steve Lukather
percussion:
Paulinho da Costa (Brazilian percussionist) and Ted Templeman
piano and synthesizer:
Michael McDonald (R&B & soul singer)
Rhodes piano:
Greg Phillinganes
background vocals:
Kenny Loggins and Michael McDonald (R&B & soul singer)
vocals:
Michael McDonald (R&B & soul singer)
Michael McDonald3:55
10When the Morning Comes
recording of:
When the Morning Comes
lyricist and composer:
Daryl Hall
Daryl Hall & John Oates3:13
11Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (Marillion bassist / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Hansa Studios in Berlin (from 1985-03 until 1985-05)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (Marillion bassist / Edison’s Children / Transatlantic)
publisher:
Charisma Music Publishing Co Ltd. and Charisma Music Publishing Ltd.
Marillion3.854:04
12I Don’t Want to Talk About It
producer:
Bernard Edwards and Rod Stewart
cover recording of:
I Don’t Want to Talk About It
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher), Crazy Horse Music and Rondor Music
Rod Stewart4:52
13Slang of Ages
producer:
Walter Becker and Donald Fagen
assistant mixer:
Joe Peccerillo
mixer:
Elliot Scheiner
drums (drum set):
Keith Carlock
electric bass guitar:
Walter Becker
electric guitar:
Jon Herington and Hugh McCracken
percussion:
Gordon Gottlieb (American percussionist and conductor)
Rhodes piano, organ and synthesizer:
Donald Fagen
tenor saxophone:
Walt Weiskopf
trumpet:
Michael Leonhart
Wurlitzer electric piano [Wurlitzer]:
Ted Baker
background vocals:
Tawatha Agee, Ada Dyer (American soul singer), Michael Harvey, Carolyn Leonhart and Catherine Russell (jazz vocalist)
vocals:
Walter Becker
horn arranger:
Donald Fagen
mixed at:
Presence Studios in Weston, United States
recording of:
Slang of Ages
writer:
Walter Becker and Donald Fagen
publisher:
Freejunket Music (in 2003) and Zeon Music (in 2003)
Steely Dan34:14
14Guitar Man
engineer:
Armin Steiner
associate producer:
James Griffin (soft rock singer/songwriter/guitarist)
producer:
David Gates (singer/songwriter, lead singer of Bread)
bass guitar:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set) and percussion:
Michael Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread) and James Griffin (soft rock singer/songwriter/guitarist)
piano:
James Griffin (soft rock singer/songwriter/guitarist)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recorded at:
Elektra Sound Recorders in Los Angeles, United States
recording of:
The Guitar Man
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Inc.
Bread43:44
15Nightmoves
recording engineer:
Bruce Botnick, Lee Herschberg and Al Schmitt
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass guitar:
Wilton Felder
drums (drum set) and percussion:
John Guerin
guitar:
Larry Carlton
keyboard:
Joe Sample
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recording of:
Night Moves
lyricist:
Michael Franks
composer:
Michael Small (soundtrack composer)
publisher:
Mississippi Mud Music Co., Warner-Barham Music LLC and 大洋音楽
Michael Franks4:04
16You’ve Got a Friend
engineer:
Richard Sanford Orshoff
producer:
Peter Asher
acoustic guitar:
James Taylor (singer-songwriter and guitarist)
acoustic guitar and congas:
Danny Kortchmar
bass guitar:
Leland Sklar (bassist, session musician)
cabasa, congas and drums (drum set):
Russ Kunkel
background vocals:
Joni Mitchell and James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
James Taylor4.454:29
17I’ll Be Long Gone
recording of:
I’ll Be Long Gone
writer:
Boz Scaggs
Boz Scaggs4:16
18Blue Morning, Blue Day
engineer:
David DeVore and Keith Olsen (US producer and engineer)
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Keith Olsen (US producer and engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
electric guitar [lead guitar] and background vocals:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
guitar:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
instruments arranger:
David Paich
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Sound City Studios in Van Nuys, United States (from 1977-12 until 1978-03)
recording of:
Blue Morning, Blue Day
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner43:11
19Love of the Common Man
vocals:
Todd Rundgren
recording of:
Love of the Common Man
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Todd Rundgren43:36
20Love Is the Answer
recording of:
Love Is the Answer
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
England Dan & John Ford Coley34:45
21Just When I Needed You Most
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
22The Nightfly
bass:
Marcus Miller (jazz musician)
drums (drum set):
Jeff Porcaro
electric piano:
Michael Omartian
guitar:
Larry Carlton, Rick Derringer and Hugh McCracken
piano and synthesizer and background vocals and lead vocals:
Donald Fagen
synthesizer:
Rob Mounsey
background vocals:
Frank Floyd (US soul disco funk singer), Zachary Sanders and Valerie Simpson
arranger:
Donald Fagen
recording of:
The Nightfly
composer:
Donald Fagen
Donald Fagen5:47
23Fazon
Sopwith Camel5:15
24Just Between You and Me
assistant engineer:
Carlos Golliher (engineer)
engineer:
Paul Ericksen (recording engineer) and Bino Espinoza
producer:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bino Espinoza and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
bass guitar:
Bruce Turgon
drums (drum set):
Benny Gramm (drummer)
electric guitar:
Nils Lofgren and Peter Maunu
keyboard:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
mixed at:
41B Studios in Westlake Village, United States
recording of:
Just Between You and Me
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Holly Knight
Lou Gramm54:56
25Midnight Prowl
recording engineer and mixer:
Val Garay
assistant engineer:
Greg Ladanyi
producer:
Peter Asher
acoustic guitar and congas:
John David Souther
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
cello:
Ronald Cooper, Dennis Karmazyn and Harry Shlutz
drums (drum set):
Russel Kunkel
electric guitar and electric piano:
Andrew Gold
flugelhorn [fluegel horn]:
Donald Byrd (American jazz trumpeter)
slide guitar:
Lowell George
synthesizer [ARP string ensemble]:
Andrew Gold and John David Souther
viola:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), James Dunham (viola player) and Pamela Goldsmith
violin:
Charles Veal (violinist, conductor and arranger), Kathleen Lenski, Sheldon Sanov (violinist) and Haim Shtrum
vocals:
John David Souther
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
recorded at and mixed at:
Sound Factory (1969–1980) in Los Angeles, United States
recording of:
Midnight Prowl
lyricist and composer:
J.D. Souther
publisher:
Benchmark Music (in 1976) and Golden Spread Music (in 1976)
J.D. Souther5:03
26Show Me
mandolin:
Steve Howe
phonographic copyright (℗) by:
Warner Strategic Marketing (in 2004)
recording of:
Show Me
writer:
Jon Anderson (Yes/Jon & Vangelis)
Yes3:37
27The Tourist
Gerry Rafferty4:14