Bring Me The Head Of Alfredo Garcia

~ Release by Jerry Fielding (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Bring It to Me
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Bring It To Me (Main Title)
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:36
2Gathering Information
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Gathering Information
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:14
3Marriage Plans
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Marriage Plans
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:02
4Prelude to a Rape
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Prelude To A Rape
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:13
5Bennie's Revenge
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Bennie's Revenge
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:02
6Killer's Rhapsody
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Killer's Rhapsody
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
3:35
7Hotel Room
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Hotel Room
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:08
8Requiem for Alfredo
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Requiem For Alfredo
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:03
9On the Road
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
On The Road
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:38
10Night Dig
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Night Dig
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
3:35
11Goodbye Elita
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Goodbye Elita
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:39
12Getting a Head
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Getting A Head
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:08
13Road Kill
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Roadkill
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:20
14Massacre
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Massacre
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:10
15Bennie’s Remorse
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Bennie's Remorse
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:27
16El Jefe
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
El Jefe
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
3:26
17Bennie and Alfredo
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Bennie And Alfredo
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:13
18End Titles
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
End Titles
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:24
19Puerto Rico
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Puerto Rico
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:53
20Guatemala
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Guatemala
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:31
21Elita's Dream
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Elita's Dream
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:28
22Bring It to Me (Part 2; alternate)
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Bring It to Me (Part 2; alternate)
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
0:57
23Requiem for Alfredo (alternate)
engineer:
Richard Lewzey
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
recorded at:
CTS Studios in Wembley
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Requiem for Alfredo (alternate)
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
2:06
24The "Hacienda" Suite
recorded in:
Mexico City
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
The "Hacienda" Suite
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
12:35
25Ranchero Duet
recorded in:
Mexico City
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Ranchero Duet
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
1:54
26Jerry and Camille
recorded in:
Mexico City
producer:
Jerry Fielding and Nick Redman (Soundtrack and Film Producer)
mixer and editor:
Daniel Hersch (mastering engineer)
conductor:
Jerry Fielding
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases)
mixed at and edited at:
d2 Mastering in Los Angeles, United States
recording of:
Jerry and Camille
orchestrator:
Greig McRitchie and Lennie Niehaus (American saxophonist and score composer)
composer and arranger:
Jerry Fielding
3:13