South-Central

~ Release by Hank Crawford (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Falling in Love With Love
recording engineer:
Malcolm Addey (from 1992-08-11 until 1992-08-27)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (from 1992-08-11 until 1992-08-27)
bass:
Peter Martin Weiss (from 1992-08-11 until 1992-08-27)
drums (drum set):
Grady Tate (from 1992-08-11 until 1992-08-27)
guitar:
Melvin Sparks (from 1992-08-11 until 1992-08-27)
piano:
Stan Hope (from 1992-08-11 until 1992-08-27)
strings:
George Caldwell (piano) (from 1992-08-11 until 1992-08-27)
strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, United States (from 1992-08-11 until 1992-08-27)
instrumental recording of:
Falling in Love With Love (in 1992-08)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
4:40
2I Should Care
recording engineer:
Malcolm Addey (from 1992-08-11 until 1992-08-27)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (from 1992-08-11 until 1992-08-27)
bass:
Peter Martin Weiss (from 1992-08-11 until 1992-08-27)
drums (drum set):
Grady Tate (from 1992-08-11 until 1992-08-27)
guitar:
Melvin Sparks (from 1992-08-11 until 1992-08-27)
piano:
Stan Hope (from 1992-08-11 until 1992-08-27)
strings:
George Caldwell (piano) (from 1992-08-11 until 1992-08-27)
strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, United States (from 1992-08-11 until 1992-08-27)
instrumental recording of:
I Should Care (in 1992-08)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
6:12
3South-Central
recording engineer:
Malcolm Addey (from 1992-08-11 until 1992-08-27)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (from 1992-08-11 until 1992-08-27)
bass:
Peter Martin Weiss (from 1992-08-11 until 1992-08-27)
drums (drum set):
Grady Tate (from 1992-08-11 until 1992-08-27)
guitar:
Melvin Sparks (from 1992-08-11 until 1992-08-27)
piano:
Stan Hope (from 1992-08-11 until 1992-08-27)
strings:
George Caldwell (piano) (from 1992-08-11 until 1992-08-27)
strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, United States (from 1992-08-11 until 1992-08-27)
recording of:
South-Central (from 1992-08-11 until 1992-08-27)
composer:
Hank Crawford
publisher:
Peeper Music
8:28
4I Want to Talk About You
recording engineer:
Malcolm Addey (from 1992-08-11 until 1992-08-27)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (from 1992-08-11 until 1992-08-27)
bass:
Peter Martin Weiss (from 1992-08-11 until 1992-08-27)
drums (drum set):
Grady Tate (from 1992-08-11 until 1992-08-27)
guitar:
Melvin Sparks (from 1992-08-11 until 1992-08-27)
piano:
Stan Hope (from 1992-08-11 until 1992-08-27)
strings:
George Caldwell (piano) (from 1992-08-11 until 1992-08-27)
strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) and Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1993)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, United States (from 1992-08-11 until 1992-08-27) and Malcolm Addey Studio in New York, United States (on 1992-09-08: synthesizer)
instrumental recording of:
I Want to Talk About You (from 1992-08-11 until 1992-09-08)
lyricist and composer:
Billy Eckstine
publisher:
Belinda Scandinavia AB
5:17
5In a Mellow Tone
recording engineer:
Malcolm Addey (from 1992-08-11 until 1992-08-27)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (from 1992-08-11 until 1992-08-27)
bass:
Peter Martin Weiss (from 1992-08-11 until 1992-08-27)
drums (drum set):
Grady Tate (from 1992-08-11 until 1992-08-27)
guitar:
Melvin Sparks (from 1992-08-11 until 1992-08-27)
piano:
Stan Hope (from 1992-08-11 until 1992-08-27)
strings:
George Caldwell (piano) (from 1992-08-11 until 1992-08-27)
strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) and Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1993)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, United States (from 1992-08-11 until 1992-08-27) and Malcolm Addey Studio in New York, United States (on 1992-09-08: synthesizer)
instrumental recording of:
In a Mellow Tone (from 1992-08-11 until 1992-09-08)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins
5:22
6Conjunction Mars
recording engineer:
Malcolm Addey (from 1992-08-11 until 1992-08-27)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (from 1992-08-11 until 1992-08-27)
bass:
Peter Martin Weiss (from 1992-08-11 until 1992-08-27)
drums (drum set):
Grady Tate (from 1992-08-11 until 1992-08-27)
guitar:
Melvin Sparks (from 1992-08-11 until 1992-08-27)
piano:
Stan Hope (from 1992-08-11 until 1992-08-27)
strings:
George Caldwell (piano) (from 1992-08-11 until 1992-08-27)
strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, United States (from 1992-08-11 until 1992-08-27)
cover recording of:
Conjunction Mars (from 1992-08-11 until 1992-08-27)
composer:
Melvin Sparks
publisher:
Prestige Music and Prestige Music Co. (US, affiliated with BMI)
8:05
7Fool That I Am
recording engineer:
Malcolm Addey (from 1992-08-11 until 1992-08-27)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (from 1992-08-11 until 1992-08-27)
bass:
Peter Martin Weiss (from 1992-08-11 until 1992-08-27)
drums (drum set):
Grady Tate (from 1992-08-11 until 1992-08-27)
guitar:
Melvin Sparks (from 1992-08-11 until 1992-08-27)
piano:
Stan Hope (from 1992-08-11 until 1992-08-27)
strings:
George Caldwell (piano) (from 1992-08-11 until 1992-08-27)
strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, United States (from 1992-08-11 until 1992-08-27)
instrumental cover recording of:
Fool That I Am (from 1992-08-11 until 1992-08-27)
lyricist and composer:
Floyd Hunt
5:54
8Splanky
recording engineer:
Malcolm Addey (from 1992-08-11 until 1992-08-27)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (from 1992-08-11 until 1992-08-27)
bass:
Peter Martin Weiss (from 1992-08-11 until 1992-08-27)
drums (drum set):
Grady Tate (from 1992-08-11 until 1992-08-27)
guitar:
Melvin Sparks (from 1992-08-11 until 1992-08-27)
piano:
Stan Hope (from 1992-08-11 until 1992-08-27)
strings:
George Caldwell (piano) (from 1992-08-11 until 1992-08-27)
strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, United States (from 1992-08-11 until 1992-08-27)
cover recording of:
Splanky (from 1992-08-11 until 1992-08-27)
composer and arranger:
Neal Hefti
publisher:
Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
arrangement of:
Splanky
4:21
9O Holy Night
recording engineer:
Malcolm Addey (in 1990-02)
engineer:
Malcolm Addey
producer:
Bob Porter (American record producer)
alto saxophone:
Hank Crawford (in 1990-02)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (in 1990-02)
bass:
Wilbur Bascomb (Jr., jazz‐funk bassist/songwriter) (in 1990-02)
drums (drum set):
Bernard Purdie (in 1990-02)
guitar:
Melvin Sparks (in 1990-02)
horn:
Alan Rubin (in 1990-02)
organ:
Gloria Coleman (in 1990-02)
piano:
Dr. John (New Orleans blues pianist, singer and songwriter) (in 1990-02)
tenor saxophone:
Lou Marini (in 1990-02)
trumpet:
Lew Soloff (in 1990-02)
horn arranger and strings arranger:
Hank Crawford
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Giant Recording Studios in New York, United States (in 1990-02)
instrumental cover recording of:
O Holy Night (in 1992-02)
lyricist:
John Sullivan Dwight (in 1855)
composer:
Adolphe Adam (composer) (in 1847)
translated version of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
3:26

Credits

Release

art direction:Phil Carroll (art direction)
mastering:George Horn (mastering engineer)
design:Jamie Putnam (art direction and design)
recorded at:Malcolm Addey Studio in New York, United States (in 1992-09: synthesizer)
mastered at:Fantasy Studios (Berkeley) in Berkeley, United States
Discogs:https://www.discogs.com/release/9223121 [info]