Eighties

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
part of:
The 57th Academy Award for Best Original Song (number: 2)
Kenny Loggins4.13:43
2Antmusic
producer:
Chris Hughes (Producer. aka Merrick)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (Producer. aka Merrick) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
vocals:
Kevin Mooney
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
music videos:
Antmusic by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 139)
recording of:
Antmusic
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Adam and the Ants43:36
3Come On Eileen
producer:
Clive Langer, Kevin Rowland and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Phonogram Ltd. (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners4.154:05
4You Spin Me Round (Like a Record)Dead or Alive4.153:15
5Stimulation
Wa Wa Nee3:41
6Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen
lead vocals:
Limahl
performer:
Limahl
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:33
7White Lines (Don’t Do It)
producer:
J. Chase and Sylvia Robinson
mixer:
Shameek
edit of:
White Lines (Don’t Do It) by Grandmaster & Melle Mel (Melvin Glover aka Melle Mel)
recording of:
White Lines (Don’t Don’t Do It)
writer:
Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
Four Hills Music Ltd and IQ Music Ltd.
is based on:
Cavern
Grandmaster Flash & Melle Mel34:27
8Let’s Groove
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
Earth, Wind & Fire43:33
9Blame It on the Boogie
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Carlin Music Ltd. and Peterman & Co. Ltd.
The Jacksons4.23:32
10Fantastic VoyageLakeside4.56:14
11Take Me Home Tonight
engineer:
Michael Frondelli, Phil Kaffel and Dave Leonard
producer:
Eddie Money and Richie Zito
mixer:
Scott Litt (producer and engineer), Eddie Money and Richie Zito
additional guest vocals:
Ronnie Spector
lead vocals:
Eddie Money
performer:
Ronnie Spector
arranger:
Eddie Money and Richie Zito
recorded at:
Fantasy Studios (Berkeley) in Berkeley, United States (from 1985-11 until 1986-05), Oasis Studios in North Hollywood, United States (from 1985-11 until 1986-05) and R.O. Studios in Concord, United States (from 1985-11 until 1986-05)
medley including a recording of:
Be My Baby (from 1985-11 until 1986-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
medley including a recording of:
Take Me Home Tonight (from 1985-11 until 1986-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
recording of:
Take Me Home Tonight
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
Eddie Money43:32
12Gotta Pull Myself Together
recording of:
Gotta Pull Myself Together
writer:
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) and Bob Puzey
The Nolans4.52:45
13I Can Make You Feel Good
recording engineer and mixer:
Steve Hodge (engineer and producer)
engineer:
Bob Brown (recording engineer) and Jim Shifflett
producer:
Leon Sylvers III
drums (drum set):
Ed Greene (drummer)
guitar:
Ernest "Pepper" Reed (guitarist)
instruments:
Leon Sylvers III
percussion:
Wayne Milstein
background vocals:
Jeffrey Daniel (soul singer), Howard Hewett and Jody Watley
lead vocals:
Howard Hewett
arranger:
Gene Dozier (Pianist, keyboardist, songwriter, arranger, and producer), Leon Sylvers III and William Shelby
recording of:
I Can Make You Feel Good
writer:
Howard Hewett, Renwick Jackson and William Shelby
Shalamar44:22
14Candy Girl
recording of:
Candy Girl
composer:
Michael Jonzun and Maurice Starr
New Edition5:49
15Party All the Time
recording of:
Party All the Time
lyricist and composer:
Rick James (US vocalist, multi-instrumentalist, composer & producer)
Eddie Murphy4:15
16You Got It (The Right Stuff)
producer:
Maurice Starr
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1988)
part of:
Billboard: The 500 Best Pop Songs (number: 499)
recording of:
You Got It (The Right Stuff)
lyricist and composer:
Maurice Starr
New Kids on the Block34:10
CD 2
#TitleArtistRatingLength
1Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia
music videos:
Tainted Love by Soft Cell
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:36
2ShoutTears for Fears5:19
3All You Zombies
recording of:
All You Zombies
writer:
Eric Bazilian and Rob Hyman
The Hooters5:57
4Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recorded at:
Richmond Recorders in Melbourne
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
EMI Music (do not use as release label! this is a music publisher)
Men at Work4.43:23
5No Lies
recorded at:
Rhinoceros Studios in Sydney (from 1986-08 to present)
Noiseworks43:55
6Cool World
recording of:
Cool World
composer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
Mondo Rock3:34
7Rain
recording of:
Rain (Dragon song)
writer:
Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon) and Johanna Pigott
Dragon3:40
8Slice of Heaven
recording of:
Slice of Heaven
lyricist and composer:
Dave Dobbyn
Dave Dobbyn & Herbs4:18
9Down Down
Jimi The Human & Spectre 76:47
10Rock ’n’ Roll (You’re Beautiful)
Normie Rowe3:14
11Why Won’t You Explain
Karen Knowles3:44
12Wind Beneath My Wings
recording of:
Wind Beneath My Wings
writer:
Larry Henley (singer songwriter) and Jeff Silbar
publisher:
Silbar’Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Colleen Hewett3:22
13The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, United States, Powerplay Studios in Maur and Soundtrade Studios in Solna City
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS‐affiliated) and Seven Doors Music
parody version of:
The Final Sound
Europe4.15:09
14Bed of Nails
recording engineer:
Sir Arthur Payson
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional guitar:
Kane Roberts
additional keyboard:
Paul Chiten and Gregg Mangiafico
additional other instruments [special effects]:
Gregg Mangiafico
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Bobby Chouinard
guitar:
John McCurry
keyboard:
Alan St. John
background vocals:
Alan St. John, Michael Anthony (US bassist, formerly of Van Halen), Desmond Child, Diana Grasselli, Jango (backing vocalist on “Trash” by Alice Cooper), Louie Merlino, Hugh McDonald (bassist), Jamie Sever, Bernie Shanahan, Stiv Bator, Tom Teeley, Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz), Myriam Valle and Maria Vidal (American singer-songwriter)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
recorded at:
Bearsville Studios in Bearsville, United States, Blue Jay Recording Studios in Carlisle, Massachusetts, United States, Grog Kill Studio in Woodstock, United States, Mediasound Studios in New York, United States, Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States, Right Track Recording in Manhattan, United States, Sigma Sound Studios (New York) in New York, United States, The Complex Studios in Los Angeles, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, United States
recording of:
Bed of Nails
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Kane Roberts and Diane Warren (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Ezra Music, Realsongs (, from 1989 to present), SBK April Music Inc. (, from 1989 to ????), Sony/ATV Music Publishing Scandinavia, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Desmobile Music Co., Inc. (from 1989 to present) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Alice Cooper4.24:21
15Working for the Weekend
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy3:42
16The Dark (Zero the Hero)
Black Sabbath8:22
CD 3
#TitleArtistRatingLength
1Total Eclipse of the Heart
vocals:
Bonnie Tyler
performer:
Rory Dodd
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.054:30
2Long Hot Summer
recording of:
Long Hot Summer
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
Stylist Music Ltd.
The Style Council3:50
3Heaven (Must Be There)
phonographic copyright (℗) by:
Nostata Pty. Limited (in 1984)
recording of:
Heaven (Must Be There)
lyricist and composer:
Bernie Lynch
Eurogliders33:39
4In a Big Country
recording of:
In a Big Country
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs and Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3:54
5Love of the Common PeoplePaul Young3:29
699 Luftballoons
recording engineer:
Imre Sereg
producer:
Reinhold Heil (in 1982) and Manfred Praeker (in 1982)
mixer:
Udo Arndt (in 1982)
bass guitar:
Jürgen Dehmel
drums (drum set):
Rolf Brendel
guitar:
Carlo Karges
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen
lead vocals:
Nena Kerner (the person, performing solo since 1987)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff in Berlin (in 1982)
mixed at:
Audio-Studio in Berlin (in 1982)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 3) and Cachitos Nochevieja 2022 (number: 105)
recording of:
99 Luftballons (in 1982)
lyricist:
Carlo Karges (in 1982)
writer:
Fahrenkrog-Petersen and Karges
composer:
Uwe Fahrenkrog-Petersen (in 1982)
Nena4.53:52
7Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios in Whitechapel
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw4.54:31
8Good Year for the Roses
cover recording of:
A Good Year for the Roses
lyricist and composer:
Jerry Chesnut
Elvis Costello3:08
9The Lady in Red
Paul Brooks3:58
10Hands Up
cover recording of:
Hands Up (Give Me Your Heart)
lyricist:
Nelly Byl (Belgian lyricist)
writer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Gazell Music AB, Bleu Blanc Rouge (in 1981) and Zagora (French label and publisher) (in 1981)
version of:
Haut les mains (Donne moi ton coeur)
Black Lace3:17
11The Eye of the TigerGloria Gaynor4:01
128675309/Jenny
assistant engineer:
Catharina "Mix" Masters (from 1981-07 until 1981-08)
engineer:
Toby Scott (from 1981-07 until 1981-08)
producer:
Jim Keller (member of Tommy Tutone) and Chuck Plotkin
bass guitar [bass]:
Jon Lyons
drums (drum set) [drums]:
Victor Carberry
guitar, piano and lead vocals:
Tommy Heath
guitar [lead guitar]:
Jim Keller (member of Tommy Tutone)
keyboard [keyboards]:
Steve LeGassick
percussion and background vocals [harmonies]:
John Cowsill
vocals:
Jim Keller (member of Tommy Tutone)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, United States (from 1981-07 until 1981-08)
part of:
Billboard: The 500 Best Pop Songs (number: 494)
recording of:
867‒5309/Jenny
lyricist and composer:
Alex Call and Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:47
13Agadoo
recording of:
Agadoo
composer:
Michel Delancray, Gilles Péram and Mya Simille (Micheline Helyett)
translated version of:
Agadou-dou-dou (original French version)
Black Lace3:10
14Moscow
Genghis Khan4:32
15Get Off My Cloud
Jimmy & the Boys2:47
16Cum on Feel the Noise
cover recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd.
sub-publisher:
Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present)
Quiet Riot4:47
CD 4
#TitleArtistRatingLength
1E = Mc2
assistant engineer:
Renny Hill (engineer) and Johnny Shinas
engineer:
Paul ‘Groucho’ Smykle
producer:
Mick Jones (The Clash/Big Audio Dynamite)
bass:
Leo Williams (UK bassist aka E-Zee Kill)
drums (drum set):
Greg Roberts (British drummer)
keyboard:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone))
vocals:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Don Letts, Greg Roberts (British drummer) and Leo Williams (UK bassist aka E-Zee Kill)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
part of:
TV Cream: Real 100 Best Singles Ever (number: 23)
recording of:
E=mc²
writer:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
B.A.D. Songs and Big Audio Dynamics Music, Inc.
Big Audio Dynamite4.55:57
2Girls Just Wanna Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部 and Heroic Music (publisher) (in 1983)
Cyndi Lauper4.13:51
3Sexual Healing
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (from 1982 to present)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3:24
4Rosanna
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) [drums]:
Jeff Porcaro
guitar:
Steve Lukather
Hammond organ and synthesizer:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Jeff Porcaro
piano:
David Paich
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trombone:
James Pankow
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather and David Paich
lead vocals:
Bobby Kimball and Steve Lukather
brass [horns] arranger:
Jerry Hey and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division
Toto45:31
5One Summer
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of SME, 1995/02–2004/02)
recording of:
One Summer
writer:
Daniel Braithwaite
Daryl Braithwaite3:42
6If You Want My Love
assistant engineer:
Paul Klingberg
engineer:
Ian Taylor (Rock Producer/Engineer)
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
recorded at:
Pierce Arrow Recorders (Concert Venue) in Evanston, United States
mixed at:
Cherokee Studios in Hollywood, United States
recording of:
If You Want My Love
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cheap Trick3.53:36
7The Power of Love
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
writer:
Mary Applegate, Wolfgang Detmann (aka Candy DeRouge), Gunther Mende and Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), フジパシフィックミュージック SBK事業部 (until 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
translated version of:
Du bist mein Leben
translated version of:
Už nejsem volná
Jennifer Rush34:26
8Short Note
phonographic copyright (℗) by:
Giant Recording Company (from 1981 to present) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of SME, 1995/02–2004/02) (from 1981 to present)
Matt Finish3:57
9See the Day
bass guitar:
Randy Hope-Taylor
drums (drum set):
Paul Waller
guitar family:
Steve Sherin
saxophone:
Ian Ritchie
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
recording of:
See the Day
lyricist and composer:
Dee C. Lee
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dee C. Lee4:39
10I’ve Never Been to Me
producer:
Don Costa (US pop music arranger & producer), Berry Gordy and Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (from 1982 to present)
recording of:
I’ve Never Been to Me
writer:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:55
11I Hope I Never
cover recording of:
I Hope I Never
lyricist and composer:
Tim Finn
publisher:
ATV Music Ltd., Modern Publishing Ltd. and Mushroom Music Pty. Ltd.
Colleen Hewett4:18
12State of the Heart
Mondo Rock4:17
13You Think You’re a Man
recording of:
You Think You're a Man
lyricist and composer:
Geoff Deane
Divine3:37
14And the Beat Goes OnThe Whispers3.53:24
15The Message
phonographic copyright (℗) by:
Sugar Hill Records (US late 70s/early 80s rap) (from 1982 to present)
recording of:
The Message
writer:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash3:12
16Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2)
Diana Ross & Lionel Richie3.54:26
CD 5
#TitleArtistRatingLength
1All Night Long
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
Lionel Richie3.44:19
2Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:20
3Summer of ’81
Mondo Rock3:55
4Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1980)
recording of:
Keep On Loving You
lyricist and composer:
Kevin Cronin
publisher:
Fate Music and Taiyō Music
REO Speedwagon3.753:21
5Nothing’s Gonna Change My Love for YouGlenn Medeiros3.53:49
6Rhythm of the Night
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3:54
7Too Young for Promises
Koo De Tah3:37
8A Night to RememberShalamar3:25
9Never Knew Love Like This Before (live)
live recording of:
Never Knew Love Like This Before
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills2:37
10Midas Touch
recording of:
Midas Touch
writer:
Boaz McWade Watson (American singer-songwriter, producer, keyboardist) and June Williams Kerenhappuch
publisher:
Epic Solar Songs Inc. (ended), Calloco Music, Inc., Midstar Music, Inc. and Songs of Lastrada (BMI-affiliated)
Midnight Star45:07
11Rock Steady
recording of:
Rock Steady
writer:
Kenny Edmonds (R&B musician Kenny Edmonds), L.A. Reid and Bo Watson (American singer-songwriter, producer, keyboardist)
The Whispers4:48
12Feels Like I’m in Love
recording of:
Feels Like I’m in Love
lyricist and composer:
Ray Dorset
publisher:
Red Bus Music (International) Ltd. (publisher) and Satellite Music Ltd.
Kelly Marie3:47
13They Won’t Let My Girlfriend Talk to MeJimmy & the Boys3:14
14Let Me Be Your Entertainer
Karen Knowles2:23
15PeopleMi‐Sex3:52
16I Was Only 19 (A Walk in the Green Light)
recording of:
I Was Only 19 (A Walk in the Light Green)
lyricist and composer:
John Schumann
Redgum4:20