A Portrait of Sumi Jo

~ Release by Sumi Jo (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Die Zauberflöte: Der Hölle Rache
recording engineer:
John Pellowe (audio engineer) (from 1994-05 until 1994-12)
producer:
Michael Haas (classical music producer) (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (soprano) (from 1994-05 until 1994-12)
orchestra:
Wiener Philharmoniker (from 1994-05 until 1994-12)
conductor:
Sir Georg Solti (conductor) (from 1994-05 until 1994-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1994-05 until 1994-12)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1994-05 until 1994-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:59
2Die Zauberflöte: O zittre nicht
recording engineer:
John Pellowe (audio engineer) (from 1994-05 until 1994-12)
producer:
Michael Haas (classical music producer) (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (soprano) (from 1990-05 until 1990-12)
orchestra:
Wiener Philharmoniker (from 1990-05 until 1990-12)
conductor:
Sir Georg Solti (conductor) (from 1990-05 until 1990-12)
balance engineer:
John Pellowe (audio engineer) (from 1990-05 until 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1990-05 until 1990-12)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1990-05 until 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:44
3Le Toréador: Avec son petit air... Car la femme
recording engineer:
James Lock (engineer) (in 1996-06) and Graham Meek (in 1996-06)
producer:
Ian Watson (conductor and keyboardist) (in 1996-06)
soprano vocals:
Sumi Jo (soprano) (in 1996-06)
orchestra:
Orchestra of the Welsh National Opera (in 1996-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1996-06)
recorded at and engineered at:
Brangwyn Hall in Swansea (in 1996-06)
recording of:
Le Toréador: Act II. "Avec son petit air" (Coraline) (in 1996-06)
composer:
Adolphe Adam (composer)
librettist:
Thomas-Marie-François Sauvage
part of:
Le Toréador: Acte II
recording of:
Le Toréador: Act II. "Car la femme, sans cesse" (Coraline) (in 1996-06)
composer:
Adolphe Adam (composer)
librettist:
Thomas-Marie-François Sauvage
part of:
Le Toréador: Acte II
Adolphe Adam8:15
4Le domino noir: Qui je suis
recording engineer:
James Lock (engineer) (in 1993-02), Colin Moorfoot (engineer) (in 1993-02) and Philip Siney (sound engineer) (in 1993-02)
producer:
Christopher Pope (producer) (in 1993-02) and Michael Woolcock (producer) (in 1993-02)
choir vocals:
London Voices (in 1993-02)
soprano vocals:
Sumi Jo (soprano) (in 1993-02)
orchestra:
English Chamber Orchestra (in 1993-02)
conductor:
Richard Bonynge (conductor and pianist) (in 1993-02)
chorus master:
Terry Edwards (British choir director) (in 1993-02)
recorded at and engineered at:
Walthamstow Assembly Hall in London (Greater London) (in 1993-02)
recording of:
Le Domino noir: Acte I. "Qui je suis ?" (in 1993-02)
composer:
Daniel François Esprit Auber (composer)
part of:
Le Domino noir: Acte I
Daniel François Esprit Auber4:28
5Le domino noir: La belle Inès fait florès
recording engineer:
James Lock (engineer) (in 1993-02), Colin Moorfoot (engineer) (in 1993-02) and Philip Siney (sound engineer) (in 1993-02)
producer:
Christopher Pope (producer) (in 1993-02) and Michael Woolcock (producer) (in 1993-02)
choir vocals:
London Voices (in 1993-02)
soprano vocals:
Sumi Jo (soprano) (in 1993-02)
orchestra:
English Chamber Orchestra (in 1993-02, from 1993-02-08 until 1993-02-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1993-02, from 1993-02-08 until 1993-02-12)
chorus master:
Terry Edwards (British choir director) (in 1993-02)
recorded at and engineered at:
Walthamstow Assembly Hall in London (Greater London) (in 1993-02)
recording of:
Le Domino noir: Acte II. "La belle Inès fait florès" (from 1993-02-08 until 1993-02-12)
composer:
Daniel François Esprit Auber (composer)
part of:
Le Domino noir: Acte II
recording of:
Le Domino noir: Acte II. "La belle Inès fait florès" (in 1993-02)
composer:
Daniel François Esprit Auber (composer)
part of:
Le Domino noir: Acte II
Daniel François Esprit Auber4:22
6Le domino noir: Flamme vengeresse
recording engineer:
James Lock (engineer) (in 1993-02), Colin Moorfoot (engineer) (in 1993-02) and Philip Siney (sound engineer) (in 1993-02)
producer:
Christopher Pope (producer) (in 1993-02) and Michael Woolcock (producer) (in 1993-02)
choir vocals:
London Voices (in 1993-02)
soprano vocals:
Sumi Jo (soprano) (in 1993-02)
orchestra:
English Chamber Orchestra (in 1993-02)
conductor:
Richard Bonynge (conductor and pianist) (in 1993-02)
chorus master:
Terry Edwards (British choir director) (in 1993-02)
recorded at and engineered at:
Walthamstow Assembly Hall in London (Greater London) (in 1993-02)
recording of:
Le Domino noir: Acte III. "Flamme vengeresse" (in 1993-02)
composer:
Daniel François Esprit Auber (composer)
part of:
Le Domino noir: Acte III
Daniel François Esprit Auber3:17
7Le domino noir: Mes soeurs, mes cheres soeurs
recording engineer:
James Lock (engineer) (in 1993-02), Colin Moorfoot (engineer) (in 1993-02) and Philip Siney (sound engineer) (in 1993-02)
producer:
Christopher Pope (producer) (in 1993-02) and Michael Woolcock (producer) (in 1993-02)
choir vocals:
London Voices (in 1993-02)
soprano vocals:
Sumi Jo (soprano) (in 1993-02)
orchestra:
English Chamber Orchestra (in 1993-02)
conductor:
Richard Bonynge (conductor and pianist) (in 1993-02)
chorus master:
Terry Edwards (British choir director) (in 1993-02)
recorded at and engineered at:
Walthamstow Assembly Hall in London (Greater London) (in 1993-02)
recording of:
Le Domino noir: Acte III. "Mes sœurs, mes chères sœurs" (in 1993-02)
composer:
Daniel François Esprit Auber (composer)
part of:
Le Domino noir: Acte III
Daniel François Esprit Auber4:22
8Il Turco in Italia: Non si da follia maggiore
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1991-09), Roger de Schot (in 1991-09) and Jan Wesselink (in 1991-09)
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1991-09)
bass vocals:
Enrico Fissore (bass) (in 1991-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1991-09)
soprano vocals:
Sumi Jo (soprano) (in 1991-09)
orchestra:
Academy of St Martin in the Fields (in 1991-09)
conductor:
Sir Neville Marriner (conductor) (in 1991-09)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1991-09)
recording of:
Il turco in Italia: Atto I, scena 1. No. 3a. Cavatina “Non si dà follia maggiore” (Fiorilla) (in 1991-09)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto I
Gioachino Rossini3:40
9Il Turco in Italia: Caro padre, madre amata
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1991-09), Roger de Schot (in 1991-09) and Jan Wesselink (in 1991-09)
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1991-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1991-09)
soprano vocals:
Sumi Jo (soprano) (in 1991-09)
orchestra:
Academy of St Martin in the Fields (in 1991-09)
conductor:
Sir Neville Marriner (conductor) (in 1991-09)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1991-09)
recording of:
Il turco in Italia: Atto II, scena 3. “Caro padre, madre amata” (Fiorilla, Poeta, Coro) (in 1991-09)
composer:
Gioachino Rossini (composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il turco in Italia: Atto II
Gioachino Rossini5:08
10Le Comte Ory: En proie a la tristesse
recording engineer:
Hein Dekker (recording producer) (from 1988-02 until 1988-03), Hans Lauterslager (from 1988-02 until 1988-03) and Roger de Schot (from 1988-02 until 1988-03)
producer:
Erik Smith (British producer, pianist and harpsichordist) (from 1988-02 until 1988-03)
soprano vocals:
Sumi Jo (soprano) (from 1988-02 until 1988-03)
orchestra:
Chœur de l’Opéra de Lyon (from 1988-02 until 1988-03) and Orchestre de l’Opéra de Lyon (from 1988-02 until 1988-03)
conductor:
Sir John Eliot Gardiner (from 1988-02 until 1988-03)
recorded at:
La Bourse du Travail in Lyon (from 1988-02 until 1988-03)
recording of:
Le Comte Ory : Acte I. No. 4. Air "En proie à la tristesse" (La Comtesse) (from 1988-02 until 1988-03)
composer:
Gioachino Rossini (composer)
librettist:
Charles-Gaspard Delestre-Poirson and Eugène Scribe
part of:
Le Comte Ory: Acte I
Gioachino Rossini5:35
11Le Comte Ory: O bon ermite
recording engineer:
Hein Dekker (recording producer) (from 1988-02 until 1988-03), Hans Lauterslager (from 1988-02 until 1988-03) and Roger de Schot (from 1988-02 until 1988-03)
producer:
Erik Smith (British producer, pianist and harpsichordist) (from 1988-02 until 1988-03)
choir vocals:
Chœur de l’Opéra de Lyon (from 1988-02 until 1988-03)
soprano vocals:
Sumi Jo (soprano) (from 1988-02 until 1988-03)
orchestra:
Orchestre de l’Opéra de Lyon (from 1988-02 until 1988-03)
conductor:
Sir John Eliot Gardiner (from 1988-02 until 1988-03)
recorded at:
La Bourse du Travail in Lyon (from 1988-02 until 1988-03)
recording of:
Le Comte Ory : Acte I. « Céleste providence » … « Ô bon ermite » (La Comtesse, Chœur, le Comte, Isolier) (from 1988-02 until 1988-03)
composer:
Gioachino Rossini (composer)
librettist:
Charles-Gaspard Delestre-Poirson and Eugène Scribe
part of:
Le Comte Ory: Acte I
part of:
Le Comte Ory: Acte I
Gioachino Rossini3:48
12Messa di Gloria: Laudamus te
recording engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1992-05), Nico de Koning (engineer) (in 1992-05), Roger de Schot (in 1992-05) and Jan Wesselink (in 1992-05)
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1992-05)
soprano vocals:
Sumi Jo (soprano) (in 1992-05)
orchestra:
Academy of St Martin in the Fields (in 1992-05)
conductor:
Sir Neville Marriner (conductor) (in 1992-05)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1992-05)
recording of:
Messa di Gloria: III. Laudamus te (soprano) (in 1992-05)
composer:
Gioachino Rossini (composer)
part of:
Messa di Gloria
Gioachino Rossini7:07
13Un ballo in maschera: Saper Vorrest
engineer:
Günter Hermanns (producer/engineer) (from 1989-01 until 1989-02)
producer:
Günther Breest (producer for classical music) (from 1989-01 until 1989-02)
soprano vocals:
Sumi Jo (soprano) (from 1989-01 until 1989-02)
orchestra:
Wiener Philharmoniker (from 1989-01 until 1989-02)
conductor:
Herbert von Karajan (conductor) (from 1989-01 until 1989-02)
performer:
Michel Glotz (from 1989-01 until 1989-02)
recorded at:
Konzerthaus: Großer Saal in Landstraße (from 1989-01 until 1989-02)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1989-01 until 1989-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:13
14Lucia di Lammermoor: Mad Scene
recording engineer and sound engineer:
Jacques Doll (in 1994-06)
engineer:
Jaques Doll (engineer) (in 1994-06)
producer and editor:
Tim Oldham (editor / producer) (in 1994-06)
flute:
Anne Maugue (flautist) (in 1994-06)
soprano vocals [Lucie]:
Sumi Jo (soprano) (in 1994-06)
orchestra:
Orchestre philharmonique de Monte‐Carlo (in 1994-06)
conductor:
Paolo Olmi (in 1994-06)
recorded at:
Auditorium de l'Orchestre Philharmonique de Monte-Carlo in Monte-Carlo (in 1994-06) and Auditorium Rainier III in Monte-Carlo (in 1994-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (in 1994-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti15:28
▼ CD 2
#TitleArtistRatingLength
1Un mari à la porte: Valse tyrolienne
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals [Rosita]:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Un mari à la porte: Valse tyrolienne "J’entends ma belle" (Rosita) (from 1993-03-02 until 1993-03-07)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Un mari à la porte
Jacques Offenbach3:49
2Don César de Bazan: Sevillana
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Don César de Bazan : Acte III. Entr'acte. Sevillana (from 1993-03-02 until 1993-03-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Don César de Bazan : Acte III
partial recording of:
Don César de Bazan
composer:
Jules Massenet (French Romantic composer)
librettist:
Jules Chantepie and Adolphe d'Ennery
Jules Massenet3:05
3La Perle du Brésil: Couplets du Mysoli
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
La Perle du Brésil: Couplets du Mysoli (from 1993-03-02 until 1993-03-07)
composer:
Félicien-César David
part of:
La Perle du Brésil
Félicien-César David8:01
4L'Amant jaloux: Je romps la chaine qui m'engage
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
L'Amant jaloux: Acte II. "Je romps la chaine qui m'engage" (Leonore) (from 1993-03-02 until 1993-03-07)
composer:
André-Ernest-Modeste Grétry (French/Belgian 18/19th century composer)
part of:
L'Amant jaloux: Acte II
André-Ernest-Modeste Grétry5:30
5Le Puits d'amour: Rêves d'amour, rêves de gloire
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Le Puits d'amour: "Rêves d'amour, rêves de gloire" (from 1993-03-02 until 1993-03-07)
composer:
Michael William Balfe
librettist:
Eugène Scribe
part of:
Le Puits d'amour
Michael William Balfe5:22
6Madam Chrysanthème: Le Jour sous le soleil béni
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Madame Chrysanthème: Acte II. "Le jour sous le soleil béni" (from 1993-03-02 until 1993-03-07)
composer:
André Messager
part of:
Madame Chrysanthème: Acte II
André Messager4:57
7Le Songe d'une nuit d'été: Malgre l'éclat qui m'environne
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Le Songe d'une nuit d'été: Acte III "Malgre l'éclat qui m'environne" (from 1993-03-02 until 1993-03-07)
composer:
Ambroise Thomas (opera composer)
part of:
Le Songe d'une nuit d'été: Acte III
Ambroise Thomas7:11
8Les Pantins de Violette: La Chanson du canari
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Les Pantins de Violette: La Chanson du canari (from 1993-03-02 until 1993-03-07)
composer:
Adolphe Adam (composer)
part of:
Les Pantins de Violette
Adolphe Adam4:20
9Le Pré aux clercs: Jours de mon enfance
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Le Pré aux clercs: Acte II. "Jours de mon enfance" (Isabelle) (from 1993-03-02 until 1993-03-07)
composer:
Ferdinand Hérold (French opera and ballet composer)
part of:
Le Pré aux clercs
part of:
Le Pré aux clercs: Acte II
Ferdinand Hérold8:01
10Le roi l'a dit: Portons toujours des robes sombres
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Le roi l'a dit: Acte II. "Portons toujours des robes sombres" (from 1993-03-02 until 1993-03-07)
composer:
Léo Delibes (composer)
part of:
Le roi l'a dit: Acte II
Léo Delibes2:43
11Si j'étais roi: Grand air: De vos nobles aïeus
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
Si j'étais roi: Acte II. Grand air "De vos nobles aïeux" (Néméa) (from 1993-03-02 until 1993-03-07)
composer:
Adolphe Adam (composer)
part of:
Si j'étais roi: Acte II
Adolphe Adam7:03
12La Fête du village voisin: Boléro
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
La Fête du village voisin: Acte I. Boléro (from 1993-03-02 until 1993-03-07)
composer:
François‐Adrien Boïeldieu
part of:
La Fête du village voisin: Acte I
François‐Adrien Boïeldieu2:34
13La Reine Topaze: Carnaval de venise
recording engineer:
Colin Moorfoot (engineer) (from 1993-03-02 until 1993-03-07)
producer:
Christopher Pope (producer) (in 1993-03) and Michael Woolcock (producer) (in 1993-03)
soprano vocals:
Sumi Jo (soprano) (from 1993-03-02 until 1993-03-07)
orchestra:
English Chamber Orchestra (from 1993-03-02 until 1993-03-07)
additional conductor:
Stephan Von Cron (in 1993-03)
conductor:
Richard Bonynge (conductor and pianist) (from 1993-03-02 until 1993-03-07)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1993-03-02 until 1993-03-07)
recording of:
La Reine Topaze: Carnaval de Venise (from 1993-03-02 until 1993-03-07)
composer:
Victor Massé (from 1856-12-27 until 1857)
part of:
La Reine Topaze
Victor Massé6:30
14Le Toréador: Ah! Vous dirai-je, maman
recording engineer:
James Lock (engineer) (in 1996-06) and Graham Meek (in 1996-06)
producer:
Ian Watson (conductor and keyboardist) (in 1996-06)
soprano vocals:
Sumi Jo (soprano) (in 1996-06)
orchestra:
Orchestra of the Welsh National Opera (in 1996-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1996-06)
recorded at:
Brangwyn Hall in Swansea (in 1996-06)
recording of:
Le Toréador: Acte I. "Ah ! vous dirai-je, maman" (Coraline) (in 1996-06)
composer:
Adolphe Adam (composer)
librettist:
Thomas-Marie-François Sauvage
part of:
Le Toréador: Acte I
Adolphe Adam6:46

Credits