Rarities

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Scena & Aria: Ah! Perfido, op. 65
engineer:
Paul Vavasseur (engineer) (from 1963-12 until 1964-01)
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12 until 1964-01, from 1963-12-06 until 1964-01-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12 until 1964-01, from 1963-12-06 until 1964-01-08)
conductor:
Nicola Rescigno (conductor) (from 1963-12 until 1964-01, from 1963-12-06 until 1964-01-08)
recorded at:
Salle Wagram in Paris (from 1963-12 until 1964-01, from 1963-12-06 until 1964-01-08)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (from 1963-12-06 until 1964-01-08)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (from 1963-12 until 1964-01)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
Ludwig van Beethoven14:31
2Don Giovanni: Non mi dir (Atto II)
recorded in:
Firenze (in 1953-01)
soprano vocals:
Maria Callas (soprano) (in 1953-01)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953-01)
conductor:
Tullio Serafin (conductor) (in 1953-01)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (in 1953-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:48
3Die Entführung aus dem Serail: Tutte le torture (Martern aller Arten, 2. Akt)
recorded in:
Sanremo (on 1954-12-27)
soprano vocals:
Maria Callas (soprano) (on 1954-12-27)
orchestra:
Orchestra Della RAI (on 1954-12-27)
conductor:
Alfredo Simonetto (Italian conductor) (on 1954-12-27)
live recording of:
Die Entführung aus dem Serail / Il ratto dal seraglio: “Tutte le torture” (on 1954-12-27)
composer:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze)
part of:
Il ratto dal serraglio (Die Entführung aus dem Serail, italian version)
Wolfgang Amadeus Mozart8:38
4Oberon: Ocean, thou mighty monster (Act II)
engineer:
Douglas Larter (in 1962-04)
soprano vocals:
Maria Callas (soprano) (in 1962-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1962-04)
conductor:
Walter Legge (British classical record producer, 1906-1979) (in 1962-04) and Antonio Tonini (conductor) (in 1962-04)
recorded at:
Kingsway Hall in London (Greater London) (in 1962-04)
partial recording of:
Oberon, J. 306: Act II (in 1962-04)
composer:
Carl Maria von Weber (composer)
librettist:
James Robinson Planché
part of:
Oberon, J. 306
Carl Maria von Weber8:07
5Armida: D'amore al dolce impero (Atto II)
recorded in:
Sanremo (on 1954-12-27)
soprano vocals:
Maria Callas (soprano) (on 1954-12-27)
orchestra:
Orchestra Della RAI (on 1954-12-27)
conductor:
Alfredo Simonetto (Italian conductor) (on 1954-12-27)
live recording of:
Armida: Atto II. N. 10 Finale secondo “D'amore al dolce impero” (Armida, coro) (on 1954-12-27)
composer:
Gioachino Rossini (composer)
librettist:
Giovanni Schmidt (librettist)
part of:
Armida: Atto II
Gioachino Rossini5:07
6Lucrezia Borgia: Tranguillo ei posa... Com´è bello (Prologo)
engineer:
Douglas Larter (in 1961-11)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (in 1961-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1961-11)
conductor:
Antonio Tonini (conductor) (in 1961-11)
recorded at:
Kingsway Hall in London (Greater London) (in 1961-11)
recording of:
Lucrezia Borgia: Prologo. Romanza “Tranquillo ei posa … Com'è bello! … Quale incanto …” (Lucrezia) (in 1961-11)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucrezia Borgia: Prologo
Gaetano Donizetti7:57
7Don Carlo: O don f(Atto IV)
engineer:
Douglas Larter (in 1961-04)
soprano vocals:
Maria Callas (soprano) (in 1961-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1961-04)
conductor:
Walter Legge (British classical record producer, 1906-1979) (in 1961-04) and Antonio Tonini (conductor) (in 1961-04)
recorded at:
Kingsway Hall in London (Greater London) (in 1961-04)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1961-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:32
8I vespri siciliani: Arrigo! Ah parli ad un core (Atto IV)
engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (in 1960-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1960-07)
conductor:
Antonio Tonini (conductor) (in 1960-07)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1960-07)
recording of:
I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” (Elena, Arrigo) (in 1960-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi4:31
9Il Travatore: Vanne... Lasciami... D'Amor Sull'Ali Rosee (Atto IV)
engineer:
Paul Vavasseur (engineer) (from 1964-04 until 1965-01)
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1964-04 until 1965-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-04 until 1965-01)
conductor:
Nicola Rescigno (conductor) (from 1964-04 until 1965-01)
recorded at:
Salle Wagram in Paris (from 1964-04 until 1965-01)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1964-04 until 1965-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:32
10I Lombardi: Te, Vergin santa, invoco! (Atto I)
engineer:
Paul Vavasseur (engineer) (from 1964-04 until 1965-01)
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1964-04 until 1965-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-04 until 1965-01)
conductor:
Nicola Rescigno (conductor) (from 1964-04 until 1965-01)
recorded at:
Salle Wagram in Paris (from 1964-04 until 1965-01)
recording of:
I Lombardi: Atto I. N°4 Preghiera “Salve Maria” (Giselda) (from 1964-04 until 1965-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
Giuseppe Verdi3:51
11Aida: Pur ti riveggo, mia dolce aida (Atto III)
engineer:
Paul Vavasseur (engineer) (in 1964-07)
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (on 1964-06-17, in 1964-07)
tenor vocals:
Franco Corelli (tenor) (on 1964-06-17, in 1964-07)
orchestra:
Orchestre national de France (RTF / ORTF / Radio France) and Orchestre de l’Opéra national de Paris (on 1964-06-17, in 1964-07)
conductor:
Georges Prêtre (conductor) (on 1964-06-17, in 1964-07)
recorded at:
Salle Wagram in Paris (on 1964-06-17, in 1964-07)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (on 1964-06-17)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (in 1964-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi9:33