Golden Girl

~ Release by Doris Day (see all versions of this release, 2 available)

Annotation

All tracks mono except tracks 2-18 to 2-25.

Annotation last modified on 2011-08-29 05:25 UTC.

Tracklist

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▼ CD 1
#TitleRatingLength
1Sentimental Journey
recorded in:
New York, United States (on 1944-11-20)
vocals:
Doris Day (on 1944-11-20)
orchestra:
Les Brown and His Orchestra (on 1944-11-20)
recording of:
Sentimental Journey (on 1944-11-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
3:13
2My Dreams Are Getting Better All the Time
orchestra:
Les Brown and His Orchestra (on 1945-02-01)
recording of:
My Dreams Are Getting Better All The Time (on 1945-02-01)
lyricist:
Mann Curtis
composer:
Vic Mizzy (US television & movie composer) (in 1945)
3:20
3It's Magic
vocals:
Doris Day (in 1947)
orchestra:
George Siravo and His Orchestra (in 1947)
conductor:
Percy Faith (on 1947-11-12)
recording of:
It’s Magic (on 1947-11-12)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
3:28
4Love Somebody
vocals:
Buddy Clark (US 1930s~1940s singer) (on 1947-11-21)
orchestra:
George Siravo Orchestra (on 1947-11-21)
recording of:
Love Somebody
writer:
Alex Kramer and Joan Whitney
3:04
5Tacos, Enchiladas and Beans
2:52
6Put 'em in a Box, Tie 'em With a Ribbon (and Throw 'em in the Deep Blue Sea)
3:07
7Someone Like You
vocals:
Doris Day (in 1949)
orchestra:
George Siravo and His Orchestra (in 1949)
recording of:
Someone Like You
lyricist:
Ralph Blane
composer:
Harry Warren (US composer and lyricist)
2:50
8That Old Feeling
3:04
9Again
recording of:
Again
lyricist:
Dorcas Cochran
composer:
Lionel Newman
2:48
10At the Cafe Rendezvous
recording of:
At the Café Rendezvous
lyricist:
Sammy Cahn
composer:
Jule Styne
2:50
11You Can Have Him
3:26
12Cuttin' Capers
2:41
13The Very Thought of You
vocals:
Doris Day (in 1950)
orchestra:
Harry James and His Orchestra (in 1950)
recording of:
The Very Thought of You
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
3:03
14Too Marvelous for Words
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:17
15I Only Have Eyes for You
3:21
16Crazy Rhythm
2:27
17I've Never Been in Love Before
recorded in:
Hollywood, United States (on 1950-09-13)
vocals:
Doris Day (on 1950-09-13)
orchestra:
Paul Weston and His Orchestra (on 1950-09-13)
recording of:
I’ve Never Been in Love Before (on 1950-09-13)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
3:05
18It's a Lovely Day Today
recording of:
It’s a Lovely Day Today
lyricist and composer:
Irving Berlin (in 1950)
3:00
19You're Getting to Be a Habit With Me
vocals:
Doris Day (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
2:55
20In a Shanty in Old Shanty Town
2:55
21Lullaby of Broadway
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 8th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 8)
part of:
42nd Street (full musical)
2:52
22On Moonlight Bay
2:30
23(Why Did I Tell You I Was Going To) Shanghai
vocals:
Doris Day (on 1951-05-15)
orchestra:
Paul Weston and His Orchestra (on 1951-05-15)
recording of:
(Why Did I Tell You I Was Going to) Shanghai
writer:
Milton DeLugg and Bob Hilliard
2:20
▼ CD 2
#TitleRatingLength
1Baby Doll
2:54
2It Had to Be You
2:42
3Sugarbush
vocals:
Doris Day (on 1952-02-07) and Frankie Laine (on 1952-02-07)
additional orchestra:
Carl Fischer and His Orchestra (on 1952-02-07)
recording of:
Sugarbush (Based on a the Afrikaans melody Suikerbossie) (on 1952-02-07)
arranger:
Josef Marais (South African singer, songwriter)
2:01
4A Guy Is a Guy
vocals:
Doris Day (on 1952-02-07)
orchestra:
Paul Weston Orchestra (on 1952-02-07)
conductor:
Paul Weston (on 1952-02-07)
recording of:
A Guy Is a Guy (on 1952-02-07)
lyricist and composer:
Oscar Brand
publisher:
Ludlow Music
2:42
5April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
43:11
6Ain't We Got Fun?
2:37
7The Black Hills of Dakota
vocals:
Doris Day (in 1953)
orchestra:
Nat Heindorf and His Orchestra (in 1953)
recording of:
The Black Hills of Dakota (from "Calamity Jane")
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
Calamity Jane (stage musical)
33:02
8Secret Love
vocals:
Doris Day (on 1953-08-05)
orchestra:
The Warner Bros. Orchestra (on 1953-08-05)
conductor:
Ray Heindorf (on 1953-08-05)
recording of:
Secret Love (song from “Calamity Jane”) (on 1953-08-05)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!) and Warner Chappell North America
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 26)
part of:
Calamity Jane (stage musical)
33:41
9I Speak to the Stars
3:04
10If I Give My Heart to You
background vocals:
The Mellomen (American singing quartet) (in 1954)
vocals:
Doris Day (in 1954)
orchestra:
Percy Faith Orchestra (Faith's orchestra before his death in 1976) (in 1954)
conductor:
Percy Faith (in 1954)
recording of:
If I Give My Heart to You
writer:
Jimmie Crane, Al Jacobs and Milton Gabler
2:52
11There's a Rising Moon
recording of:
There’s a Rising Moon
lyricist:
Paul Francis Webster
composer:
Sammy Fain
3:08
12Shaking the Blues Away
vocals:
Doris Day
recording of:
Shaking the Blues Away
lyricist and composer:
Irving Berlin (in 1927)
part of:
Easter Parade (full musical)
3:33
13I'll Never Stop Loving You
vocals:
Doris Day (in 1955)
orchestra:
Percy Faith Orchestra (Faith's orchestra before his death in 1976) (in 1955)
conductor:
Percy Faith (in 1955)
recording of:
I’ll Never Stop Loving You
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
1:57
14Whatever Will Be, Will Be (Que será, será)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
2:08
15There Once Was a Man
3:21
16Everybody Loves a Lover
vocals:
Doris Day (on 1958-05-12)
orchestra:
Frank DeVol’s Orchestra (on 1958-05-12)
conductor:
Frank De Vol (on 1958-05-12)
recording of:
Everybody Loves a Lover (on 1958-05-12)
lyricist:
Richard Adler (musical composer/lyricist)
composer:
Robert Allen (US songwriter/arranger/pianist)
2:43
17That Jane From Maine
2:29
18Pillow Talk
recording of:
Pillow Talk
writer:
Inez James and Buddy Pepper
2:12
19Lover Come Back
2:18
20You're Good for Me
2:05
21My Romance
2:34
22Doin' What Comes Natur'lly
recording of:
Doin’ What Comes Natur’lly (Annie Get Your Gun)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd.
part of:
Annie Get Your Gun
2:49
23Let the Little Girl Limbo
recording of:
Let the Little Girl Limbo
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:34
24Move Over Darling
recording of:
Move Over Darling
writer:
Hal Kanner (director), Joe Lubin and Terry Melcher
publisher:
Daywin Music Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:41
25Sorry
recording of:
Sorry
writer:
Buddy Pepper and Richard A. Whiting
42:21