The Complete Piano Works

~ Release by Debussy; Walter Gieseking (see all versions of this release, 2 available)

Annotation

Mono - Recorded in 1951–1955
Remastered in 24-bit/96kHz at Abbey Road studios 2011
℗1953-1957
Remastered ℗2011 Parlophone Records Ltd
This compilation ℗2017 Parlophone Records Ltd

Annotation last modified on 2018-03-02 22:41 UTC.

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Images, Set I: I. Reflets dans l'eau (Andantino molto)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-13 until 1953-08-14)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-13 until 1953-08-14)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (from 1953-08-13 until 1953-08-14)
composer:
Claude Debussy (composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy5:06
2Images, Set I: II. Hommage à Rameau (Lent et grave)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-13 until 1953-08-14)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-13 until 1953-08-14)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 2. Hommage à Rameau (from 1953-08-13 until 1953-08-14)
composer:
Claude Debussy (composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy6:27
3Images, Set I: III. Mouvement (Animé)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-13 until 1953-08-14)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-13 until 1953-08-14)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 3. Mouvement (from 1953-08-13 until 1953-08-14)
composer:
Claude Debussy (composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy3:01
4Images, Set II: I. Cloches à travers les feuilles (Lent)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-13 until 1953-08-14)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-13 until 1953-08-14)
recording of:
Images, Livre 2, L. 111, CD 120: No. 1. Cloches à travers les feuilles (from 1953-08-13 until 1953-08-14)
composer:
Claude Debussy (composer) (in 1907-10)
dedicated to:
Alexandre Charpentier
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy3.853:48
5Images, Set II: II. Et la lune descend sur le temple qui fut (Lent)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-13 until 1953-08-14)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-13 until 1953-08-14)
recording of:
Images, Livre 2, L. 111, CD 120: No. 2. Et la lune descend sur le temple qui fut (from 1953-08-13 until 1953-08-14)
composer:
Claude Debussy (composer) (in 1907-10)
dedicated to:
Louis Laloy
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy4:53
6Images, Set II: III. Poissons d'or (Animé)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-13 until 1953-08-14)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-13 until 1953-08-14)
recording of:
Images, Livre 2, L. 111, CD 120: No. 3. Poissons d'or (from 1953-08-13 until 1953-08-14)
composer:
Claude Debussy (composer) (in 1907-10)
dedicated to:
Ricardo Viñes
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy3:08
7Pour le piano: I. Prélude (Assez animé et très rythmé)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (on 1953-08-17)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (on 1953-08-17)
recording of:
Pour le piano, L. 95, CD 95: I. Prélude. À Mademoiselle M.W. de Romilly. Assez animé et très rythmé - Tempo di cadenza - Tempo I (on 1953-08-17)
composer:
Claude Debussy (composer) (from 1894 until 1901)
dedicated to:
Mademoiselle Worms de Romilly
part of:
Pour le piano, L. 95, CD 95
Claude Debussy3:30
8Pour le piano: II. Sarabande (Avec une élégance grave et lente)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (on 1953-08-17)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (on 1953-08-17)
recording of:
Pour le piano, L. 95, CD 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente (on 1953-08-17)
composer:
Claude Debussy (composer) (from 1894 until 1901)
dedicated to:
Yvonne Lerolle
is based on:
Images oubliées, L. 87, CD 94 : II. Dans le mouvement d’une ‘Sarabande’, c’est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc. (for piano)
part of:
Pour le piano, L. 95, CD 95
Claude Debussy4:43
9Pour le piano: III. Toccata (Vif)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (on 1953-08-17)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (on 1953-08-17)
recording of:
Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (on 1953-08-17)
composer:
Claude Debussy (composer) (from 1894 until 1901)
dedicated to:
Nicolas G. Coronio
part of:
Pour le piano, L. 95, CD 95
Claude Debussy43:33
10Estampes: I. Pagodes (Modérément animé)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-12 until 1953-08-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-12 until 1953-08-13)
recording of:
Estampes, L. 100: I. Pagodes. Modérément animé (for piano) (from 1953-08-12 until 1953-08-13)
composer:
Claude Debussy (composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy4:11
11Estampes: II. La soirée dans Grenade (Mouvement de habanera)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-12 until 1953-08-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-12 until 1953-08-13)
recording of:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera (from 1953-08-12 until 1953-08-13)
composer:
Claude Debussy (composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy4:20
12Estampes: III. Jardins sous la pluie (Net et vif)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Geraint Jones (conductor, organist / harpsichordist)
piano:
Walter Gieseking (classical pianist 1895-1956) (from 1953-08-12 until 1953-08-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood (from 1953-08-12 until 1953-08-13)
recording of:
Estampes, L. 100: III. Jardins sous la pluie. Net et vif (for piano) (from 1953-08-12 until 1953-08-13)
composer:
Claude Debussy (composer) (in 1903-07)
is based on:
Images oubliées, L. 87, CD 94 : III. Quelques aspects de ‘Nous n’irons plus au bois’ parce qu’il fait un temps insupportable (for piano)
part of:
Estampes, L. 100, CD 108 (for piano)
Claude Debussy3:18
▶ CD 3
▶ CD 4
▶ CD 5

Credits

Release

ASIN:US: B071P1LWXJ [info]