| # | Title | Artist | Rating | Length |
|---|
| 1 | Sunrise- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar and banjolin:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- slit drum:
- Andrew Borger (from 2003 until 2004)
- background vocals [backup vocal]:
- Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- Sunrise (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music and Muthajones Music
| Norah Jones | 3.8 | 3:21 |
| 2 | What Am I to You?- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Levon Helm (from 2003 until 2004)
- electric guitar:
- Tony Scherr (from 2003 until 2004)
- Hammond organ:
- Garth Hudson (from 2003 until 2004)
- Wurlitzer electric piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- What Am I to You? (from 2003 until 2004)
- lyricist and composer:
- Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. and Muthajones Music
| Norah Jones | 4.25 | 3:30 |
| 3 | Those Sweet Words- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Kevin Breit (from 2003 until 2004) and Jesse Harris (from 2003 until 2004)
- cajón [box]:
- Andrew Borger (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- piano and lead vocals [vocals]:
- Norah Jones (from 2003 until 2004)
- reed organ [pump organ]:
- Rob Burger (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- Those Sweet Words (from 2003 until 2004)
- writer:
- Lee Alexander and Richard Julian
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music, Slow New York Music and Sony/ATV Songs LLC
| Norah Jones | 4.35 | 3:23 |
| 4 | Carnival Town- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Jesse Harris (from 2003 until 2004)
- cello:
- Jane Scarpantoni (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- viola:
- David Gold (from 2003 until 2004)
- strings arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- Carnival Town (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music and Muthajones Music
| Norah Jones | 3.25 | 3:12 |
| 5 | In the Morning- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Adam Levy (from 2003 until 2004)
- double bass [acoustic bass] and electric bass guitar:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Andrew Borger (from 2003 until 2004)
- resonator guitar:
- Kevin Breit (from 2003 until 2004)
- Wurlitzer electric piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- In the Morning (from 2003 until 2004)
- lyricist and composer:
- Adam Levy
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Bughouse, Lost Wax Music and Universal Music Corp.
| Norah Jones | 3.65 | 4:07 |
| 6 | Be Here to Love Me- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- accordion:
- Garth Hudson (from 2003 until 2004)
- acoustic guitar:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Andrew Borger (from 2003 until 2004)
- electric guitar:
- Adam Levy (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Kevin Breit (from 2003 until 2004), Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- cover recording of:
- Be Here to Love Me (from 2003 until 2004)
- lyricist and composer:
- Townes Van Zandt
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Bughouse and Silver House Music Inc.
| Norah Jones | 3.65 | 3:29 |
| 7 | Creepin’ In- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- reed organ [pump organ]:
- Rob Burger (from 2003 until 2004)
- snare drum:
- Andrew Borger (from 2003 until 2004)
- background vocals [backup vocal]:
- Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- lead vocals [vocal]:
- Norah Jones (from 2003 until 2004) and Dolly Parton (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- Creepin’ In (from 2003 until 2004)
- lyricist and composer:
- Lee Alexander
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. and Fumblethumbs Music
| Norah Jones & Dolly Parton | 3.75 | 3:04 |
| 8 | Toes- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Andrew Borger (from 2003 until 2004)
- electric guitar:
- Adam Levy (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- resonator guitar:
- Kevin Breit (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- Toes (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music and Muthajones Music
| Norah Jones | 3.65 | 3:47 |
| 9 | Humble Me- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- reed organ [pump organ] and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- resonator guitar:
- Kevin Breit (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- Humble Me (from 2003 until 2004)
- lyricist and composer:
- Kevin Breit
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Poverty Playlist and Sony/ATV Songs LLC
| Norah Jones | 3.5 | 4:36 |
| 10 | Above Ground- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Andrew Borger (from 2003 until 2004)
- electric guitar:
- Adam Levy (from 2003 until 2004)
- electric guitar, foot stomps [foot tapping] and resonator guitar:
- Kevin Breit (from 2003 until 2004)
- Wurlitzer electric piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- Above Ground (from 2003 until 2004)
- writer:
- Adrew Borger and Daru Oda
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Chamfered Music and Honk Shoo Music
| Norah Jones | 3.65 | 3:44 |
| 11 | The Long Way Home- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Kevin Breit (from 2003 until 2004)
- cajón [box]:
- Andrew Borger (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- electric guitar:
- Adam Levy (from 2003 until 2004)
- flute [flutes] and background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- cover recording of:
- Long Way Home (from 2003 until 2004)
- writer:
- Kathleen Brennan and Tom Waits
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Jalma Music
| Norah Jones | 4 | 3:13 |
| 12 | The Prettiest Thing- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Kevin Breit (from 2003 until 2004)
- double bass [bass] and lap steel guitar [lap steel]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Brian Blade (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- The Prettiest Thing (from 2003 until 2004)
- writer:
- Lee Alexander , Norah Jones and Richard Julian
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music, Muthajones Music, Slow New York Music and Sony/ATV Songs LLC
| Norah Jones | 3.75 | 3:52 |
| 13 | Don’t Miss You at All- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, United States, Avatar Studios in Hell's Kitchen, United States, Sear Sound in New York, United States and Sorcerer Sound in New York, United States
- mixed at:
- Sear Sound in New York, United States
- recording of:
- Don't Miss You at All (from 2003 until 2004)
- lyricist:
- Norah Jones
- composer:
- Duke Ellington
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Famous Music Corporation , Muthajones Music and Sony/ATV Harmony
| Norah Jones | 4 | 3:07 |
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