Breakin' Out

~ Release by George Shearing Trio, Ray Brown & Marvin “Smitty” Smith (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Just Squeeze Me (But Don't Tease Me)
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
cover recording of:
Just Squeeze Me (but Don’t Tease Me) (in 1987-05)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
5:58
2Day Dream
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
cover recording of:
Day Dream (in 1987-05)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
4:25
3Hallucinations
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
cover recording of:
Hallucinations (in 1987-05)
composer:
Bud Powell
publisher:
Embassy Music Corporation
3:54
4In the Wee Small Hours of the Morning
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
instrumental recording of:
In the Wee Small Hours of the Morning (in 1987-05)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
6:00
5What'll I Do
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
instrumental recording of:
What’ll I Do? (in 1987-05)
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
4:13
6Break Out the Blues
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
recording of:
Break Out the Blues (in 1987-05)
composer:
George Shearing (British jazz pianist)
4:49
7Don't Get Around Much Anymore
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
instrumental recording of:
Don’t Get Around Much Anymore (in 1987-05)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
5:58
8Isn't This a Lovely Day
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
instrumental recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (in 1987-05)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:17
9Twelve Tone Blues
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
recording of:
Twelve Tone Blues (in 1987-05)
composer:
Leonard Feather
3:38
10Prelude to a Kiss
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
instrumental recording of:
Prelude to a Kiss (in 1987-05)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
6:25
11There Is No Greater Love
recorded in:
New York, United States (in 1987-05)
recording engineer:
John (J.C.) Convertiono (engineer) (in 1987-05)
assistant engineer:
Mark Roule
producer:
Carl E. Jefferson
double bass [bass]:
Ray Brown (jazz bassist) (in 1987-05)
drums (drum set):
Marvin “Smitty” Smith (American jazz drummer and composer) (in 1987-05)
piano:
George Shearing (British jazz pianist) (in 1987-05)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
remixed at:
PER in San Francisco, United States
instrumental recording of:
There Is No Greater Love (in 1987-05)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
5:32

Credits

Release group

Wikipedia:en: Breakin' Out [info]
Wikidata:Q16244842 [info]