The Quintessence: New York 1936–1948

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Annotation

Notes

A very decent compilation serving as a nice introduction to Fitzgerald earliest days.

Annotation last modified on 2021-01-21 05:32 UTC.

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Petootie Pie
recorded in:
New York, United States (on 1945-10-08)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1945-10-08)
claves:
Vic Lourie (on 1945-10-08)
double bass:
Jesse ‘Po’ Simpkins (on 1945-10-08)
drums (drum set):
Eddie Byrd (US drummer) (on 1945-10-08)
electric guitar:
Carl Hogan (on 1945-10-08)
maracas:
Harry Dial (on 1945-10-08)
piano:
Wild Bill Davis (on 1945-10-08)
tenor saxophone:
Josh Jackson (tenor saxophone player) (on 1945-10-08)
trumpet:
Aaron Izenhall (on 1945-10-08)
vocals:
Ella Fitzgerald (American jazz singer) (on 1945-10-08) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1945-10-08)
recording of:
Petootie Pie (on 1945-10-08)
writer:
Raymond Leveen, Lorenzo Pack and Frank Paparelli
Louis Jordan & Ella Fitzgerald2:37
2That’s Rich (Bugle Call Rag)
recording of:
That’s Rich
writer:
Sy Oliver
Ella Fitzgerald3:21
3You Won’t Be Satisfied (Until You Break My Heart)
recorded in:
New York, United States (on 1946-01-18)
alto saxophone:
George Koenig (on 1946-01-18) and Bill Stegmeyer (on 1946-01-18)
baritone saxophone:
Milton Schatz (on 1946-01-18)
bass:
Trigger Alpert (on 1946-01-18)
clarinet and reeds:
Bill Stegmeyer (on 1946-01-18)
double bass:
Trigger Alpert (on 1946-01-18)
drums (drum set):
Cozy Cole (on 1946-01-18)
guitar:
Danny Perri (on 1946-01-18)
piano:
Joe Bushkin (on 1946-01-18)
solo trumpet:
Louis Armstrong
tenor saxophone:
Art Drelinger (on 1946-01-18) and Jack Greenberg (on 1946-01-18)
trumpet:
Louis Armstrong (on 1946-01-18) and Billy Butterfield (on 1946-01-18)
vocals:
Louis Armstrong (on 1946-01-18) and Ella Fitzgerald (American jazz singer) (on 1946-01-18)
orchestra:
Bob Haggart and His Orchestra (on 1946-01-18)
conductor:
Bob Haggart (on 1946-01-18)
arranger:
Bob Haggart
cover recording of:
You Won’t Be Satisfied (Until You Break My Heart) (on 1946-01-18)
writer:
Freddy James and Larry Stock
Ella Fitzgerald42:55
4The Frim Fram Sauce
recorded in:
New York, United States (on 1946-01-18)
alto saxophone:
George Koenig (on 1946-01-18) and Bill Stegmeyer (on 1946-01-18)
baritone saxophone:
Milton Schatz (on 1946-01-18)
bass:
Trigger Alpert (on 1946-01-18)
clarinet and reeds:
Bill Stegmeyer (on 1946-01-18)
double bass:
Trigger Alpert (on 1946-01-18)
drums (drum set):
Cozy Cole (on 1946-01-18)
guitar:
Danny Perri (on 1946-01-18)
piano:
Joe Bushkin (on 1946-01-18)
tenor saxophone:
Art Drelinger (on 1946-01-18) and Jack Greenberg (on 1946-01-18)
trumpet:
Louis Armstrong (on 1946-01-18) and Billy Butterfield (on 1946-01-18)
vocals:
Louis Armstrong (on 1946-01-18) and Ella Fitzgerald (American jazz singer) (on 1946-01-18)
orchestra:
Bob Haggart and His Orchestra (on 1946-01-18)
conductor:
Bob Haggart (on 1946-01-18)
arranger:
Bob Haggart
cover recording of:
The Frim‐Fram Sauce (on 1946-01-18)
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Ella Fitzgerald3:14
5I’m Just a Lucky So and So
cover recording of:
I’m Just a Lucky So and So (on 1946-02-21)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (ASCAP-affiliated publisher)
Ella Fitzgerald2:56
6Guilty
cover recording of:
Guilty (on 1947-01-24)
lyricist:
Gus Kahn
composer:
Harry Akst and Richard A. Whiting
Ella Fitzgerald3:13
7Oh, Lady Be Good
cover recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Ella Fitzgerald3:16
8Budella (Blue Skies)
cover recording of:
Blue Skies
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Ella Fitzgerald4:22
9Almost Like Being in Love
cover recording of:
Almost Like Being in Love (from “Brigadoon”)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Brigadoon (complete musical)
Ella Fitzgerald2:12
10Lover Man
cover recording of:
Lover Man
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Ella Fitzgerald4:48
11How High the Moon I
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald4:29
12My Baby Likes to Be‐Bop (and I Like to Bebop Too)
recording of:
My Baby Likes to Be-Bop (And I Like to Be-Bop Too)
lyricist and composer:
Walter Bishop, Sr.
Ella Fitzgerald2:42
13How High the Moon II
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald3:16
14Oool‐Ya‐Koo
recording of:
Ool-Ya-Koo
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
Ella Fitzgerald3:01
15Love That Boy
Ella Fitzgerald2:41
16Mr. Paganini
cover recording of:
You'll Have to Swing It (Mr Paganini)
writer:
Sam Coslow
Ella Fitzgerald3:38
17How High the Moon III
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald7:40
18Flying Home II
cover recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
Ella Fitzgerald4:20