Spanish Guitar Music (Essential classics; small picture of guitar on front)

~ Release by John Williams (see all versions of this release, 6 available)

Annotation

Distributed by Sony Music, but a different cover than the other one... In the pile to scan, will eventually have art uploaded.

Both labels equally prominent on the back, and spine says both.

Annotation last modified on 2016-07-24 19:17 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Asturias
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
guitar:
John Williams (classical guitarist)
arranger:
Andrés Segovia (guitarist)
recorded at:
Bishopsgate Institute in London (Greater London) (in 1969)
recording of:
Suite española No. 1, B 7, Op. 47 No. 5 "Asturias": Leyenda in G minor (for guitar, Segovia) (in 1969)
composer:
Isaac Albéniz (Spanish composer)
arranger:
Andrés Segovia (guitarist)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:20
2Tango
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
Andrés Segovia (guitarist)
recorded at:
Bishopsgate Institute in London (Greater London) (in 1969)
recording of:
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (in 1969)
composer:
Isaac Albéniz (Spanish composer) (in 1890)
arrangement of:
España, seis hojas de álbum, op. 165: II. Tango
Isaac Albéniz2:49
3Canarios
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recording of:
Canarios (in 1969)
composer:
Gaspar Sanz
part of:
Instrucción de música sobre la guitarra española, volumen 1
Gaspar Sanz1:23
4Fandango
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London) (in 1969)
recording of:
Tres piezas españolas, nº 1: Fandango (in 1969)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo3:45
5Nocturno
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recording of:
Nocturno (in 1969)
composer:
Federico Moreno Torroba (composer)
Federico Moreno Torroba3:32
6El Colibri
recorded in:
New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, United States (in 1964-05)
recording of:
El colibrí (in 1964-05)
composer:
Julio Salvador Sagreras
Julio Salvador Sagreras1:14
7Sonata in D
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London) (in 1969)
recording of:
Sonata in D major (in 1969)
composer:
Mateo Albéniz
Mateo Albéniz3:13
8The Corregidor's Dance
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recording of:
El sombrero de tres picos: Parte II. Danza del corregidor (catch-all for arrangements) (in 1969)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El sombrero de tres picos: Parte II. Danza del corregidor
Manuel de Falla1:49
9Fisherman’s Song
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London) (in 1969)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador) (catch-all for arrangements) (in 1969)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
El amor brujo: VI. El círculo mágico (Romance del pescador)
Manuel de Falla2:29
10The Miller’s Dance
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recorded at:
Bishopsgate Institute in London (Greater London) (in 1969)
recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca) (in 1969)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:21
11Madroños
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recording of:
Madroños (in 1969)
composer:
Federico Moreno Torroba (composer)
Federico Moreno Torroba2:47
12La Nit de Nadal
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recording of:
La nit de Nadal (El desembre congelat) (for guitar, Llobet) (in 1969)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
La nit de Nadal
Traditional Catalan Folksong1:11
13El Noy de la Mare
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London) (in 1969)
recording of:
El noi de la mare (Miguel Llobet guitar arrangement) (in 1969)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
El noi de la mare
Traditional Catalan Folksong2:27
14La Maja de Goya
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
recorded at:
Bishopsgate Institute in London (Greater London) (in 1969)
recording of:
La maja de Goya (catch-all for arrangements) (in 1969)
composer:
Enrique Granados (composer)
publisher:
Unión Musical Española
arrangement of:
12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya (song)
Enrique Granados3:43
15Cordoba
engineer:
Michael Hall (engineer) (in 1969) and Mark Sutton (engineer) (in 1969)
producer:
Paul Myers (classical record producer) (in 1969)
classical guitar:
John Williams (classical guitarist) (in 1969)
arranger:
John Williams (classical guitarist)
recording of:
Cantos de España, op. 232, n.º 4: Córdoba (catch-all for arrangements) (in 1969)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Cantos de España, op. 232, n.º 4: Córdoba
Isaac Albéniz6:43
16Recuerdos de la Alhambra
recorded in:
New York, United States (in 1964-05)
producer:
Michael Stavrou (producer/engineer)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recording of:
Recuerdos de la Alhambra (in 1964-05)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega3:33
17Spanish Dance no. 5
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
arranger:
John Williams (classical guitarist)
recorded at:
CBS 30th Street Studio in Manhattan, United States (in 1964-05)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (in 1964-05)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
part of:
12 danzas españolas, op. 37 (catch-all for arrangements)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
composer:
Enrique Granados (composer)
part of:
12 danzas españolas, op. 37 (original for piano)
Enrique Granados4:21
18El Testamen de Amelia
recorded in:
New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, United States (in 1964-05)
recording of:
El testament d’Amèlia (Miguel Llobet guitar arrangement) (in 1964-05)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
El testament d’Amèlia
Traditional Catalan Folksong2:13
19Prelude no. 4 in E minor
recorded in:
New York, United States (in 1966)
producer:
Paul Myers (classical record producer) (in 1966)
classical guitar:
John Williams (classical guitarist) (in 1966)
recording of:
Cinco prelúdios, W419, nº 4: Lento (in 1966)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos3:26
20Sevilla
recorded in:
New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
arranger:
Andrés Segovia (guitarist)
recorded at:
CBS 30th Street Studio in Manhattan, United States (in 1964-05)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (in 1964-05)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:32
21Homanaje
recorded in:
New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, United States (in 1964-05)
recording of:
Homenaje, pour le tombeau de Claude Debussy, G. 56 (for guitar) (in 1964-05)
composer:
Manuel de Falla (Spanish composer) (in 1920-08)
dedicated to:
Claude Debussy (composer)
is based on:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
Manuel de Falla3:32
22Fantasía
recorded in:
New York, United States (in 1966)
producer:
Paul Myers (classical record producer) (in 1966)
classical guitar:
John Williams (classical guitarist) (in 1966)
arranger:
John Williams (classical guitarist)
recording of:
Tres libros de música en cifras para virhuela: Fantasia No.X (IAM 2) (in 1966)
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580) (in 1546)
Alonso Mudarra1:43
23Fandanguillo, op.36
recorded in:
New York, United States (in 1964-05)
producer:
Paul Myers (classical record producer) (in 1964-05)
classical guitar:
John Williams (classical guitarist) (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, United States (in 1964-05)
recording of:
Fandanguillo, op. 36 (in 1964-05)
composer:
Joaquín Turina (composer) (from 1925-05-25 until 1925-06-04)
Joaquín Turina4:40

Credits

Release

engineer:John A. Johnson (engineer)
producer:Howard H. Scott (classical music producer)