Classic Rock Hits

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

Digital Media 1
Digital Media 2
#TitleArtistRatingLength
1Down Boys
producer:
Beau Hill
mixer:
John Jansen (US recording engineer and producer)
recording of:
Down Boys
lyricist and composer:
Jani Lane
publisher:
BMG Platinum Songs US, Dixonyou Music, Erik Turner Music, Great Lips Music, Laney Jane Music and Rich McBitch Music
Warrant4.53:58
2Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
strings arranger:
Mick Harvey
publisher:
Kensington Music Ltd., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.83:57
3Tuff Enuff
engineer:
Carey Taylor
producer:
Dave Edmunds
recording of:
Tuff Enuff
lyricist and composer:
Kim Wilson
The Fabulous Thunderbirds43:22
4Flirtin’ With Disaster
recording engineer and mixer:
Gary Ladinsky (engineer)
assistant engineer:
Cary Pritikin and Bill Vermillion
producer:
Tom Werman
recorded at:
Bee Jay Recording Studios in Orlando, United States and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States
mixed at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States
recording of:
Flirtin' With Disaster (in 1979)
writer:
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet), Dave Hlubek and Banner Thomas
Molly Hatchet4.354:58
5You’ve Got Another Thing ComingJudas Priest3.55:07
6867-5309/Jenny
assistant engineer:
Catharina "Mix" Masters (from 1981-07 until 1981-08)
engineer:
Toby Scott (from 1981-07 until 1981-08)
producer:
Jim Keller (member of Tommy Tutone) and Chuck Plotkin
bass guitar [bass]:
Jon Lyons
drums (drum set) [drums]:
Victor Carberry
guitar, piano and lead vocals:
Tommy Heath
guitar [lead guitar]:
Jim Keller (member of Tommy Tutone)
keyboard [keyboards]:
Steve LeGassick
percussion and background vocals [harmonies]:
John Cowsill
vocals:
Jim Keller (member of Tommy Tutone)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, United States (from 1981-07 until 1981-08)
part of:
Billboard: The 500 Best Pop Songs (number: 494)
recording of:
867‒5309/Jenny
lyricist and composer:
Alex Call and Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:45
7Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler, Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30)
The Psychedelic Furs4.53:58
8And We Danced
recording engineer:
John Agnello (engineer & producer) and William Wittman
assistant engineer:
Carol Cafiero and Dan Nash
producer:
Rick Chertoff
mixer:
David Thoener
mixed at:
Cherokee Studios in Hollywood, United States
recording of:
And We Danced
writer:
Eric Bazilian and Rob Hyman
The Hooters3:46
9The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, United States, Powerplay Studios in Maur and Soundtrade Studios in Solna City
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS‐affiliated) and Seven Doors Music
parody version of:
The Final Sound
Europe4.15:09
10Voices Carry
assistant engineer:
Jeff Lippay and Mike Krowiak
engineer:
Domenic Maita
producer:
Mike Thorne (UK producer & keyboardist)
assistant mixer:
Moira Marquis
mixer:
Bob Clearmountain and Harvey Goldberg
bass guitar:
Aimee Mann
guitar family:
Robert Holmes (guitarist, member of 'Til Tuesday)
membranophone and percussion:
Michael Hausman
piano and synthesizer:
Joey Pesce
vocals:
Aimee Mann, Joey Pesce and Robert Holmes (guitarist, member of 'Til Tuesday)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
recorded at:
RPM Studios in New York, United States
mixed at:
Right Track Recording in Manhattan, United States
recording of:
Voices Carry
lyricist:
Aimee Mann
composer:
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann and Joey Pesce
publisher:
'til tunes associates and Intersong U.S.A. (publisher)
’Til Tuesday4.854:20
11Cum On Feel the Noize
engineer:
Duane Baron
producer:
Spencer Proffer
drums (drum set):
Frankie Banali (US drummer)
electric bass guitar:
Rudy Sarzo
electric guitar:
Carlos Cavazo
keyboard:
Pat Regan (engineer)
lead vocals:
Kevin DuBrow
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
recorded at and mixed at:
Pasha Music House in Hollywood, United States
cover recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd.
sub-publisher:
Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present)
Quiet Riot4.354:49
12Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
recorded at:
Bearsville Studios in Bearsville, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, United States (from 1988 until 1989), Mediasound Studios in New York, United States (from 1988 until 1989), Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (from 1988 until 1989), Right Track Recording in Manhattan, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (from 1988 until 1989) and The Village Recorder (aka The Village Recorder) in Los Angeles, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.454:28
13What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
recorded at:
Coconut Recording in Miami, United States (in 1979-10)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos, Wally Palmar and Mike Skill
publisher:
EMI April Music Inc.
part of:
Freaky Friday (2003)
The Romantics4.72:55
Digital Media 3

Credits