Fantasia on Greensleeves

~ Release by Vaughan Williams, Delius, Elgar, Warlock, Butterworth; Academy of St Martin‐in‐the‐Fields, Neville Marriner (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Fantasia on Greensleeves
producer:
Chris Hazell
flute:
William Bennett (flautist) (from 1980-02-12 until 1980-02-13)
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1981)
recorded at:
Kingsway Hall in London (Greater London) (from 1980-02-12 until 1980-02-13)
recording of:
Fantasia on “Greensleeves” (from 1980-02-12 until 1980-02-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:33
2The Lark Ascending
producer:
Michael Bremner (producer/engineer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1971-05-12 until 1971-05-14)
orchestra:
Academy of St Martin in the Fields (from 1971-05-12 until 1971-05-14)
conductor:
Neville Marriner (conductor) (from 1971-05-12 until 1971-05-14)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London) (from 1971-05-12 until 1971-05-14)
recording of:
The Lark Ascending (for violin and orchestra) (from 1971-05-12 until 1971-05-14)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London) (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams16:07
3English Folk Song Suite: I. March “Seventeen Come Sunday”
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1981)
recorded at:
Kingsway Hall in London (Greater London) (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:21
4English Folk Song Suite: II. Intermezzo “My Bonny Boy”
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1981)
recorded at:
Kingsway Hall in London (Greater London) (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:19
5English Folk Song Suite: III. March “Folk Songs from Somerset”
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1981)
recorded at:
Kingsway Hall in London (Greater London) (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:54
6Serenade for Strings
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1977-06-14 until 1977-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1977-06-14 until 1977-06-15)
balance engineer:
Stanley Goodall (engineer) (in 1977-06) and Andrew Pinder (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London) (from 1977-06-14 until 1977-06-15)
recording of:
Serenade for String Orchestra (from 1977-06-14 until 1977-06-15)
composer:
Peter Warlock (composer) (from 1922 until 1923)
Peter Warlock7:47
7Capriol Suite: I. Basse‐Danse
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London) (on 1977-01-29)
recording of:
Capriol Suite: I. Basse-danse (on 1977-01-29)
composer:
Peter Warlock (composer)
orchestration of:
Capriol Suite: I. Basse-danse (for piano duet)
part of:
Capriol Suite
Peter Warlock1:36
8Capriol Suite: II. Pavane
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London) (on 1977-01-29)
recording of:
Capriol Suite: II. Pavanne (on 1977-01-29)
composer:
Peter Warlock (composer)
orchestration of:
Capriol Suite: II. Pavanne (for piano duet)
part of:
Capriol Suite
Peter Warlock2:10
9Capriol Suite: III. Tordion
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London) (on 1977-01-29)
recording of:
Capriol Suite: III. Tordion (on 1977-01-29)
composer:
Peter Warlock (composer)
orchestration of:
Capriol Suite: III. Tordion (for piano duet)
part of:
Capriol Suite
Peter Warlock1:07
10Capriol Suite: IV. Bransles
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London) (on 1977-01-29)
recording of:
Capriol Suite: IV. Bransles (on 1977-01-29)
composer:
Peter Warlock (composer)
orchestration of:
Capriol Suite: IV. Bransles (for piano duet)
part of:
Capriol Suite
Peter Warlock2:00
11Capriol Suite: V. Pieds‐en‐l’air
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London) (on 1977-01-29)
recording of:
Capriol Suite: V. Pieds‐en‐l’air (on 1977-01-29)
composer:
Peter Warlock (composer)
orchestration of:
Capriol Suite: V. Pieds-en-l’air (for piano duet)
part of:
Capriol Suite
Peter Warlock2:24
12Capriol Suite: VI. Mattachins (Sword Dance)
producer:
Chris Hazell
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (on 1977-01-29)
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer), John Dunkerley (engineer) and Andrew Pinder (in 1977-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
St John’s, Smith Square in London (Greater London) (on 1977-01-29)
recording of:
Capriol Suite: VI. Mattachins (Sword Dance) (on 1977-01-29)
composer:
Peter Warlock (composer)
orchestration of:
Capriol Suite: VI. Mattachins (Sword Dance) (for piano duet)
part of:
Capriol Suite
Peter Warlock1:04
13A Shropshire Lad
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-01) and Stanley Goodall (engineer) (in 1976-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London) (from 1975-12-12 until 1975-12-13)
recording of:
A Shropshire Lad (orchestral rhapsody) (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer)
publisher:
Novello & Co. Ltd.
George Butterworth10:23
14Two English Idylls
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Sir Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-01) and Stanley Goodall (engineer) (in 1976-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London) (from 1975-12-12 until 1975-12-13)
recording of:
Two English Idylls for Small Orchestra (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer)
George Butterworth9:49
15The Banks of Green Willow
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1975-12-12 until 1975-12-13)
conductor:
Neville Marriner (conductor) (from 1975-12-12 until 1975-12-13)
balance engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London) (from 1975-12-12 until 1975-12-13)
recording of:
The Banks of Green Willow, Idyll (from 1975-12-12 until 1975-12-13)
composer:
George Butterworth (composer) (in 1913)
George Butterworth6:06
▶ CD 2

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copyrighted (©) by:The Decca Record Company Limited (for copyrights use only!) (in 1997)
ASIN:US: B0000041LB [info]
discography entry:http://www.deccaclassics.com/gb/cat/4527072 [info]