Hit Mix!

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:28
2Bad Day
recording engineer:
David Boucher and Jeff Dawson
programming:
Jeff Dawson
producer:
Jeff Dawson and Mitchell Froom
mixer:
David Boucher
additional keyboard [keyboards]:
Mitchell Froom
bass:
Davey Faragher and Darren Parris
drums (drum set) [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander and Pete Thomas (drummer)
guitar [guitars]:
Jeff Dawson and Val McCallum (guitarist & singer-songwriter)
keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Area A. in Los Angeles, United States and Mushroom Studios in Vancouver
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, United States
recording of:
Bad Day
writer:
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.23:55
3You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:04
4Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1991 to present) and Warner Music H.K. Ltd. (in 1997)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
Marc Cohn3.854:16
5Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:27
6Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
recording of:
Self Control
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Music SpA (publisher, use Sugar for releases) and Sugar Musik Verlags GmbH (publisher)
version of:
Self Control
Laura Branigan4.84:07
7Follow Me
recording of:
Follow Me
writer:
Michael Bradford and Matthew Shafer
publisher:
Chunky Style Music, Gaje Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Uncle Kracker3:35
8Move On Up
edit of:
Move On Up by Curtis Mayfield
recording of:
Move On Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Curtis Mayfield42:46
9Sleeping Satellite
recording of:
Sleeping Satellite
writer:
Tasmin Archer, John Beck (Writer, producer & musician) and John Hughes (guitarist)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:19
10Stand by Me
recorded in:
New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.62:58
11Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth-pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth-pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth-pop band)
part of:
The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd.
a‐ha4.43:49
12Le Freak
producer:
Bernard Edwards and Nile Rodgers
conductor:
Bernard Edwards and Nile Rodgers
arranger:
Bernard Edwards and Nile Rodgers
part of:
NME: 50 Greatest Guitar Riffs Of All Time: pub_2012-10-25 (number: 10)
recording of:
Le Freak
writer:
Bernard Edwards and Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.255:30
13Waiting for a Girl Like You
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
Foreigner4:52
14Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:29
15December, 1963 (Oh What a Night!)
recording of:
December, 1963 (Oh, What a Night)
lyricist:
Bob Gaudio and Judy Parker
composer:
Bob Gaudio
publisher:
EMI Songs, Jobete Music Co., Inc. and Seasons Music Co.
Frankie Valli & The Four Seasons3:20
16(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:42
17Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London)
mixed at:
Electric Lady Studios in Greenwich Village, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp. and Lido Music, Inc.
The Cars43:55
18Rock Your Baby
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae6:25
19Don’t Let Go (Love)
producer:
Organized Noize (Atlanta hip-hop production group)
recording of:
Don't Let Go (Love)
writer:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) and Rico Wade
En Vogue44:52
20Mustang Sally
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
Wilson Pickett43:07
21Cupid’s Chokehold / Breakfast in America
medley including a cover recording of:
Breakfast in America
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Delicate Music
medley including a recording of:
Cupid's Chokehold
writer:
Roger Hodgson and Travie McCoy
is based on:
Breakfast in America
Gym Class Heroes3:56
22Lost in Music
recording of:
Lost in Music
writer:
Bernard Edwards and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge44:47
23Baby, I Love Your Way
cover recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Nuages Artists Music Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Big Mountain34:10
24Walk On By
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 and フジパシフィックミュージック 第2事業部
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick2:58
25Give Me the Night
producer:
Quincy Jones
bass:
Abraham Laboriel
bass synthesizer [synthesizer bass]:
Richard Tee
drums (drum set):
John “JR” Robinson (session drummer)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
flute and saxophone:
Kim Hutchcroft and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Michael Boddicker
trumpet:
Jerry Hey
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
lead vocals:
George Benson (jazz guitarist/singer)
horn arranger and strings arranger:
Jerry Hey
arranger:
Quincy Jones and Rod Temperton
vocals arranger:
Rod Temperton
recording of:
Give Me the Night
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
George Benson4.63:43
26We’ll Be Alright
Travie McCoy3:17
27Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
mixed at:
Davlen Sound Studios in Universal City, United States
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Pepper Music Inc.
Al Stewart4.356:34
28Just the Way It Is, Baby
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts44:04
29When a Man Loves a Woman
recording of:
When a Man Loves a Woman
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge2:54

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Warner Music Group – X5 Music Group (in 2018)
stream for free:https://open.spotify.com/album/4zn1eUQKfqjhuWNoymA674 [info]
https://www.deezer.com/album/80090132 [info]