Herbert Kegel - Kapellmeister‐Edition, Vol. 1

~ Release by Rundfunk‐Sinfonieorchester Leipzig, Dresdner Philharmonie, MDR Leipzig Radio Chorus & Herbert Kegel (see all versions of this release, 1 available)

Annotation

© «2014 Edel Germany GmbH»
℗ «1968 VEB Deutsche Schallplatten Berlin»

Annotation last modified on 2024-04-27 11:02 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Pictures At an Exhibition: Promenade No. 1 - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: Promenade (orchestrated by Ravel, 1st promenade)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky1:19
2Pictures At an Exhibition: I. Gnomus - Orch. By Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: I. Gnomus (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky2:14
3Pictures At an Exhibition: Promenade, No. 2 - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: Promenade (orchestrated by Ravel, 2nd promenade)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky0:48
4Pictures At an Exhibition: II. The Old Castle - Orch. By Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky4:39
5Pictures At an Exhibition: Promenade, No. 3 - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: Promenade (orchestrated by Ravel, 3rd promenade)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky0:28
6Pictures At an Exhibition: III. Tuileries - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: III. Tuileries (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky1:13
7Pictures At an Exhibition: IV. Bydlo - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: IV. Bydlo (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky3:04
8Pictures At an Exhibition: Promenade No. 4 - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: Promenade (orchestrated by Ravel, 4th promenade)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky0:40
9Pictures At an Exhibition: V. Ballet of the Unhatched Chicks - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky1:10
10Pictures At an Exhibition: VI. Samuel Goldenberg and Schmuyle - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky2:22
11Pictures At an Exhibition: VII. The Market Place at Limoges - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: VII. Limoges - le marché (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky1:20
12Pictures At an Exhibition: VIII. Catacombae - Cum mortuis in lingua mortua - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky3:53
13Pictures At an Exhibition: IX. The Hut Fowl’s Legs, Baba‐Yaga
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky3:30
14Pictures At an Exhibition: X. The Great Gate of Kiev - Orch. Ravel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Mussorgsky5:25
15Orchestral Variations On a Theme By Paganini, Op. 26: Theme
Boris Blacher0:15
16Orchestral Variations On a Theme By Paganini, Op. 26: Variation 1
Boris Blacher0:35
17Orchestral Variations On a Theme By Paganini, Op. 26: Variation 2
Boris Blacher0:35
18Orchestral Variations On a Theme By Paganini, Op. 26: Variation 3
Boris Blacher1:02
19Orchestral Variations On a Theme By Paganini, Op. 26: Variation 4
Boris Blacher0:41
20Orchestral Variations On a Theme By Paganini, Op. 26: Variation 5
Boris Blacher0:19
21Orchestral Variations On a Theme By Paganini, Op. 26: Variation 6
Boris Blacher0:34
22Orchestral Variations On a Theme By Paganini, Op. 26: Variation 7
Boris Blacher0:38
23Orchestral Variations On a Theme By Paganini, Op. 26: Variation 8
Boris Blacher2:04
24Orchestral Variations On a Theme By Paganini, Op. 26: Variation 9
Boris Blacher0:39
25Orchestral Variations On a Theme By Paganini, Op. 26: Variation 10
Boris Blacher1:24
26Orchestral Variations On a Theme By Paganini, Op. 26: Variation 11
Boris Blacher0:39
27Orchestral Variations On a Theme By Paganini, Op. 26: Variation 12
Boris Blacher0:36
28Orchestral Variations On a Theme By Paganini, Op. 26: Variation 13
Boris Blacher0:48
29Orchestral Variations On a Theme By Paganini, Op. 26: Variation 14
Boris Blacher0:35
30Orchestral Variations On a Theme By Paganini, Op. 26: Variation 15
Boris Blacher1:25
31Orchestral Variations On a Theme By Paganini, Op. 26: Variation 16
Boris Blacher1:44
32Die Sieben Todsünden: II. Faulheit. Allegro vivace
baritone vocals:
Günther Leib (baritone)
bass vocals:
Hermann Christian Polster (operatic bass)
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor) and Peter Schreier (German tenor and conductor)
orchestra:
MDR Sinfonieorchester
conductor:
Herbert Kegel (conductor)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:25
33Prince Igor, Act II: Polovtsian Dances
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Russian composer)
arranger:
Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Russian composer)
Alexander Borodin11:20
34Parsifal, WWV 111, Act III: Prelude
orchestra:
MDR Sinfonieorchester
conductor:
Herbert Kegel (conductor)
partial recording of:
Parsifal, WWV 111: III. Aufzug
composer and librettist:
Richard Wagner (composer)
part of:
Parsifal, WWV 111
Richard Wagner3:46
35Threnos: Den Opfern von Hiroshima
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig
conductor:
Herbert Kegel (conductor)
recording of:
Threnody for the Victims of Hiroshima
dedicated to:
Hiroshima
composer:
Krzysztof Penderecki (Polish composer) (in 1960)
Krzysztof Penderecki8:37
36Carmina Burana: Fortuna imperatrix mundi “O Fortuna”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:29
37Carmina Burana: Fortuna imperatrix mundi “Fortune plango vulnera”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:42
38Carmina Burana: I. Primo vere “Veris leta facies”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff3:59
39Carmina Burana: I. Primo vere “Omnia sol temperat”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
baritone vocals:
Karl-Heinz Stryczek (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:05
40Carmina Burana: I. Primo vere “Ecce gratum”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:47
41Carmina Burana: Uf dem anger. Tanz
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:36
42Carmina Burana: Uf dem anger “Floret silva nobilis”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff2:58
43Carmina Burana: Uf dem anger “Chramer, gip die varwe mir”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:03
44Carmina Burana: Uf dem anger “Swaz gie gat umbe” - “Chume, chum geselle min” - “Swaz hie gat umbe”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff4:00
45Carmina Burana: Uf dem anger “Were diu werlt alle min”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:57
46Carmina Burana: II. In taberna “Estuans interius”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
baritone vocals:
Karl-Heinz Stryczek (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:30
47Carmina Burana: II. In taberna “Olim lacus colueram”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
tenor vocals:
Horst Hiestermann (german operatic tenor) (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:57
48Carmina Burana: II. In taberna “Ego sum abbas”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
baritone vocals:
Karl-Heinz Stryczek (from 1974-10 until 1974-11)
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:27
49Carmina Burana: II. In taberna “In taberna quando sumus”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:08
50Carmina Burana: III. Cour d’amours “Amor volat undique”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Dresdner Kapellknaben (from 1974-10 until 1974-11)
soprano vocals:
Celestina Casapietra (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Konrad Wagner (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:19
51Carmina Burana: III. Cour d’amours “Dies, nox et omnia”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
baritone vocals:
Karl-Heinz Stryczek (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:27
52Carmina Burana: III. Cour d’amours “Stetit puella”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
soprano vocals:
Celestina Casapietra (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:52
53Carmina Burana: III. Cour d’amours “Circa mea pectora”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
baritone vocals:
Karl-Heinz Stryczek (from 1974-10 until 1974-11)
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:09
54Carmina Burana: III. Cour d’amours “Si puer cum puellula”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:55
55Carmina Burana: III. Cour d’amours “Veni, veni venias”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:56
56Carmina Burana: III. Cour d’amours “In trutina mentis dubia”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
soprano vocals:
Celestina Casapietra (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:56
57Carmina Burana: III. Cour d’amours “Tempus est iocundum”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
baritone vocals:
Karl-Heinz Stryczek (from 1974-10 until 1974-11)
choir vocals:
Dresdner Kapellknaben (from 1974-10 until 1974-11) and Rundfunkchor Leipzig (from 1974-10 until 1974-11)
soprano vocals:
Celestina Casapietra (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11) and Konrad Wagner (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:08
58Carmina Burana: III. Cour d’amours “Dulcissime”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
soprano vocals:
Celestina Casapietra (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:44
59Carmina Burana: Blanziflor et Helena “Ave formosissima”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff1:56
60Carmina Burana: Fortuna imperatrix mundi “O Fortuna”
recording engineer:
Hartmut Kölbach (engineer)
producer:
Eberhard Geiger
editor:
Annelene Dziengel
choir vocals:
Rundfunkchor Leipzig (from 1974-10 until 1974-11)
orchestra:
Rundfunk-Sinfonie-Orchester Leipzig (from 1974-10 until 1974-11)
conductor:
Herbert Kegel (conductor) (from 1974-10 until 1974-11)
chorus master:
Horst Neumann (choir master and conductor) (from 1974-10 until 1974-11)
balance engineer:
Eberhard Richter (engineer)
recorded at:
Versöhnungskirche (Leipzig) in Leipzig (from 1974-10 until 1974-11)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1974-10 until 1974-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:36
61Suite No. 2: I. Marche
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1973-10)
conductor:
Herbert Kegel (conductor) (in 1973-10)
recording of:
Suite no. 2 for Small Orchestra: I. Marche (in 1973-10)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Suite no. 2 for Small Orchestra
Igor Stravinsky1:18
62Suite No. 2: II. Valse
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1973-10)
conductor:
Herbert Kegel (conductor) (in 1973-10)
recording of:
Suite no. 2 for Small Orchestra: II. Valse (in 1973-10)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Suite no. 2 for Small Orchestra
Igor Stravinsky2:08
63Suite No. 2: III. Polka
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1973-10)
conductor:
Herbert Kegel (conductor) (in 1973-10)
recording of:
Suite no. 2 for Small Orchestra: III. Polka (in 1973-10)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Suite no. 2 for Small Orchestra
Igor Stravinsky1:03
64Wozzeck, Op. 7, Act III: Verwandlung. Orchester‐Epilog - Invention über eine Tonart
Alban Berg3:25
65Symphony No. 4 in G Major: IV. Sehr behaglich
soprano vocals:
Celestina Casapietra (from 1976-12-20 until 1976-12-22)
orchestra:
MDR Sinfonieorchester (from 1976-12-20 until 1976-12-22)
conductor:
Herbert Kegel (conductor) (from 1976-12-20 until 1976-12-22)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (from 1976-12-20 until 1976-12-22)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler8:38
66Suite No. 2: IV. Galop
orchestra:
Rundfunk‐Sinfonieorchester Leipzig (in 1973-10)
conductor:
Herbert Kegel (conductor) (in 1973-10)
recording of:
Suite no. 2 for Small Orchestra: IV. Galop (in 1973-10)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Suite no. 2 for Small Orchestra
Igor Stravinsky2:01