Barcarole-Berühmte opern-Arien & Duette

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Les Contes d’Hoffmann: Belle nuit, ô nuit d’amour
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (engineer)
recorded at:
Victoria Hall (Geneva) in Genève (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Joan Sutherland, Huguette Tourangeau, Orchestre de la Suisse Romande, Richard Bonynge4:13
2La Traviata: Parigi, o cara
soprano vocals [Violetta]:
Joan Sutherland (soprano)
tenor vocals [Alfredo]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Sir John Pritchard (conductor)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
Joan Sutherland, Carlo Bergonzi, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard4:48
3Don Giovanni: Là ci darem la mano
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
baritone vocals [Don Giovanni]:
Tom Krause (bass-baritone) (on 1971-10-06)
soprano vocals [Zerlina]:
Lucia Popp (soprano) (on 1971-10-06)
orchestra:
Vienna Haydn Orchestra (on 1971-10-06)
conductor:
István Kertész (conductor) (on 1971-10-06)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Sofiensaal in Landstraße (on 1971-10-06)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (on 1971-10-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Lucia Popp, Tom Krause, Wiener Haydn‐Orchester, István Kertész3:24
4Les pêcheurs des perles: Au fond du temple saint
baritone vocals [Zurga]:
Gino Quilico (baritone)
tenor vocals [Nadir]:
Gregory Cross (tenor)
orchestra:
Orchestre symphonique de Montréal
conductor:
Charles Dutoit (conductor)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Gregory Cross, Gino Quilico, Orchestre symphonique de Montréal, Charles Dutoit5:02
5Lakmé: Dôme épais le jasmin
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre national de l'Opéra de Monte-Carlo (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1968)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
recording of:
Lakmé: Flower Duet (catch-all for arrangements) (in 1968)
composer:
Léo Delibes (composer)
arrangement of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika)
Joan Sutherland, Jane Berbié, Orchestre national de l'Opéra de Monte-Carlo, Richard Bonynge5:05
6Les Contes d'Hoffmann: C'est une chanson d'amour
Plácido Domingo, Joan Sutherland, Orchestre de la Suisse Romande, Richard Bonynge2:20
7Don Carlos: Ascolta! Le porte dell'asil ... Dio, che nell'alma infondere
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Carlo Bergonzi, Dietrich Fischer‐Dieskau, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti5:37
8Manson Lescaut: Oh, sarô ... Tu, tu, amore tu
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals [Des Grieux]:
José Carreras (Spanish tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
José Carreras, Kiri Te Kanawa, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly8:36
9Semiramide: Alle più calde immagini
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1966-01-13)
soprano vocals:
Joan Sutherland (soprano) (on 1966-01-13)
orchestra:
London Symphony Orchestra (on 1966-01-13)
conductor:
Richard Bonynge (conductor and pianist) (on 1966-01-13)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (on 1966-01-13)
recording of:
Semiramide: Atto I. “Alle più care immagini” (Semiramide, Arsace) (on 1966-01-13)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge3:56
10La Bohème: O soave fanciulla
Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan4:15
11Le nozze di figaro: Cosa mi narri? ... Che soave zeffiretto
Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti3:15
12Rigoletto: E' il sol dell'anima ... Che m'ami, deh, ripetimi
Joan Sutherland, Renato Cioni, Orchestra dell’Accademia Nazionale di Santa Cecilia, Nino Sanzogno5:18
13Norma: Mira, o Norma ...
Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge4:10
14Cavalleria rusticana: No, no, Turiddu
Júlia Várady, Luciano Pavarotti, National Philharmonic Orchestra, Gianandrea Gavazzeni5:02
15Il barbiere di Siviglia: Dunque io son ... Tu non m'inganni?
baritone vocals [Figaro]:
Manuel Ausensi (baritone) (from 1964-07 until 1964-08)
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (from 1964-07 until 1964-08)
orchestra:
Orchestra Rossini di Napoli (from 1964-07 until 1964-08)
conductor:
Silvio Varviso (conductor) (from 1964-07 until 1964-08)
recorded at:
Conservatorio di Musica San Pietro a Majella di Napoli in Napoli (from 1964-07 until 1964-08)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1964-07 until 1964-08)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Teresa Berganza, Manuel Ausensi, Orchestra Rossini di Napoli, Silvio Varviso5:22
16La Traviata: Libiamo ne lieti calici
Joan Sutherland, Carlo Bergonzi, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard3:00