Cry Me a River: The Collection

~ Release by Julie London (see all versions of this release, 1 available)

Annotation

has slipover cardboard outer that closes at one end

Annotation last modified on 2018-03-30 07:17 UTC.

Tracklist

▶ CD 1
▼ CD 2
#TitleRatingLength
1Hot Toddy
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Hot Toddy (in 1958-07)
writer:
Ralph Flanagan (Band leader, songwriter) and Herb Hendler
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. and Valley Entertainment Enterprises
1:50
2Bewitched, Bothered and Bewildered
producer:
Si Waronker
vocals:
Julie London
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
2:54
3I Should Care
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I Should Care (in 1955-08)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:19
4Love Must Be Catchin’
vocals:
Julie London
cover recording of:
Love Must Be Catchin’
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Cross Music Ltd.
2:10
5It Could Happen to You
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
It Could Happen to You
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
3:13
6Memphis in June
producer:
Bobby Troup
vocals:
Julie London
conductor:
Pete King (composer/arranger)
arranger:
Pete King (composer/arranger)
recording of:
Memphis in June (in 1956)
lyricist:
Paul Francis Webster (in 1945)
composer:
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1945), Universal Music Publishing International Ltd. (in 1945) and Webster Music Co. (in 1945)
2:00
7If I’m Lucky
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
If I’m Lucky (in 1958-07)
composer:
Eddie DeLange and Josef Myrow
publisher:
Triangle Music Corp. (ASCAP), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music International Ltd. and Wise Brothers Music LLC
2:20
8One for My Baby
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:10
9They Can’t Take That Away From Me
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:09
10You and the Night and the Music
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (in 1960-08)
cover recording of:
You and the Night and the Music
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
2:40
11The Thrill Is Gone
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
orchestra:
The Jimmy Rowles Orchestra
recorded at:
Julie London’s living room
recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
3:22
12Comin’ Thru the Rye
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Comin’ Thro’ the Rye
lyricist:
Robert Burns (18th century Scottish poet/lyricist) (in 1782)
composer:
[traditional] (special purpose artist)
publisher:
Heatherfield Music
2:38
13Cuddle Up a Little Closer
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Cuddle Up a Little Closer
lyricist:
Otto Harbach
composer:
Karl Hoschna
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:12
14After the Ball
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
After the Ball
lyricist and composer:
Charles K. Harris (late 19th / early 20th century composer)
publisher:
T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Show Boat: Act II
2:46
15Be My Little Baby Bumble Bee
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Be My Little Baby Bumble Bee
writer:
Henry I. Marshall and Stanley Murphy
publisher:
Redwood Music Ltd. (Carlin)
3:27
16De Camptown Races
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Camptown Races
lyricist and composer:
Stephen Foster (composer)
3:24
17Old Folks at Home
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Old Folks at Home (Swanee River)
anthem of:
Florida, United States (from 1935 to present)
lyricist and composer:
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
2:45
18Darktown Strutters Ball
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Darktown Strutters’ Ball
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:33
19How Come You Do Me Like You Do?
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
How Come You Do Me Like You Do (Do, Do)
writer:
Gene Austin (in 1924) and Roy Bergere (in 1924)
publisher:
EMI Harmonies Limited and EMI Mills Music Inc. (ASCAP-affiliated)
2:33
20Bill Bailey, Won’t You Please Come Home
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Bill Bailey, Won’t You Please Come Home
lyricist and composer:
Hughie Cannon
publisher:
Henrees Music co. and Shawnee Press Inc.
1:51

Credits

Release

manufactured in:the EU
liner notes:Alan Robinson (compilation producer and author of liner notes) (in 2015-08)
copyrighted (©) by:Demon Music Group Ltd. (for release labels, use "Demon Music Group"; subsidiary of BBC Studios Distribution) (in 2015)
phonographic copyright (℗) by:Music Club Deluxe Legends (in 2015)
licensed to and marketed by:Demon Music Group Ltd. (for release labels, use "Demon Music Group"; subsidiary of BBC Studios Distribution)
ASIN:UK: B019AGNK1U [info]